On Russian Music
About this book
First published in 1939,
On Russian Music was conceived by Gerald Abraham as a sequel to his earlier
Studies in Russian Music (1935, also in Faber Finds), and complements the previous work in many useful respects. Glinka moves to the forefront via close study of both of his operas. A historical account of the composition of Borodin's
Prince Igor enriches the critical study made in the first book. And chapters on
Mlada and
Tsar Saltan round out Abraham's appreciations of the major operas of Rimsky-Korsakov.
There are also critical and historical essays on works by Mussorgsky, DargomĂŻzhsky, Tchaikovsky and other composers, and analyses that, in their time, threw new light on the programmatic meaning of such well-known compositions as
Scheherazade and the
Path
étique symphony. The book is superbly illustrated with music examples throughout.
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Information
Table of contents
- Cover
- Landing Page
- Title Page
- Dedication
- Contents
- Preface
- I. âA Life for the Tsarâ
- II. âRuslan and Lyudmilaâ
- III. Glinka, DargomĂŻzhsky and âThe Rusalkaâ
- IV. DargomĂŻzhskyâs Orchestral Pieces
- V. The Whole-Tone Scale in Russian Music
- VI. Oriental Elements in Russian Music
- VII. Lisztâs Influence on the âMighty Handfulâ
- VIII. The Collective âMladaâ
- IX. Rimsky-Korsakovâs âMladaâ
- X. âTsar Saltanâ
- XI. New Light on Old Friends.
- XII. The History of âPrince Igorâ
- XIII. Borodinâs Songs
- XIV. Balakirevâs Symphonies
- XV. Balakirevâs Music to âKing Learâ
- XVI. Balakirevâs Piano Sonata
- XVII. âThe Fair of Sorochintsyâ and Cherepninâs Completion of It
- XVIII. âEugene Oneginâ and TchaĂŻkovskyâs Marriage
- XIX. Glazunov: The End of an Episode
- XX. Some Psychological Peculiarities of Russian Creative Artists
- XXI. The Evolution of Russian Harmony
- Index
- Copyright
