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About this book
Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent; abstraction as a vehicle for signification; and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Abstraction in Medieval Art by Elina Gertsman in PDF and/or ePUB format, as well as other popular books in Architettura & Arte generale. We have over one million books available in our catalogue for you to explore.
Information
Topic
ArchitetturaSubtopic
Arte generaleTable of contents
- Cover
- Half Title
- Title
- Copyright
- Table of Contents
- Acknowledgments
- Preface: Withdrawal and Presence
- Part 1 Abstraction / Aporia / Unknowability
- Part II Abstraction / Figuration /Signification
- Part III Abstraction / Epistemology / Perception
- Index