
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Introduction: Experimental Cinema, Expanded Cinema, and Artists’ Film
- 1 Access: Agents, Archives
- 2 Affect: Performance, Audience
- 3 Reconstruction: Memory and Audio-Visual Heritage
- Outlook
- Conclusion
- Acknowledgements
- Illustrations
- General Bibliography
- Index