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About this book
Responses to enslavement are automatically seen as struggles (heroic or otherwise), but in the case of the English Caribbean colonies, the claim was irately made by pro-planter factions, reacting to criticism, that the enslaved Africans were not struggling, they were happy and better off than the poor in England and the idea of hideous enslavement was a prejudiced distortion. Evidence presented was the universal singing, dancing and carousing of the enslaved. A conviction that is really at the base of this irate retort is that society is inescapably hierarchical, with happiness as the ideal for the lower classes and pride or valour as the ideal only for the rulers. The question that may be asked then is: What should the oppressed do – reject this view, fight and die valiantly if necessary or try to survive by amusing themselves and making the best of a bad situation? The fact that the most popular images of the Caribbean today are those of "play" (carnivals, Bob Marley, Rihanna, Usain Bolt), not heroism (as in Haiti) seems to show what option the enslaved in the English colonies chose. A Response to Enslavement addresses the dilemma that the enslaved Africans (mostly young people) faced and how they dealt with it. Peter Roberts examines the critical role of play in human existence as the basis for its role in their response to enslavement and suggests that in a world today where people resort to catastrophic acts of suicide to win their struggles, the choices of the enslaved present a viable alternative.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access A Response to Enslavement by Peter A. Roberts in PDF and/or ePUB format, as well as other popular books in History & Historiography. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Contents
- List of Illustrations
- Acknowledgements
- Note on Terminology
- Introduction: Two Questions, the Imagery of Happiness and a Hope
- 1. Framing the Relationship between Play, Happiness and Honour
- 2. Interpretations That Enhance and Diminish Play
- 3. The Question of an Indigenous Template of Festivity
- 4. Whites Promoting Play in the Colonial Beehive
- 5. From Africa to the Caribbean: Singing and Dancing Marionettes
- 6. Playing in Life and Death
- 7. Dancing in the Street: Parties, Parades, Sets and Masquerades
- 8. “Dancing with Soul in It”
- 9. Singing to Survive and Jive
- 10. Various Faces of Virtue and Honour
- References
- Index