- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
How can creative writers and readers be active agents in fighting social injustices?
With many writers oblivious to how their writing may actually uphold the very problems they seek to undo, this book both assists writers to identify the unrecognized connections between creative writing and processes of power, and equips them with the knowledge to produce works that project kindness and change. Beginning with an exploration of literature's connections with power and focusing on social voice, representation and whose stories are told, the book moves on to emphasize how stories are told, highlighting the political implications in textual presentation and prevalent standards for judging literary merit. Considering how power operates in, through and around stories at the level of form, structure, and narrative order but also through grammar, style, and figurative language, author Amelia Walker outlines strategies for analyzing texts that draw on theories from Indigenous studies, literary criticism, philosophy, cultural studies, education, journalism, and creative writing theory.
Featuring writing and reading activities that translate important theories into practical craft tools, Reading and Writing for Change builds ideas for writers and readers seeking to unbalance the dynamic between literature and power in support of change and to disrupt the status quo and imagine life differently.
With many writers oblivious to how their writing may actually uphold the very problems they seek to undo, this book both assists writers to identify the unrecognized connections between creative writing and processes of power, and equips them with the knowledge to produce works that project kindness and change. Beginning with an exploration of literature's connections with power and focusing on social voice, representation and whose stories are told, the book moves on to emphasize how stories are told, highlighting the political implications in textual presentation and prevalent standards for judging literary merit. Considering how power operates in, through and around stories at the level of form, structure, and narrative order but also through grammar, style, and figurative language, author Amelia Walker outlines strategies for analyzing texts that draw on theories from Indigenous studies, literary criticism, philosophy, cultural studies, education, journalism, and creative writing theory.
Featuring writing and reading activities that translate important theories into practical craft tools, Reading and Writing for Change builds ideas for writers and readers seeking to unbalance the dynamic between literature and power in support of change and to disrupt the status quo and imagine life differently.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Reading and Writing for Change by Amelia Walker in PDF and/or ePUB format, as well as other popular books in Languages & Linguistics & Creative Writing. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- Acknowledgement of Country
- List of tables
- Author Biographies
- Preface
- Foreword
- Acknowledgements
- Note on Terms and Capitalizations
- Map of Chapters
- PART ONE WRITING, KNOWLEDGE, POWER
- 1 Writing and knowledge
- 2 Writing and power
- 3 Representation as re-presentation
- Praxis module one: rethinking representations
- PART TWO CANONS, PUBLISHING, AND THE MYTH OF LITERARY MERIT
- 4 Representative imbalances in the western literary canon and publishing
- 5 The canon as a site of contestation
- 6 Publishing paradoxes and the myth of literary merit
- Praxis module two: contesting canons and publishing
- PART THREE AESTHETICS AS (POLITICAL) CONTENT
- 7 Aesthetics as content
- 8 Conceptual metaphors in figurative language
- 9 Conceptual metaphors through form and structure part one: journey and arc narratives
- 10 Conceptual metaphors through form and structure part two: beyond the journey
- Praxis module three: aesthetics as (political) content
- CONCLUDING REFLECTIONS
- References
- Index
- eCopyright