A Kingdom of Stargazers
eBook - ePub

A Kingdom of Stargazers

Astrology and Authority in the Late Medieval Crown of Aragon

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eBook - ePub

A Kingdom of Stargazers

Astrology and Authority in the Late Medieval Crown of Aragon

About this book

Astrology in the Middle Ages was considered a branch of the magical arts, one informed by Jewish and Muslim scientific knowledge in Muslim Spain. As such it was deeply troubling to some Church authorities. Using the stars and planets to divine the future ran counter to the orthodox Christian notion that human beings have free will, and some clerical authorities argued that it almost certainly entailed the summoning of spiritual forces considered diabolical. We know that occult beliefs and practices became widespread in the later Middle Ages, but there is much about the phenomenon that we do not understand. For instance, how deeply did occult beliefs penetrate courtly culture and what exactly did those in positions of power hope to gain by interacting with the occult? In A Kingdom of Stargazers, Michael A. Ryan examines the interest in astrology in the Iberian kingdom of Aragon, where ideas about magic and the occult were deeply intertwined with notions of power, authority, and providence.

Ryan focuses on the reigns of Pere III (1336–1387) and his sons Joan I (1387–1395) and Martí I (1395–1410). Pere and Joan spent lavish amounts of money on astrological writings, and astrologers held great sway within their courts. When Martí I took the throne, however, he was determined to purge Joan's courtiers and return to religious orthodoxy. As Ryan shows, the appeal of astrology to those in power was clear: predicting the future through divination was a valuable tool for addressing the extraordinary problems—political, religious, demographic—plaguing Europe in the fourteenth century. Meanwhile, the kings' contemporaries within the noble, ecclesiastical, and mercantile elite had their own reasons for wanting to know what the future held, but their engagement with the occult was directly related to the amount of power and authority the monarch exhibited and applied. A Kingdom of Stargazers joins a growing body of scholarship that explores the mixing of religious and magical ideas in the late Middle Ages.

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Information

Part I

POSITIONING THE STARS, DIVINING THE FUTURE

1

PROPHECY, KNOWLEDGE, AND AUTHORITY

Divining the Future and Expecting the End of Days

In the modern world we have all but banished the supernatural to the margins of intellect, to the realm of superstition. Yet during the Middle Ages the spiritual and supernatural worlds were of unquestioned importance to the vast majority of people. Soldiers entered the battlefield only after having been blessed for protection from harm and for salvation should they fall. Families preparing to buy property or arrange for the marriage of a child needed the spiritual guidance and approval of patron saints. The ravages of war, famine, and disease—perceived by some as the deeds of malevolent forces or punishment from an angry God—could be mitigated by praying to benevolent spiritual guardians and intercessors. For the clergy and others in the literate minority, the Bible and the writings of the Church fathers spoke of a vengeful God who had no qualms about punishing mankind for its sins, sometimes by spectacular means. They wrote, edited, analyzed, and disseminated these lessons to the illiterate majority of medieval Christendom.
The decorative arts of cathedrals and churches, their stained-glass windows and stone sculptures, also illustrated the effects of leading a sinful life. The Last Judgment series of stained-glass windows in the fifteenth-century Catalan Gothic church of Santa MarĂ­a del Mar in Barcelona, for instance, horrifically depict the torments of hell that awaited a sinful populace. Created by the master SeverĂ­ Desmanes de Avignon, the images are chilling, as demons prod and push a group of damned souls, glowing red as hot coals, into the mouth of hell while directing their gazes to the congregants who might behold them.1
To soothe a wrathful God, mortals needed spiritual intercessors, beings who knew firsthand the temptations that humans faced and who resisted them successfully. After these holy people died, the surviving members of the Christian community recognized them as saints—individuals whose prior lives attested to humanity’s ability to overcome carnal enticements. During times of crisis, Christians remembered the pious actions of saints, invoking their protection and drawing inspiration for strength to press on. Saints were thus vital for the living world, responding “to the spiritual needs of a generation.”2
Saints were not the only ones who were able to act as intermediaries with the supernatural. Among the living, visionaries and magicians were blessed with extraordinary powers to see beyond the present moment, revisiting the past and even glimpsing the secrets of the future. Not everyone, of course, could claim such abilities, and those who were seen to be genuine visionaries occupied a special but precarious place within society, because the medieval general populace regarded them with both awe and fear. In short, these individuals were both part of and separate from their larger community.
In Jewish and Christian reckoning, the ability to comprehend future events dated back to the biblical prophets. Daniel, Ezekiel, Isaiah, Ezra, and Enoch of the Old Testament and Jesus and John of the New Testament were granted insight into the unfolding of the future. Their abilities, however, were understood to be a divine gift from God. The biblical prophets and Christian saints received their skills because of their holiness. Not surprisingly, the early Church fathers were especially careful to condemn sinister aspects of divination—those that relied on astrological or geomantic principles—to distinguish them from divinely inspired prophetic insight. This same concern persisted throughout the Middle Ages, as evidenced by the Church’s continued condemnation of divination achieved through occult practices. Indeed, the Church was forced to reckon with suspect practices even within monastic and clerical circles.3 By the fourteenth and fifteenth centuries, ecclesiastical authorities had become so wary of the occult that any claims whatsoever to divinatory insight were inherently suspect.
The theological logic behind the Church’s suspicion rested largely on three principles: the Bible already revealed any information about the course of the future that God wanted people to know; God had granted prophetic insight to the biblical prophets and saints but had ceased this practice in the present age; and, finally, “whereas at present the Lord seldom, if ever, communicated prophetic visions, the devil was only too happy to take advantage of human weakness by deceiving the gullible with false visions.”4 Clerical authorities argued that humans’ vanity made them susceptible to demonic wiles and thus closely linked divinatory claims with diabolic forces. Although people had a genuine, natural interest in understanding what lay before them, especially during traumatic periods of crisis, the desire to peer into the future bordered on vanity, which imperiled one’s soul. Moreover, demons stood ready to ensnare those humans who dabbled in the occult arts.
In addition to distinguishing between the prophetic and occult modes of revelation, educated people established basic distinctions between the disciplines of astrology and astronomy, both of which were linked to revelatory knowledge. Astronomy, as a science that required mathematical training, occupied an honored place as one of the seven liberal arts that comprised the medieval curriculum. Astrology, on the other hand, was more problematic in that it ventured beyond the firmer ground of empirical analysis. Nevertheless, the line dividing astrology from astronomy was far more blurred than it is today. In the seventh century the foremost Iberian intellectual authority, Isidore of Seville, maintained in his Etymologiae that there existed a partial overlap between the disciplines. Whereas astronomia applied to the study of the movements of the heavens and the stars, astrologia had a dual identity. One part was naturalis and concerned itself with the same principles as astronomia. The other part was superstitiosa, practiced by mathematici who cast nativity horoscopes and engaged in the thorny practice of predicting people’s characters by the stars.5
Astrology could be linked with other forms of acceptable prophesying to provide legitimacy to a vision, yet it is fair to say that throughout the Middle Ages astrology was largely viewed as an illegitimate art, driven and encouraged by malevolent, supernatural entities.6 The stage was set as early as the fifth century by Augustine, bishop of Hippo, whose influential book De Civitate Dei Contra Paganos (The City of God against the Pagans) linked divination and fortune-telling with demonic magic. In his reckoning, human magicians functioned merely as conduits for demons’ actions; the demons served as the principal agents who taught people magical arts or enacted the magicians’ will.7 Augustine was operating within a framework that was already opposed to magical thought. Ever since the Roman emperor Theodosius (d. 395) had offered official sanction and protection to Christianity in the fourth century, the Church was linked to the apparatus of the state. Once that happened, all suspected magical practices, including divination, became capital offenses.8
It is essential, therefore, to grasp the fundamental disjunct that plagued the perception of the divinatory arts throughout the Middle Ages. On the one hand, divination of future events was legitimate insofar as prophecy was seen as divine revelation. On the other hand, divination achieved through magical or occult means was illicit, even dangerous. In the remainder of this chapter, I trace these fundamental distinctions as drawn by medieval authorities. I first turn my attention to three premier theological authorities, the aforementioned Augustine of Hippo, the thirteenth-century Dominican philosopher and theologian Thomas Aquinas, and his contemporary William of Auvergne. I discuss their particular issues with, and condemnations of, astrology and the occult. I address Aquinas’s position in particular detail because he, more than any other ecclesiastical authority, clarified the medieval distinctions among various forms of occult divination.
After my analysis of William of Auvergne, I turn my attention to the matter of prophecy. I return to the early Middle Ages and Iberia with a brief discussion of Beatus of LiĂ©bana, one of the most important medieval writers on apocalyptic matters. Beatus’s work was of particular importance in the history of medieval prophecy, as many subsequent claims to future knowledge were understood and created within an apocalyptic framework. I then turn to a renowned figure in the history of prophecy and apocalyptic expectations, the twelfth-century Calabrian abbot Joachim of Fiore. Finally, I end this chapter by analyzing the lesser known, yet important, late medieval apocalyptic visionary John of Rupescissa and a member of the royal family of the Crown of Aragon, Pere l’Infant, both of whom were influenced profoundly by Joachim’s writings.
Let us first turn to the stars, as their role in divination and the magical arts occupied an uneasily reconciled space in the medieval worldview. Augustine established the authoritative opinion regarding the influence of the stars in book 5 of The City of God, which would have a profound effect upon people’s understanding throughout the Middle Ages. Augustine begins his fifth book with a discourse on the n...

Table of contents

  1. Acknowledgments
  2. Introduction
  3. Part I. Positioning the Stars, Divining the Future
  4. Part II. A Kingdom of Stargazers
  5. Epilogue
  6. Bibliography