- 242 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. ". . . this is a major book . . . [McClary's] achievement borders on the miraculous." The Village Voice"No one will read these essays without thinking about and hearing music in new and interesting ways. Exciting reading for adventurous students and staid professionals." Choice"Feminine Endings, a provocative 'sexual politics' of Western classical or art music, rocks conservative musicology at its core. No review can do justice to the wealth of ideas and possibilities [McClary's] book presents. All music-lovers should read it, and cheer." The Women's Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. . . . What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity."-The New York Review of Books
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Yes, you can access Feminine Endings by Susan Mcclary in PDF and/or ePUB format, as well as other popular books in Social Sciences & Gender Studies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- Acknowledgments
- Feminine Endings in Retrospect
- 1. Introduction: A Material Girl in Bluebeard's Castle
- 2. Constructions of Gender in Monteverdi's Dramatic Music
- 3. Sexual Politics in Classical Music
- 4. Excess and Frame: The Musical Representation of Madwomen
- 5. Getting Down Off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II
- 6. This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson
- 7. Living to Tell: Madonna's Resurrection of the Fleshly
- Notes
- Index