Japanese Counterculture
eBook - PDF

Japanese Counterculture

The Antiestablishment Art of Terayama Shuji

  1. 250 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Japanese Counterculture

The Antiestablishment Art of Terayama Shuji

About this book

Terayama Shuji (1935-1983) was an avant-garde Japanese poet, dramatist, film director, and photographer known for his highly provocative work. In this inventive and revealing work, Steven Ridgely examines Terayama's life and art to show that a conventional notion of him does not do full justice to the meaning and importance of his wide-ranging, often playful body of work.

Ridgely places Terayama at the center of Japanese and global counterculture and finds in his work a larger story about the history of postwar Japanese art and culture. He sees Terayama as reflecting the most significant events of his day: young poets seizing control of haiku and tanka in the 1950s, radio drama experimenting with form and content after the cultural shift to television around 1960, young assistant directors given free rein in the New Wave as cinema combated television, underground theatre in the politicized late 1960s, and experimental short film through the 1970s after both the studio system and art house cinema had collapsed.

Featuring close readings of Terayama's art, Ridgely demonstrates how across his oeuvre there are patterns that sidestep existing power structures, never offering direct opposition but nevertheless making the opposition plain. And, he claims, there is always in Terayama's work a broad call for seeking out or creating pockets of fiction-where we are made aware that things are not what they seem-and to use otherness in those spaces to take a clearer view of reality.

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Yes, you can access Japanese Counterculture by Steven C. Ridgely in PDF and/or ePUB format, as well as other popular books in Literature & Asian Literary Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Contents
  2. Introduction. Global Counterculture, Visual Counterculture
  3. 1. Poetic Kleptomania and Pseudo-Lyricism
  4. 2. Radio Drama in the Age of Television
  5. 3. Boxing—Stuttering—Graffiti
  6. 4. Deinstitutionalizing Theater and Film
  7. 5. The Impossibility of History
  8. Conclusion. ā€œJapaneseā€ Counterculture
  9. Acknowledgments
  10. Notes
  11. Index