
- 501 pages
- English
- PDF
- Available on iOS & Android
The Horror Theory Reader
About this book
A comprehensive guide to the timeless, paradoxical appeal of horror
Why do we enjoy horror? The emotional responses the genre provokes—fear, dread, and disgust—are ones we typically seek to avoid, so what is the appeal of narratives and artistic representations that seek to scare, startle, shock, and repulse? In The Horror Theory Reader, Jeffrey Andrew Weinstock assembles theorizations of the genre’s appeal from antiquity to the present day to explore the “paradox of horror” that has for millennia preoccupied theorists and consumers alike.
Beginning with an introduction situating the history of horror in the context of moral panics, this carefully curated volume then is organized into three sections that introduce early attempts to explain horror’s fascination; present perspectives from horror writers, filmmakers, and scholars; and offer nuanced considerations of horror’s intersections with disability, queerness, race, and gender. Featuring classic commentaries on the genre by H. P. Lovecraft, Alfred Hitchcock, and Stephen King alongside incisive essays by philosophers, literary and film scholars, cultural critics, and others, The Horror Theory Reader is indispensable for scholars and will be of interest to anyone curious about our paradoxical enjoyment of appalling and fearsome things.
Contributions by: Joseph Addison; Aristotle; Anna Letitia Barbauld; Dani Bethea; Edmund Burke; Noël Carroll, CUNY Graduate Center; Brigid Cherry; Mathias Clasen, Aarhus U; Douglas E. Cowan, Renison U College; Meghan Downes, Monash U; Berys Gaut, U of St. Andrews; Julian Hanich, U of Groningen; Sheri-Marie Harrison, U of Missouri; Matt Hills, U of Huddersfield; Alfred Hitchcock; David Hume; Mark Jancovich, U of East Anglia; Stephen King; Petra Kuppers, U of Michigan; H. P. Lovecraft; G. Neil Martin, Regent’s U London; John Morreall, College of William and Mary; Monika Negra; Nina Nesseth; Anne Radcliffe; Fredrich Schiller; Walter Scott; Tim Snelson, U of East Anglia; Christopher St. John Sprigg; Susan Stryker, U of Arizona; S. Trimble, U of Toronto; Kendall Walton, U of Michigan; Linda Williams, UC Berkeley; Robin Wood.
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Information
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Contents
- Introduction: âWonât Someone Please Think of the Children?!â: Thinking Horror Through the Lens of Moral Panic
- Part I: Early Inquiries and Quick Takes
- Chapter 1: From Poetics
- Chapter 2: Of Tragedy
- Chapter 3: On the Reason We Take Pleasure in Tragic Subjects
- Chapter 4: From A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful
- Chapter 5: From âWhy Terrour and Grief Are Pleasing to the Mind When Excited by Descriptionsâ
- Chapter 6: On the Pleasure Derived from Objects of Terror
- Chapter 7: On the Supernatural in Poetry
- Chapter 8: On the Supernatural in Fictitious Composition; and Particularly on the Works of Ernest Theodore William Hoffmann
- Chapter 9: Introduction to Supernatural Horror in Literature
- Chapter 10: Introduction to Uncanny Stories
- Chapter 11: The Enjoyment of Fear
- Chapter 12: From Danse Macabre
- Part II: The Paradox of Horror
- Chapter 13: Fearing Fictions
- Chapter 14: The Paradox of Horror
- Chapter 15: From The Philosophy of Horror; or, Paradoxes of the Heart
- Chapter 16: Enjoying Negative Emotions in Fictions
- Chapter 17: Fear for Your Life: The Appeals, Functions, and Effects of Horror
- Chapter 18: An Introduction to the American Horror Film
- Chapter 19: From Sacred Terror: Religion and Horror on the Silver Screen
- Chapter 20: From âDiscipline and Distraction: Psycho, Visual Culture, and Postmodern Cinemaâ
- Chapter 21: Frightening Fascination: A Phenomenology of Direct Horror
- Chapter 22: (Why) Do You Like Scary Movies?: A Review of the Empirical Research on Psychological Responses to Horror Films
- Chapter 23: Horrorâs Long-Lasting Appeal
- Part III: Different Voices
- Chapter 24: Displaying Connoisseurship, Recognizing Craftsmanship
- Chapter 25: My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage
- Chapter 26: Refusing to Refuse to Look: Female Viewers of the Horror Film
- Chapter 27: From âHorror at the Crossroads: Class, Gender, and Taste at the Rialtoâ
- Chapter 28: Critical Pleasures: Reflections on the Indonesian Horror Genre and Its Anti-Fans
- Chapter 29: New Black Gothic
- Chapter 30: Black Horror Beyond the White Gaze: A Conversation
- Chapter 31: Contemporary Horror and Disability: Adaptations and Active Readers
- Chapter 32: A Demon-Girlâs Guide to Life
- Publication History
- Contributors
- Index
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