
The Imperative to Write
Destitutions of the Sublime in Kafka, Blanchot, and Beckett
- 440 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Is writing haunted by a categorical imperative? Does the Kantian sublime continue to shape the writer's vocation, even for twentieth-century authors? What precise shape, form, or figure does this residue of sublimity take in the fictions that follow from it—and that leave it in ruins?This book explores these questions through readings of three authors who bear witness to an ambiguous exigency: writing as a demanding and exclusive task, at odds with life, but also a mere compulsion, a drive without end or reason, even a kind of torture. If Kafka, Blanchot, and Beckett mimic a sublime vocation in their extreme devotion to writing, they do so in full awareness that the trajectory it dictates leads not to metaphysical redemption but rather downward, into the uncanny element of fiction. As this book argues, the sublime has always been a deeply melancholy affair, even in its classical Kantian form, but it is in the attenuated speech of narrative voices progressively stripped of their resources and rewards that the true nature of this melancholy is revealed.
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Information
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- List of Abbreviations
- Preface
- Introduction: “Why Do You Write?”—The Fault of Writing
- Part One. Kafka
- Part Two. Blanchot
- Part Three. Beckett
- Conclusion: Speech Unredeemed: From the Call of Conscience to the Torture of Language
- Notes
- Bibliography
- Index