The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf’s identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf’s identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf’s identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown.

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The Werewolf in Medieval Romance
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Topic
LiteraturaSubtopic
Historia europea medievalTable of contents
- The New Middle Ages
- The Werewolf in Medieval Romance
- Acknowledgements
- Contents
- About the Author
- 1. Introduction
- Part I: Knightly Assemblages
- Part II: Arthur and the Werewolf
- Part III: Adapting and Politicizing the Werewolf
- Index1
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Yes, you can access The Werewolf in Medieval Romance by Renée Ward in PDF and/or ePUB format, as well as other popular books in Literatura & Historia europea medieval. We have over 1.5 million books available in our catalogue for you to explore.