The Afterlife of Sympathy

Reading American Literary Realism in the Wake of "Uncle Tom’s Cabin"

Faye Halpern

• Publisher: University of Massachusetts Press
• Year: 2024
• Print ISBN:
  9781625347855
  9781625347862
• eBook ISBN:
  9781685750558
• Topic: Literature
• Subtopic: Literary Criticism
• Index: Literature

Literary realism rose to prominence in postbellum America with what the realists heralded as artful and accurate depictions of the world. Realism is thought to have replaced sentimentality—an earlier mode of writing the realists disparaged, which has often been seen as antithetical to realism. Literary scholar Faye Halpern challenges this apparent binary by uncovering how and why William Dean Howells, Mark Twain, Henry James, Constance Fenimore Woolson, and Charles Chesnutt incorporated sentimental elements into their most famous works.

With its distinctively narratological approach, The Afterlife of Sympathy offers a more rhetorical way to understand sentimentality and assess the ethical complexity of sympathy. Halpern demonstrates how sentimentality enables authors to form intimate relationships between their characters and readers to supplement the critical distance that realist writers otherwise celebrate and that has remained a key value in literary studies today. In reassessing American literary realism, Halpern seeks not only to understand why these writers adopted sentimental techniques but to provide insight into contemporary arguments in literary studies about critical distance and sympathetic identification.

Table of contents

• Cover
• Title Page
• Copyright Page
• Dedication
• Contents
• Introduction
• Chapter 1: Word Become Flesh: Literacy, Anti-Literacy, and Illiteracy in Uncle Tom’s Cabin
• Chapter 2: William Dean Howells, Mark Twain, and the Sentimental Red Herring
• Chapter 3: The Unmastering of Henry James, or, Searching for Sentimentality in The Bostonians
• Chapter 4: Constance Fenimore Woolson’s Rhetorical Passing
• Chapter 5: Weaponizing Sympathy: Charles Chesnutt’s Narrative Experiments
• Afterword: A Case against the (Solely) Discerning Reader
• Notes
• Works Cited
• Index
• Back Cover