Imperialism and music

Jeffrey Richards

• Publisher: Manchester University Press
• Year: 2017
• Print ISBN:
  9780719045066
• eBook ISBN:
  9781526121370
• Topic: History
• Subtopic: British History
• Index: History

Music played a major role in the life of a global ideological phenomenon like the British Empire. This book demonstrates that music has to be recognised as one of the central characteristics of the cultural imperialism of the late nineteenth and early twentieth centuries. It begins with an account of the imperial music of Sir Edward Elgar and Sir Arthur Sullivan and the establishing of an imperial musical idiom. The book discusses the music composed for or utilized by official occasions: coronations, jubilees, exhibitions, tattoos, Armistice Day and Empire Day. Community singing was also introduced at the Aldershot Military Tattoo in 1927, sponsored by the Daily Express. The book examines the imperial content of a range of musical forms: operetta and ballet, films, music hall songs, ballads, hymns and marches. In one of the scenes depicting ballet, Indian dancing girls are ordered to reveal the riches of the land and the Ballet of Jewels. There were two staples of song in the second half of the nineteenth century: the drawing-room ballad and the music-hall song. Sir Henry Coward was Britain's leading chorus-master, and his 1911 musical world tour with Sheffield choir was the high point of his career. The book concludes with a discussion of practitioners of imperial music: the divas Emma Albani, Nellie Melba and Clara Butt, and the baritone Peter Dawson.

Table of contents

• Front matter
• Contents
• Dedication
• General editor's introduction
• Introduction
• Acknowledgements
• Meanings: Empire and music
• Sullivan’s Empire
• Elgar’s Empire
• Music for official occasions: coronations and jubilees
• Imperial days: Armistice Day and Empire Day
• Teaching the lessons of Empire: exhibitions and festivals
• ‘All the King’s horses and all the King’s men’: the Aldershot Tattoo
• ‘Bring on the girls’: opera, operetta and ballet
• ‘The sun never sets’: music for imperial films
• Sing a song of Empire
• ‘From Greenland’s icy mountains, from India’s coral strand’: the imperial hymn
• Imperial march
• ‘Hearts across the sea’: the dominions’ musical tour of 1911
• The Empire’s queens of song: Dame Emma Albani, Dame Nellie Melba, Dame Clara Butt
• The troubadour of Empire: Peter Dawson
• Conclusion
• Index