Classical Myth and Literature in Parody

Ancient and Modern

William F. Hansen

• Publisher: Bloomsbury Academic
• Year: 2026
• Edition: 1
• eBook ISBN:
  9781350548046
• Topic: Literature
• Subtopic: Ancient & Classical Literary Collections
• Index: Literature

This book examines the evolution of classical parody, from its origins in ancient Greece and Rome to its resurgence in modern times. The book explores two key periods: the first from the sixth century BCE to the second century CE, and the second beginning in the 17th century, continuing today. In antiquity, writers like Aristophanes and Lucian parodied their own culture, relying on audiences' deep knowledge of Greek and Roman texts. This "insider" parody faded with the rise of Christianity and changes in language.

The second era of classical parody emerged during the Renaissance, as classical texts were rediscovered and studied in schools. Writers like Charles Cotton in England created "outsider" parody, mocking ancient literature learned in the classroom. This book focuses on English-language works, including The Comic Latin Grammar and Victorian burlesque theatre, which drew on classical mythology and history. The book also addresses the social and educational changes that shaped classical parody, such as the invention of the printing press and the influence of Renaissance humanism. It is the first comprehensive study of anglophone classical parody, revealing how authors through the centuries have reimagined and distorted classical texts for humorous effect.

Table of contents

• Cover
• Halftitle page
• Series page
• Title page
• Copyright page
• Dedication
• Contents
• Illustrations
• Preface
• Acknowledgements
• Abbreviations
• Introduction
• Part One Classical Parody in Antiquity
• 1 Aristophanes, Scenes from Old Comedy
• 2 Matron of Pitane, Attic Dinner-Party
• 3 Pseudo-Homer, Battle of the Frogs and Mice
• 4 Plautus, Amphitruo
• 5 Ovid, Metamorphoses
• 6 Lucian of Samosata, Gout and A True Story, plus Lucian’s Hoaxes
• 7 Visual Parodies
• Excursus 1
• Intermezzo
• 8 Medieval Latin Parody
• 9 Byzantine Parody
• Excursus 2
• Part Two The Reinvention of Classical Parody
• 10 Classical Parody Redivivus
• 11 [Charles Cotton,] Scarronides: or, Virgil Travestie
• 12 [Jonathan Swift,] Baucis and Philemon
• 13 [Thomas Bridges,] A Burlesque Translation of Homer
• 14 Musical Theatre
• 15 Mock Textbooks
• 16 Anonymous, ‘Carmen Possum
• 17 A. E. Housman, ‘Fragment of a Greek Tragedy’
• Part Three Classical Parody in the Twentieth Century and Beyond
• 18 Maurice Baring, Unreliable History
• 19 W. C. Sellar and R. J. Yeatman, And Now All This
• 20 Will Cuppy, The Decline and Fall of Practically Everybody
• 21 Richard Armour, The Classics Reclassified
• 22 John Bailey, ‘Holp!’
• 23 Regius Professor of Greek, ‘A Note on the Use of the Strong Aorist Optative Passive of πλέκω by Attic Poets of the Middle a d New Comedies
• 24 William Hansen, ‘The Structural Study of Myth, or Oedipus at the Sorbonne’
• 25 Anonymous, ‘A Warm, Fuzzy Story’
• 26 Light Verse
• Overview
• Notes
• Bibliography
• Index