Aesthetic Technologies of Modernity, Subjectivity, and Nature
eBook - PDF

Aesthetic Technologies of Modernity, Subjectivity, and Nature

Opera, Orchestra, Phonograph, Film

  1. 348 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Aesthetic Technologies of Modernity, Subjectivity, and Nature

Opera, Orchestra, Phonograph, Film

About this book

Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas—cultural, social, and personal—associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.

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Yes, you can access Aesthetic Technologies of Modernity, Subjectivity, and Nature by Richard Leppert in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music History & Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. AESTHETIC TECHNOLOGIES OF MODERNITY, SUBJECTIVITY, AND NATURE
  3. Title
  4. Copyright
  5. CONTENTS
  6. List of Illustrations
  7. List of Musical Examples
  8. Acknowledgments
  9. Introduction
  10. PART I. MODERNITY AND OPERA; NATURE AND REDEMPTION
  11. PART II. VOICING SUBJECTIVITY
  12. PART III. MODERNITY, NATURE, AND DYSTOPIA
  13. Appendix: Chapter 5 Tables
  14. Notes
  15. Bibliography
  16. Index