Caught in the Crosshairs
eBook - PDF

Caught in the Crosshairs

Feminist Comedians and the Culture Wars

  1. 150 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Caught in the Crosshairs

Feminist Comedians and the Culture Wars

About this book

The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.

Information

Year
2025
eBook ISBN
9780253073167

Table of contents

  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Acknowledgments
  7. 1. Ambivalence: Feminist Comedy Past and Present
  8. 2. Ridicule: Leslie Jones and the Growing Visibility of the Alt-Right
  9. 3. Loathing: Amy Schumer and White Feminism
  10. 4. Revulsion: Samantha Bee, Michelle Wolf, and Twin Comedic Controversies
  11. 5. Hope: Hannah Gadsby and the Expansion of Comedy’s Borders
  12. 6. Conclusion: Female Comedians and the Cultural Imaginary
  13. Works Cited
  14. Index

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