2026
eBook - PDF

2026

  1. 572 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

2026

About this book

The Futurist art movement, founded by F. T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. Volume 16 of the International Yearbook of Futurism Studies is an open issue and looks at how Futurism shaped local, regional, national and individual aesthetics in Italy, Russia, Britain, Germany, Belgium, Poland, Yugoslavia and Mexico. The ten essays are followed by a regional report on Japan, critical responses to exhibitions, conferences and publications, and an annual bibliography with details of 225 new books on Futurism.

  • Interdisciplinary research on Futurism
  • With reviews and exhibition reports, and a comprehensive report on new publications on Futurism   

Der Futurismus, gegründet 1909 von F. T. Marinetti, hatte Einfluss auf die avantgardistischen Bewegungen in zahlreichen Ländern und in allen künstlerischen Genres. Band 16 des International Yearbook of Futurism Studies hat kein bestimmtes Thema, sondern untersucht, wie der Futurismus lokale, regionale, nationale und individuelle Ausdrucksformen in der Kunst Italiens, Russlands, Großbritanniens, Deutschlands, Belgiens, Polens, Jugoslawiens und Mexikos geprägt hat. Zehn Beiträge werden ergänzt durch einen Bericht über Japan, kritische Reaktionen auf Ausstellungen, Konferenzen und Publikationen sowie eine Jahresbibliographie mit Angaben zu 225 neuen Publiaktionen zum Futurismus.

  • Interdisziplinäre Forschungen zum Futurismus
  • Mit Rezensionen und Ausstellungsberichten sowie einem ausführlichen Bericht zu Neuerscheinungen über den Futurismus

 

Information

Publisher
dG Arts
Year
2026
Print ISBN
9783689240936
eBook ISBN
9783689240943
Edition
1
Topic
Art
Subtopic
History of Art

Table of contents

  1. Contents
  2. Section 1: Futurism Studies
  3. Enrico Prampolini and International Constructivism
  4. Guido Keller’s Montecitorio Flight (1920) and Futurist Irredentism in Fiume
  5. Claude Flight, the “Only True Futurist” in Britain?
  6. Futurism in the British Press, 1909–1911
  7. Futurism in Germany and Austria: The Travelling Exhibition of the ‘Borchardt Collection’ (1912–1913)
  8. BAM! BIEM! BOEM!: Paul van Ostaijen and the Prolonged Futurist Moment in Flemish Avant-garde Art
  9. “In the rhythmic clang of the guns, my red holidays are coming”: Polish Futurism, its ‘Pacifism’ and the Dream of Revolution
  10. Russian Futurism at the Outbreak of the First World War: Re-Adjustment, Adaptation and a Search for Ideological Coherence
  11. Branko Ve Poljanski and Futurism
  12. Dr. Atl’s Aerolandscapes, Futurism and the Mexican Revolution
  13. Section 2: Country Reports
  14. Country Report: Recent Publications and Symposia on Futurism in Japan
  15. Section 3: Critical responses to conferences and publications
  16. Futurism and the History of Avant-garde Sculpture
  17. Periodicals as Experimental Platforms for Early Futurism
  18. From Flesh to Tin: L’anguria liricaand the Material Imagination of Interwar Futurism
  19. Ilya Zdanevich (Iliazd): New Materials on His Life and OEuvre
  20. “Futurists of All Countries, Unite!”: The Second Wave of Polish Futurism
  21. Parody and Multilingualism: Two Anthologies of Ukrainian Futurist Poetry, Real and Fake
  22. Futurism and Fascism: A Symposium in Nice (November 2024)
  23. Art and Fascism at MART Rovereto
  24. Futurism in the Post-fascist Era: Bread and Circuses at the National Gallery of Modern Art in Rome
  25. Section 4: Bibliography
  26. A Bibliography of Publications on Futurism, 2023–2026
  27. Section 5: Back Matter
  28. List of Illustrations and Provenance Descriptions
  29. Notes on Contributors
  30. Name Index
  31. Subject Index
  32. Geographical Index

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