The Drowning
It comes like a thought,
the figure rising to the lakeās calm surface
indistinct as an angel.
The public gathers onshore
reflecting
on what has transpired, on what is transcending.
Either you recognize yourself or you donāt.
Thereās no way to know
a life by examining
its features; the facts
skip like stones across
the surface, then sink.
Theyāll do the ID,
though thatās not the idea
of someone, the idea
one has of oneās self
beyond all identity,
oneās self to oneself, that place
where clarity disappears.
Instructions for Forgetting
There is a word I canāt remember for forgetting
who I am, for erasing
all those guideposts that every moment bring us
back to the garage of who we think we are,
the inner
monologue building up slowly, discreetly, like carbon monoxide.
Not amnesia. Itās more intentional than that.
Every brain ought to
come with special emergency instructions:
buy a last-minute ticket to anyplace
youāve never heard of;
discard all electronic devices, credit cards;
buy a new wardrobe;
on arrival, be sure the city reads like
a journal unlike your own;
excise your name and picture from your passport
and leave it on a park bench;
destroy photos; remember,
landscape is harder to forget than people;
now find a hotel, someplace
anonymous (apartments
become us too easily);
avoid grand boulevards with memorials
to the knowns or the unknowns;
donāt learn the local language;
visit museums with collections that interest you
not in the least (farm implements, ceramic
tile ovens, a whole mansion of op art);
on the outskirts, visit battlefields of wars
that never became history; see ruins;
wander train stations;
donāt buy a ticket;
eat at lunch counters;
frequent neighborhoods
where those as foreign as you
have begun to forget where
they came from, what they came for.
Self-Portrait as Greek Hero
The bronze helmet fits so I wear it, liking its shiny defiance.
A visor obscures the fear encamped in my features.
An army of bright chariots, photons pour into my eyes and die,
lending epic valor and violence to my well-fortified glare.
Visitors to the exhibit almost believe Iām a demigod,
but then detect the wristwatch I forgot to take off.
Illusion in ruins, the weapons of loneliness now glint all around me.
Self-Portrait as Heartbroken Prom Queen, circa 1967
Even for old guys like me, the lookās the easy part:
prosthetics, wig, vintage clothes, an hour with Photoshop.
The mussed beehive does the trick.
Itās the once-upon-a-time-
I-was-my-daddyās-princess-but-now-nothing-matters
feeling thatās tough to master:
I fall onto a retro champagne-satin bedspread,
eyes wide-open like a girl
murdered in the woods at night, imagining
the harvest-gold rotary phone wonāt ring no matter how much I swear to God
I will never ever act like such a bitch again.
TV-light reflecting off my unwashed face says that vocab word abjection like nothing else.
In the deep-focus background thereās a picture of me and him at winter prom
āhim an absence in blackāme a swirl of white,
a regular snow queen, holding red roses.
At a distance it looks like Iāve been slashed wide open,
but really Iām so happy as they hand me my crown.
Itās tough work being me, she and I decide with a sigh and a yawn.
Whether it is drama or trauma is hard
for anyone to know. We search the mirror
as weāre falling asleep, dreaming of future losses.
By the time I wake up I am a glittering mess.
Wig fallen off, rhinestones biting into my bald crown, and a suspicion that the ...