Known for his outspoken and often controversial views on class, ethnicity and sexuality, Morrissey has remained an anti-establishment figure who continues to provoke argument, debate and devotion amongst critics and his many fans. Focusing exclusively on Morrissey's solo career, the collected essays in this important book make for a rich reading of Morrissey and his highly influential creative output. Working across a range of academic disciplines and approaches (including musicology; ethnography; sociology and cultural studies) these essays seek to make sense of the many complexities of this global icon.

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Yes, you can access Morrissey by Eoin Devereux, Aileen Dillane, Martin Power, Eoin Devereux,Aileen Dillane,Martin Power in PDF and/or ePUB format, as well as other popular books in Art & Art General. We have over one million books available in our catalogue for you to explore.

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Cover
Title Page
Copyright
Contents
Acknowledgements
Preface
Introduction: But Don’t Forget the Songs that Made You Cry and the Songs that Saved Your Life …
Chapter 1: ‘Suedehead’: Paving the Pilgrimage Path to Morrissey’s and Dean’s Fairmount, Indiana
Chapter 2: “The Seaside Town that They Forgot to Bomb”: Morrissey and Betjeman on Urban Regeneration and British Identity
Chapter 3: In the Spirit of ’69? Morrissey and the Skinhead Cult
Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The “Teenage Dad” and “Slum Mums” are Just “Certain People I Know”: Counter Hegemonic Representations of the Working/Underclass in the Works of Morrissey
Chapter 6: In Our Different Ways We are the Same: Morrissey and Representations of Disability
Chapter 7: “My So Friendly Lens”: Morrissey as Mediated through His Public Image
Chapter 8: “Because I’ve only got Two Hands”: Western Art Undercurrents in the Poses and Gestures of Morrissey
Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions
Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and Ambiguity
Chapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song
Chapter 12: ‘Vicar In A Tutu’: Dialogism, Iconicity and the Carnivalesque in Morrissey
Chapter 13: Smiths Night: A Dream World Created Through Other People’s Music
Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation
Chapter 15: ‘I’m Not The Man You Think I Am’: Morrissey’s Negotiation of Dominant Gender and Sexuality Codes
Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human Voice
Chapter 17: ‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression
Notes on Contributors
Index

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