Dylan Thomas
About this book
This critical study covers the whole range of Dylan Thomas's writing, both poetry and prose, in an accessible appraisal of the work and achievement of a major and dynamic poet. It interrelates the man and his national-cultural background by defining in detail the Welshness of his poetic temperament and critical attitudes, as both man and poet. At the same time, it illustrates Thomas's wide knowledge of and impact on the long and varied tradition of poetry in English. In that connection, it delineates and delimits Thomas's relationship to surrealism, compares and contrasts his work with that of other poets of the 1930s and 1940s, and shows how its power survives his early death in 1953, in the decade of the 'Movement' poets and beyond. A major aspect of this book is the close textual analysis of the works quoted; it explores anew the recognition due to the man who wrote the work, and helps us to separate the intrinsic achievement of the work from the foisted perceptions of the 'legend'.
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Information
Table of contents
- Half Title
- Title Page
- Copyright
- Acknowledgements
- Prologue
- Contents
- List of Illustrations
- Dedication
- Preface
- 1. âBegin at the beginningâ: introductory
- 2. âThe sideboard fruit, the fernsâ: the poet in suburbia
- 3. âThe loud hill of Walesâ: the Welshness of the work
- 4. âIâll put them all in a story by and byâ: aspects of the prose
- 5. âNow my saying shall be my undoingâ: the need to change
- 6. âCriss-cross rhythmsâ: comparisons of earlier and later poems
- 7. âAnnâs bard on a raised hearthâ: towards âAfter the funeral (In Memory of Ann Jones)â
- 8. âMostly bare I would lie downâ: a creative decade ends in war
- 9. âArc-lamped thrown back upon the cutting floodâ; âThis unbelievable lack of wiresâ: wartime, film work, broadcasts
- 10. âWe hid our fears in that murdering breathâ: the war elegies
- 11. âParables of sun lightâ: towards âPoem in Octoberâ, âFern Hillâ, âDo not go gentle into that good nightâ and beyond
- 12. âIs my voice being your eyes?â: Under Milk Wood
- 13. âThe rhymer in the long tongued roomâ: writing places and the place of the poet
- 14. âAs I sail out to dieâ: the late poems
- 15. âThe heroâs head lies scraped of every legendâ: the legend and the man
- Notes
- Select Bibliography
