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ANIMAL INSTINCT
ANIMAL SKINS CONSTITUTE A BIG PART OF MY DESIGN LANGUAGE.
And sex has a lot to do with it: using hide, fur, and taxidermy conveys a sense of allure, seduction, and romanceâan overall feeling that I try to bring to every room I do. Filling a space with hidesâa zebra skin on the floor, a coyote fur slung across the sofa, a set of stingray chairs around the dining tableâcreates a palpable sensuality that people enjoy. They feel sexy when theyâre in a sexy setting.
A room with animal skins always makes me think of the famous Helmut Newton photograph Charlotte Rampling as Venus in Furs. In it, Rampling is seated on a daybed, swathed in fur, her long legs defiantly set apart. Sheâs so glamorous, but thereâs a bit of misbehaving going on. Thatâs the vibe Iâm after.
My affinity for animal skins goes beyond their primal appeal, though. I often use them to add texture or to layer a space. I donât use patterns that often; you wonât find a lot of toile or Greek keys in my interiors. Using animal skins is how I do prints in a space. Leopard, ostrich, crocodileâthey all have an individual, graphic look that lends richness and excitement to a room. But my favorite animal skin is zebra, for its bold geometric stripes.
Animal skins have inspired my color choices, too. Iâve never really been big on using color. For the most part, I prefer subtle shades, and itâs from animal skinsâin fact, from the natural world, reallyâthat I learned the nuances of combining colors successfully. Coyote showed me how great certain shades of camel, black, and brown look together, while the gray, black, and white found in the feathers of the Japanese crane is often the go-to palette for my spaces.
Fur and hides also help set a mood. You can create a sense of calm, warmth, or even seduction by using them. Perhaps because it comes from the skin of deep underwater species, shagreen conveys a quiet coolness. Similarly, bleached parchment can be very peaceful and calming. Boiled wool can create the same comfort and coziness associated with a fuzzy lamb, while tiger stripes add an immediate sense of sex and intrigue to a space.
I love to experiment with materials, and I often look to fashion for inspiration. With new collections every season, luxury fashion houses always seem to be looking forward, searching for innovative ways to use and transform materials. That level of ingenuity inspires me. Consequently, every time I upholster a piece of furniture, I think about what Iâm doing probably in the way a luxury fashion designer thinks about a piece in a forthcoming collection. Should I do it in pony skin? How about perforated suede? Itâs exciting for me to experiment with fabrics in that way. I love the sense of newness that a pair of chairs upholstered in goat hair conveys. Or a hammock in fox furâwhich is not a very complicated concept, but it is unexpected and luxurious. I also love covering things in shagreen. When the French interior designer Jean-Michel Frank used it to wrap large pieces of furniture in the 1930s, he made doing so feel fresh, because shagreen had traditionally been used for accessories. The same is true again today: covering chairs with materials used more commonly for a clutch or a pair of shoes feels new and exciting.
I admit I often go overboard when it comes to using animal skinsâso much so that the Wall Street Journal once described my old apartment as an âanimal rights activistâs nightmare.â But, of course, thatâs not true. I respect animal life and rights enormously. When it comes to taxidermy, there are strict laws in place that I fully support and abide by. For one, dealers must wait for the animals to pass away in zoos or wildlife sanctuaries before buying or selling their skins. Itâs illegal to kill the animals, which means that acquiring a certain specimen can take months, even years.
An amazing piece of taxidermy really brings life to a spaceâas well as a sense of wonder and fantasy. The fact that itâs one-of-a-kind enables you to create an environment that is not only unique, but unforgettably your own.
The whole reason I extract from the animal kingdom is to create a visceral reaction. For me, that depth of feeling is the definition of animal instinct.
Franco Rubartelli
The Magnificent Mirage
Vogue, July 1968
featuring Veruschka
WITH HER LONG LIMBS AND FELINE LOOKS, 1960S SUPERMODEL
Veruschka was as animalistic as they come. Even the way she posed had a feral quality: bending and arching, tossing her hair, and stretching her body, she carried herself like a jungle cat, completely seducing the lens. I think a lot about Veruschka when I design, and how she transformed when she moved. How do you design a room that would make you feel that way, act that way? A room that makes you want a drink? A room that makes you want to have sex? You take a cue from the animal world.
Inspired by the soft, plush look and feel of lambâs wool, I did the drapes in the dining room of this SoHo apartment in boiled wool. I had looked at a few bouclĂ© samples, but they felt too traditional. I came across the wool at a fabric store that sells leftover material from fashion designersâand it had a sheer, slinky quality that I found both beautiful and exciting.
I have a thing for catsâtheyâre the sexiest of all animals. Part of the reason I was drawn to ...