Heaven And Hell

Aldous Huxley

• Publisher: HarperCollins Publishers
• Year: 2014
• eBook ISBN: 9781443434508
• Topic: Littérature
• Subtopic: Classiques

Inspired by the poetry of William Blake, Heaven and Hell delves into the murky topic of human consciousness through a discussion of religious mystical perception, biochemistry and psychoactive drug experimentation. Heaven and Hell explains how science, art, religion, literature, and psychoactive drugs can expand the reader's everyday view of reality, offering a more profound grasp of the human experience.

Like his earlier essay, The Doors of Perception, Aldous Huxley's Heaven and Hell exerted a tremendous influence on the counter-culture movement of the 1960s, inspiring the imaginations of an entire generation of artists and revolutionaries like Jim Morrison and Jackson Pollack.

HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

Heaven and Hell

In the history of science the collector of specimens preceded the zoologist and followed the exponents of natural theology and magic. He had ceased to study animals in the spirit of the authors of the bestiaries, for whom the ant was incarnate industry, the panther an emblem, surprisingly enough, of Christ, the polecat a shocking example of uninhibited lasciviousness. But, except in a rudimentary way, he was not yet a physiologist, ecologist, or student of animal behaviour. His primary concern was to make a census, to catch, kill, stuff, and describe as many kinds of beasts as he could lay his hands on.

Like the earth of a hundred years ago, our mind still has its darkest Africas, its unmapped Borneos and Amazonian basins. In relation to the fauna of these regions we are not yet zoologists, we are mere naturalists and collectors of specimens. The fact is unfortunate; but we have to accept it, we have to make the best of it. However lowly, the work of the collector must be done, before we can proceed to the higher scientific tasks of classification, analysis, experiment, and theory making.

Like the giraffe and the duck-billed platypus, the creatures inhabiting these remoter regions of the mind are exceedingly improbable. Nevertheless they exist, they are facts of observation; and as such, they cannot be ignored by anyone who is honestly trying to understand the world in which he lives.

It is difficult, it is all but impossible, to speak of mental events except in similes drawn from the more familiar universe of material things. If I have made use of geographical and zoological metaphors, it is not wantonly, out of a mere addiction to picturesque language. It is because such metaphors express very forcibly the essential otherness of the mind’s far continents, the complete autonomy and self-sufficiency of their inhabitants. A man consists of what I may call an Old World of personal consciousness and, beyond a dividing sea, a series of New Worlds—the not too distant Virginias and Carolinas of the personal subconscious and the vegetative soul; the Far West of the collective unconscious, with its flora of symbols, its tribes of aboriginal archetypes; and, across another, vaster ocean, at the antipodes of everyday consciousness, the world of Visionary Experience.

If you go to New South Wales, you will see marsupials hopping about the countryside. And if you go to the antipodes of the self-conscious mind, you will encounter all sorts of creatures at least as odd as kangaroos. You do not invent these creatures any more than you invent marsupials. They live their own lives in complete independence. A man cannot control them. All he can do is to go to the mental equivalent of Australia and look around him.

Some people never consciously discover their antipodes. Others make an occasional landing. Yet others (but they are few) find it easy to go and come as they please. For the naturalist of the mind, the collector of psychological specimens, the primary need is some safe, easy, and reliable method of transporting himself and others from the Old World to the New, from the continent of familiar cows and horses to the continent of the wallaby and the platypus.

Two such methods exist. Neither of them is perfect; but both are sufficiently reliable, sufficiently easy, and sufficiently safe to justify their employment by those who know what they are doing. In the first case the soul is transported to its far-off destination by the aid of a chemical—either mescalin or lysergic acid. In the second case, the vehicle is psychological in nature, and the passage to the mind’s antipodes is accomplished by hypnosis. The two vehicles carry the consciousness to the same region; but the drug has the longer range and takes its passengers further into the terra incognita.1

How and why does hypnosis produce its observed effects? We do not know. For our present purposes, however, we do not have to know. All that is necessary, in this context, is to record the fact that some hypnotic subjects are transported, in the trance state, to a region in the mind’s antipodes, where they find the equivalent of marsupials—strange psychological creatures leading an autonomous existence according to the law of their own being.

About the physiological effects of mescalin we know a little. Probably (for we are not yet certain) it interferes with the enzyme system that regulates cerebral functioning. By doing so it lowers the efficiency of the brain as an instrument for focusing mind on the problems of life on the surface of our planet. This lowering of what may be called the biological efficiency of the brain seems to permit the entry into consciousness of certain classes of mental events, which are normally excluded, because they possess no survival value. Similar intrusions of biologically useless, but aesthetically and sometimes spiritually valuable, material may occur as the result of illness or fatigue; or they may be induced by fasting, or a period of confinement in a place of darkness and complete silence.2

A person under the influence of mescalin or lysergic acid will stop seeing visions when given a large dose of nicotinic acid. This helps to explain the effectiveness of fasting as an inducer of visionary experience. By reducing the amount of available sugar, fasting lowers the brain’s biological efficiency and so makes possible the entry into consciousness of material possessing no survival value. Moreover, by causing a vitamin deficiency, it removes from the blood that known inhibitor of visions, nicotinic acid. Another inhibitor of visionary experience is ordinary, everyday, perceptual experience. Experimental psychologists have found that, if you confine a man to a ‘restricted environment,’ where there is no light, no sound, nothing to smell, and, if you put him in a tepid bath with only one almost imperceptible thing to touch, the victim will very soon start ‘seeing things,’ ‘hearing things,’ and having strange bodily sensations.

Milarepa, in his Himalayan cavern, and the anchorites of the Thebaid followed essentially the same procedure and got essentially the same results. A thousand pictures of the Temptations of St. Anthony bear witness to the effectiveness of restricted diet and restricted environment. Asceticism, it is evident, has a double motivation. If men and women torment their bodies, it is not only because they hope in this way to atone for past sins and avoid future punishments; it is because they long to visit the mind’s antipodes and do some visionary sightseeing. Empirically and from the reports of other ascetics, they know that fasting and a restricted environment will transport them where they long to go. Their self-inflicted punishment may be the door to paradise. (It may also—and this is a point which will be discussed in a later paragraph—be a door into the infernal regions.)

From the point of view of an inhabitant of the Old World, marsupials are exceedingly odd. But oddity is not the same as randomness. Kangaroos and wallabies may lack verisimilitude; but their improbability repeats itself and obeys recognizable laws. The same is true of the psychological creatures inhabiting the remoter regions of our minds. The experiences encountered under the influence of mescalin or deep hypnosis are certainly strange; but they are strange with a certain regularity, strange according to a pattern.

What are the common features which the pattern imposes upon our visionary experiences? First and most important is the experience of light. Everything seen by those who visit the mind’s antipodes is brilliantly illuminated and seems to shine from within. All colours are intensified to a pitch far beyond anything seen in the normal state, and at the same time the mind’s capacity for recognizing fine distinctions of tone and hue is notably heightened.

In this respect there is a marked difference between these visionary experiences and ordinary dreams. Most dreams are without colour, or else are only partially or feebly coloured. On the other hand, the visions met with under the influence of mescalin or hypnosis are always intensely and, one might say, preternaturally brilliant in colour. Professor Calvin Hall, who has collected records of many thousands of dreams, tells us that about two-thirds of all dreams are in black and white. ‘Only one dream in three is coloured, or has some colour in it.’ A few people dream entirely in colour; a few never experience colour in their dreams; the majority sometimes dream in colour, but more often do not.

‘We have come to the conclusion,’ writes Dr. Hall, ‘that colour in dreams yields no information about the personality of the dreamer.’ I agree with this conclusion. Colour in dreams and visions tells us no more about the personality of the beholder than does colour in the external world. A garden in July is perceived as brightly coloured. The perception tells us something about sunshine, flowers, and butterflies, but little or nothing about our own selves. In the same way the fact that we see brilliant colours in our visions and in some of our dreams tells us something about the fauna of the mind’s antipodes, but nothing whatever about the personality who inhabits what I have called the Old World of the mind.

Most dreams are concerned with the dreamer’s private wishes and instinctive urges, and with the conflicts which arise when these wishes and urges are thwarted by a disapproving conscience or a fear of public opinion. The story of these drives and conflicts is told in terms of dramatic symbols, and in most dreams the symbols are uncoloured. Why should this be the case? The answer, I presume, is that, to be effective, symbols do not require to be coloured. The letters in which we write about roses need not be red, and we can describe the rainbow by means of ink marks on white paper. Textbooks are illustrated by line engravings and half-tone plates; and these uncoloured images and diagrams effectively convey information.

What is good enough for the waking consciousness is evidently good enough for the personal subconscious, which finds it possible to express its meanings through uncoloured symbols. Colour turns out to be a kind of touchstone of reality. That which is given is coloured; that which our symbol-creating intellect and fancy put together is uncoloured. Thus the external world is perceived as coloured. Dreams, which are not given but fabricated by the personal subconscious, are generally in black and white. (It is worth remarking that, in most people’s experience, the most brightly coloured dreams are those of landscapes, in which there is no drama, no symbolic reference to conflict, merely the presentation to consciousness of a given, non-human fact.)

The images of the archetypal world are symbolic; but since we, as individuals, do not fabricate them, but find them ‘out there’ in the collective unconscious, they exhibit some at least of the characteristics of given reality and are coloured. The non-symbolic inhabitants of the mind’s antipodes exist in their own right, and like the given facts of the external world are coloured. Indeed, they are far more intensely coloured than external data. This may be explained, at least in part, by the fact that our perceptions of the external world are habitually clouded by the verbal notions in terms of which we do our thinking. We are forever attempting to convert things into signs for the most intelligible abstractions of our own invention. But in doing so, we rob these things of a great deal of their native thinghood.

At the antipodes of the mind, we are more or less completely free of language, outside the system of conceptual thought. Consequently our perception of visionary objects possesses all the freshness, all the naked intensity, of experiences which have never been verbalized, never assimilated to lifeless abstractions. Their colour (that hallmark of given-ness) shines forth with a brilliance which seems to us preternatural, because it is in fact entirely natural—entirely natural in the sense of being entirely unsophisticated by language or the scientific, philosophical, and utilitarian notions, by means of which we ordinarily re-create the given world in our own drearily human image.

In his Candle of Vision, the Irish poet A. E. (George Russell) has analysed his visionary experiences with remarkable acuity. ‘When I meditate,’ he writes, ‘I feel in the thoughts and images that throng about me the reflections of personality; but there are also windows in the soul, through which can be seen images created not by human but by the divine imagination.’

Our linguistic habits lead us into error. For example, we are apt to say, ‘I imagine,’ when what we should have said is, ‘The curtain was lifted that I might see.’ Spo...

Table of contents

• CONTENTS
• Foreword
• Heaven and Hell
• Appendix I
• Appendix II
• Appendix III
• Appendix IV
• Appendix V
• Appendix VI
• Appendix VII
• Appendix VIII
• About the Author
• About the Series
• Copyright
• About the Publisher