Fooling Around
eBook - PDF

Fooling Around

Creative Learning Pathways

  1. 193 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Fooling Around

Creative Learning Pathways

About this book

Some old ideas can become very new. This is the case of the notion of creativity in psychology. Traditionally conceptualized in the narrow framework of the amazing things poets, composers, painters, and scientists do, creativity research had reached an impassƩ in its efforts to locate creativity within the confines of personality characteristics.

This is the time for change. The New Look at creativity that is rooted within the sociocultural tradition in psychology and elaborated in the present book finds creativity in each and every moment of our everyday lives. We are creative when we move around in the streets, dance tango, fool around with our self-images while shopping for clothes, or resist pre-given recipes while cooking dinners. We are being creative even in our bedrooms where we perform the difficult tasks of falling asleep or waking up through arrays of sleep inducers and alarm clocks, not to speak of the time we spend in the very state of sleep. All our actions at night—ranging from what we later call nightmares--or dreams—are arenas of creativity even if we may barely remember what we have done.

The present monograph by Lene Tanggaard constitutes a powerful multi-pronged exposition of the New Look at Creativity. Its starting point is in the move to pay attention to the processes of acting in everyday life—rather than start from the classification of products of human actions into classes of "creative" versus "non-creative."

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Information

Year
2014
Print ISBN
9781623965921
9781623965938
eBook ISBN
9781623965945

Table of contents

  1. Cover
  2. Fooling Around: Creating Learning Pathways
  3. Fooling Around: Creating Learning Pathways
  4. Copyright
  5. CONTENTS
  6. SERIES EDITOR’S PREFACE HANDLING THE CREATIVE PROCESS: The Importance of Fooling Around
  7. FOREWORD
  8. 1: EVERYDAY LIFE STUDIES OF CREATIVITY
  9. 2: CREATIVE LEARNING—NOTJUST FOR THE CELEBRATED FEW
  10. 3: IMMERSION, FOOLING AROUND, AND RESISTANCE
  11. 4: A SHORT STORY OF CREATIVITY THEORIES
  12. SECTION 1: EMPIRICAL STUDIES OF CREATIVITY
  13. 5: STORIES ABOUT CREATIVE TEACHING AND PRODUCTIVE LEARNING
  14. 6: HERLUFSHOLM AND RECLAIMING CREATIVITY
  15. 7: ON THE SHOULDERS OF FRANCIS BACON
  16. 8: TWO TYPES OF CREATIVE APPRENTICESHIPS
  17. SECTION 2: A PRACTICE-DEVELOPING CREATIVITY MODEL
  18. 9: A MODEL FOR DEVELOPING CREATIVITY THROUGH CREATIVE LEARNING PATHWAYS
  19. 10: THE INEVITABILITY OF CREATIVITY IN MODERN SOCIETY
  20. 11: CREATIVITY INCHILDREN’S LIVES:An Unconditional Good For Whom?1
  21. 12: CONCLUSION AND PERSPECTIVES
  22. 13: CONCLUDING REMARKS ON THE METHODOLOGY DRIVING THE EMPIRICAL PARTS OF THEBOOK1
  23. REFERENCES

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