
Audionarratology
Interfaces of Sound and Narrative
- 275 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Audionarratology
Interfaces of Sound and Narrative
About this book
Audionarratology is a new 'postclassical' narratology that explores interfaces of sound, voice, music and narrative in different media and across disciplinary boundaries. Drawing on sound studies and transmedial narratology, audionarratology combines concepts from both while also offering fresh insights. Sound studies investigate sound in its various manifestations from disciplinary angles as varied as anthropology, history, sociology, acoustics, articulatory phonetics, musicology or sound psychology. Still, a specifically narrative focus is often missing. Narratology has broadened its scope to look at narratives from transdisciplinary and transmedial perspectives. However, there is a bias towards visual or audio-visual media such as comics and graphic novels, film, TV, hyperfiction and pictorial art. The aim of this book is to foreground the oral and aural sides of storytelling, asking how sound, voice and music support narrative structure or even assume narrative functions in their own right. It brings together cutting-edge research on forms of sound narration hitherto neglected in narratology: radio plays, audiobooks, audio guides, mobile phone theatre, performance poetry, concept albums, digital stories, computer games, songs.
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Information
Index
Table of contents
- Cover
- Title Page
- Copyright
- Preface and Acknowledgments
- Contents
- Audionarratology: Prolegomena to a Research Paradigm Exploring Sound and Narrative
- Music and Storytelling
- Sound Art
- Sound, Narrative and Immersion
- Notes on Contributors
- Index
- Footnotes