The Man Who Created the Middle East

A Story of Empire, Conflict and the Sykes-Picot Agreement

Christopher Simon Sykes

• Publisher: William Collins
• Year: 2016
• ISBN:
  9780008121921
• Topic: History
• Subtopic: Middle Eastern History
• Index: History

Chapter 1

The Parents

On 21 April 1900, the eve of his departure for South Africa to fight in the Boer War, the 21-year-old Mark Sykes paid a visit to his former tutor, Alfred Dowling, who told him: ‘How it is that you are no worse than you are, I cannot imagine.’1 These may have seemed harsh words spoken to a man who was facing possible death on the battlefield, but they were intended as a compliment from a friend who knew only too well what Sykes had had to overcome: a childhood that had left him filled with bitterness and of which he had written, only four days earlier: ‘I hate my kind, I hate, I detest human beings, their deformities, their cheating, their cunning, all fill me with savage rage, their filthiness, their very stench appalls [sic] me … The stupidity of the wise, the wickedness of the ignorant, but you must forgive, remember that I have never had a childhood. Remember that I have always had the worst side of everything under my very nose.’2 The childhood, or lack of it, of which Sykes spoke in this letter to his future fiancée, Edith Gorst, had been a strange and lonely one, spent in a large isolated house that stood high up on the Yorkshire Wolds. Sledmere House had been the home of the Sykes family since the early eighteenth century, when it had come into their possession through marriage. In the succeeding decades, as the ambitions and fortunes of the family had increased, along with their ennoblement to the Baronetcy, so had the size of the house, which had grown from a modest gentleman’s residence of the kind that might have been built in the Queen Anne period to a grand mansion, the design of which had its origins in schemes drawn up by some of the great architects of the day, such as John Carr and Samuel Wyatt. Built in the very latest neo-classical style, it had a central staircase hall, off which, on the ground floor, were a Library, Drawing Room, Music Room and Dining Room, all with the finest decoration by Joseph Rose, while much of the first floor was taken up by a Long Gallery doubling as a second Library that was as fine as any room in England.

This was the house in which Mark Sykes was brought up, as an only child, the progeny of an unlikely couple, both of whom were damaged by their upbringing. His father, Sir Tatton Sykes, had been a sickly boy, a disappointment to his own father, also named Tatton, an old-fashioned country squire, of the type represented in literature by characters such as Fielding’s Squire Western and Goldsmith’s Squire Thornhill. He was hardy in the extreme, and Tatton, his firstborn, lived in constant fear of a father who had no time for weakness, and was only too free with both the whip and his fists, believing that the first precept of bringing up children was ‘Break your child’s will early or he will break yours later on.’ This principle, better suited to a horse or dog, was followed exactly by Tatton, who imposed it upon his own offspring, six girls and two boys, in no uncertain terms.

The young Tatton despised everything his father stood for, and grew up a neurotic, introverted child who developed strong religious beliefs and could not wait to get away as soon as he was of age. As it happened he reached adulthood at a time in history when the world was opening up to would-be travellers. The railways were expanding at great speed. Brunel had just built the SS Great Western, the largest passenger ship in the world, to revolutionize the Atlantic crossing. Steamships regularly travelled to and from India, and on the huge American tea clippers it was possible for a passenger to sail from Liverpool all the way to China. For someone as painfully shy and who valued solitude as much as him, travel to a distant place was the perfect escape, and in the years between his leaving Oxford and the eventual death of his father in 1863, Tatton visited India, America, China, Egypt, Europe, Russia, Mexico and Japan, making him one of the most travelled men of his generation. But of all the places he visited, none struck him as forcibly as the lands that made up the Ottoman Empire, stretching from North Africa to the Black and Caspian Seas, where he was particularly fascinated by the myriad religious sites and shrines, which appealed to his own powerful spiritual beliefs.

Tatton was in Egypt when, on 21 March 1863, he was brought the news of his father’s death. ‘Oh indeed! Oh indeed!’ was all he could manage to mutter.3 He returned home with only one thing in mind: to take a new broom to the whole place He sold all his father’s horses, and his pack of hounds, and had all the gardens dug up and raked over. These had been his mother’s domain and he set about destroying them with relish, demolishing a beautiful orangery and dismantling all the hothouses in the walled garden, no doubt in revenge for her not having been more protective of her children. When all was done he embarked upon his own passion, one that had grown out of his early travels through the Ottoman Empire, when he had been astonished by the religious fervour he had encountered amongst the large number of pilgrims to the holy cities. The considerable quantity of crosses and memorials which had been erected along the roads as reminders of these journeys had made a deep and lasting impression upon him, and he had returned home determined that some similar demonstration of the people’s faith should be made in the East Riding of Yorkshire. He therefore decided that he would use some of his immense wealth to build churches where none stood, building and restoring seventeen during his lifetime.

As the owner of a beautiful house and a great estate, now scattered with fine churches, it soon became clear that Tatton would need someone to hand them all on to, especially since he was nearing fifty. His introverted character, however, did not make the path of finding a wife a smooth one, and when he did finally get married it was to a girl who was thrust upon him. Christina Anne Jessica Cavendish-Bentinck was the daughter of George ‘Little Ben’4 Cavendish-Bentinck, Tory MP for Whitehaven, and a younger son of the fourth Duke of Portland. Though Jessie, as she was known, was no beauty, having too square a jaw, she was certainly handsome, with large, dark eyes, a sensual mouth and curly hair which she wore up. She was intelligent and high-spirited, and had political opinions, which at once set her apart from the average upper-class girl. She also loved art, a passion that may have had its roots in her having sat aged five for George Frederick Watts’s painting Mrs George Augustus Frederick Cavendish-Bentinck and Her Children. She later developed a talent for drawing, and her hero was John Ruskin, whom she had met and become infatuated with, while travelling with her family in Italy in 1869.

Jessie’s mother, Prudence Penelope Cavendish-Bentinck, was a formidable woman of Irish descent who went by the nickname of ‘Britannia’. From the very moment Jessie had become of marriageable age, she was determined to net her daughter a rich and influential husband. According to family legend the pair of them were travelling through Europe in the spring of 1874 when, as they were passing through Bavaria, Jessie became mysteriously separated from the party. Faced with the unwelcome prospect of spending the night alone, she was obliged to turn for help to the middle-aged bachelor they had just befriended, Sir Tatton Sykes. He, quite correctly, made sure that she was looked after, and, the following morning, escorted her to the station to catch the train to join up with her family. However, when she finally met up with them, her mother feigned horror at the very thought of her daughter having been left unchaperoned overnight in the company of a man they barely knew. As soon as she was back in London, Britannia summoned the hapless Tatton to the family house at no. 3 Grafton Street and accused him of compromising her daughter. It was a shrewd move, for Tatton, to whom the idea of any kind of scandal was anathema, agreed at once to an engagement, to be followed by the earliest possible wedding.

The nuptials, which took place on 3 August 1874, in Westminster Abbey, were as splendid an occasion as any bride could have wished for, with a full choral service officiated by the Archbishop of York, assisted by the Dean of Westminster. It was, wrote one columnist, ‘impossible for a masculine pen to do justice to such a scene of dazzling brilliancy’.5 There were those, however, who considered it the height of vulgarity. ‘The Prince of Wales,’ wrote Tatton’s younger brother, Christopher, from the Royal Yacht Castle, to which he had conveniently escaped in order to avoid the celebrations, ‘is so disgusted with the account of the wedding in the Morning Post. He says if it had been his there could not have been more fuss.’6

‘You looked such a darling and behaved so beautifully,’ Britannia wrote to Jessie. ‘I can dream and think of nothing else.’ She attempted to allay any fears her daughter might have had by heaping praise upon her new husband, whom she described as a man of worth and excellence of whom she had heard praises on all sides. ‘He has won a great prize,’ she told Jessie, continuing, ‘I believe firmly he knows its worth and you will be prized and valued as you will deserve. All your great qualities will now have a free scope.’7

Jessie arrived at Sledmere on 15 August 1874, to find the sixteen household servants all gathered together to greet her. At the head of the line-up was the housekeeper, Mary Baines, an elderly spinster aged sixty-six, who had begun her life in service under Tatton’s father. She ruled over two housemaids, three laundry maids and two stillroom maids, and was responsible for the cleaning of the house, overseeing the linen, laying and lighting the fires, and the contents of the stillroom. The other senior female servant was Ann Beckley, the cook, who was on equal terms with the housekeeper, and who had under her a scullery maid and a dairymaid. The butler, Arthur Hewland, was in charge of the male servants, consisting of a pantry boy and two footmen. Tatton’s personal valet was Richard Wrigglesworth. The servants were housed in the domestic wing, enlarged and improved by Sir Christopher in 1784, and they welcomed the young mistress to Sledmere.

Her younger sister, Venetia, bombarded Jessie with questions about Sledmere. ‘Is the Park large?’ she asked. ‘Have you a farm? What is the garden like, is there any produce? Have you any neighbours? What sort of Church have you. Where is it and who is the Clergyman high or low? What sort of bedrooms?’8 In fact the Sledmere at which Jessie had arrived was badly in need of a facelift. Virtually nothing had been done to the house since it was built, and as four of Tatton’s sisters had left home to be married, the last in 1863, he had lived there with only his spinster sister, Mary, to look after the place. She had had little opportunity to decorate and imbue the house with a woman’s touch, since Tatton was extremely careful with his money and was abroad for six months of the year On arriving at Sledmere, Jessie made up her mind to change all this, but her determination to renovate the house met a major stumbling block in that trying to get money out of Tatton to carry out her schemes was like trying to get blood out of a stone. ‘It has been practically impossible,’ she was on one occasion to write in a letter to her lawyer, ‘to persuade Sir Tatton to pay any comparatively small sums of money, nor to induce him to contribute to the keeping of our … establishment in town and country.’9

After years of living with the introverted Sir Tatton, Jessie’s extravagant and outgoing nature came to most of the household as a breath of fresh air, and she worked hard to breathe life into the house. In Algernon Casterton, one of three semi-autobiographical novels she was to write later in her life, Jessie described her methods of decoration through the eyes of Lady Florence Hazleton, recently wed and attempting to instil some life into her new home, Hazleton Hall. ‘She had made it a very charming place – it was in every sense of the word an English home. She found beautiful old furniture in the garrets and basements, to which it had been relegated in those early Victorian days when eighteenth century taste was considered hideous and archaic. She hung the Indian draperies she had collected over screens and couches; she spread her Persian rugs over the old oak boards. The old pictures were cleaned and renovated, and among the Chippendale and Sheraton tables and chairs many a luxurious modern couch and arm-chair made the rooms as comfortable as they were picturesque.’10 This could well have been a description of the Library at Sledmere, which was the first room on which Jessie made her mark. She plundered the house for furniture and artefacts of every kind, and soon the vast empty space in which her father-in-law had taken his daily exercise was filled to overflowing with chairs, tables, day-beds, china, pictures, screens, oriental rugs, bric-a-brac from Tatton’s travels and masses and masses of potted palms.

For the first two years of her marriage, Jessie threw herself into the role of being the mistress of a great house. She organized the servants, she breathed life into the rooms, she attended church and took up her deceased mother-in-law’s interest in good works and education, she read, wrote and hunted. She also tried hard to be a good wife, accompanying Tatton on his travels abroad, and to the many race meetings he attended when he was back home. But it was an uphill struggle. Twenty years later she was to say that she had never been to a party or out to dine with him since their marriage. She could never have guessed, when she took the fatal decision to bow to her mother’s wishes, the life that was in store for her with Tatton. Their characters were simply poles apart. While she had a longing for gaiety and company, he wished wherever possible to avoid the society of others.

Like his father, he seldom varied his routine. Each day he rose at six, and after taking a long walk in the park he would eat a large breakfast, before attending church. He spent the mornings dealing with business in the estate office, before returning to the house at noon for a plain lunch, which always featured a milk pudding. After lunch he would snooze, then return to the office for further business. He took a light supper and was in bed by eight. He did not smoke and the only alcohol that passed his lips was a wine glass of whisky diluted with a pint of Apollinaris water, which he drank every day after lunch. This was hardly a life that was going to keep a young wife happy for long, and her frustration and boredom were reflected in a pencil sketch she secretly made on the fly-leaf of a manuscript book. It depicts an old man lying stretched out asleep in a chair, snores coming out of his nose. Above him are written the poignant words ‘My evenings October 1876 – Quel rêve pour une jeune femme. J.S.’11

What changed life for Jessie was the eventual arrival of a child, though many years later she was to confide to her daughter-in-law that it had taken her husband six months to consummate the marriage, only with the utmost clumsiness, and when drunk. In spite of the rarity of their unions, however, she managed to get pregnant, and in August 1878 announced that she was expecting a child. The news was the cause of great rejoicing in Sledmere, all the more so when the child was born, on 6 March 1879, revealing itself to be the longed-for heir, a fact that must have delighted his father, who knew that his duty was now done. Though born in London, where his birth was registered in the district of St George’s Hanover Square, within a month he was brought up to Sledmere to be christened by the local vicar, the Rev. Newton Mant.

The ceremony, a full choral christening, took place in St Mary’s, the simple Georgian village church, its box pews filled to capacity with tenant farmers and workers and their families, all come to welcome the next-in-line, and each one of whom was presented with a special book printed to mark the occasion. The infant was traditionally named Tatton and Mark after his forefathers, while Jessie’s contribution was the insertion of Benvenuto as his middle name, an affirmation of her great joy at his arrival as well as a nod towards her love of Italy. When the ceremony was over, the doors of the big house were thrown open to one and all to partake of a christening banquet in the library, where tables laden with food were laid out end to end. Jessie was presented with the gift of a pearl necklace, and Mark, as he was always to be known, was cooed over and passed round by the village women.

Needless to say, Jessie’s mother was thrilled by the arrival of her grandson, as were Jessie’s friends and admirers. In...