BIG BANG EPUB ED EB

Simon Singh

• Publisher: Harper Perennial
• Year: 2010
• Print ISBN: 9780007453078, 9780007162208
• eBook ISBN: 9780007375509
• Topic: Biological Sciences
• Subtopic: Mathematics General
• Index: Biological Sciences

The bestselling author of Fermat's Last Theorem and The Code Book tells the story of the brilliant minds that deciphered the mysteries of the Big Bang. A fascinating exploration of the ultimate question: how was our universe created?

Albert Einstein once said: 'The most incomprehensible thing about the universe is that it is comprehensible.' Simon Singh believes geniuses like Einstein are not the only people able to grasp the physics that govern the universe. We all can.

As well as explaining what the Big Bang theory actually is and why cosmologists believe it is an accurate description of the origins of the universe, this book is also the fascinating story of the scientists who fought against the established idea of an eternal and unchanging universe. Simon Singh, renowned for making difficult ideas much less daunting than they first seem, is the perfect guide for this journey.

Everybody has heard of the Big Bang Theory. But how many of us can actually claim to understand it? With characteristic clarity and a narrative peppered with anecdotes and personal histories of those who have struggled to understand creation, Simon Singh has written the story of the most important theory ever.

Chapter 1
IN THE BEGINNING

Science must begin with myths, and with the criticism of myths.

KARL POPPER

I do not feel obliged to believe that the same God who has endowed us with sense, reason and intellect has intended us to forgo their use.

GALILEO GALILEI

Living on Earth may be expensive, but it includes an annual free trip around the Sun.

ANONYMOUS

Physics is not a religion. If it were, we’d have a much easier time raising money.

LEON LEDERMAN

Our universe is dotted ‘with over 100 billion galaxies, and each one contains roughly 100 billion stars. It is unclear how many planets are orbiting these stars, but it is certain that at least one of them has evolved life. In particular, there is a life form that has had the capacity and audacity to speculate about the origin of this vast universe.

Humans have been staring up into space for thousands of generations, but we are privileged to be part of the first generation who can claim to have a respectable, rational and coherent description for the creation and evolution of the universe. The Big Bang model offers an elegant explanation of the origin of everything we see in the night sky, making it one of the greatest achievements of the human intellect and spirit. It is the consequence of an insatiable curiosity, a fabulous imagination, acute observation and ruthless logic.

Even more wonderful is that the Big Bang model can be understood by everyone. When I first learned about the Big Bang as a teenager, I was astonished by its simplicity and beauty, and by the fact that it was built on principles which, to a very large extent, did not go beyond the physics I was already learning at school. Just as Charles Darwin’s theory of natural selection is both fundamental and comprehensible to most intelligent people, the Big Bang model can be explained in terms that will make sense to non-specialists, without having to water down the key concepts within the theory.

But before encountering the earliest stirrings of the Big Bang model, it is necessary to lay some groundwork. The Big Bang model of the universe was developed over the last hundred years, and this was only possible because twentieth-century breakthroughs were built upon a foundation of astronomy constructed in previous centuries. In turn, these theories and observations of the sky were set within a scientific framework that had been assiduously crafted over two millennia. Going back even further, the scientific method as a path to objective truth about the material world could start to blossom only when the role of myths and folklore had begun to decline. All in all, the roots of the Big Bang model and the desire for a scientific theory of the universe can be traced right back to the decline of the ancient mythological view of the world.

From Giant Creators to Greek Philosophers

According to a Chinese creation myth that dates to 600 BC, Phan Ku the Giant Creator emerged from an egg and proceeded to create the world by using a chisel to carve valleys and mountains from the landscape. Next, he set the Sun, Moon and stars in the sky; he died as soon as these tasks were finished. The death of the Giant Creator was an essential part of the creation process, because fragments of his own body helped to complete the world. Phan Ku’s skull formed the dome of sky, his flesh formed the soil, his bones became rocks and his blood created rivers and seas. The last of his breath forged the wind and clouds, while his sweat became rain. His hair fell to Earth, creating plant life, and the fleas that had lodged in his hair provided the basis for the human race. As our birth required the death of our creator, we were to be cursed with sorrow forever after.

In contrast, in the Icelandic epic myth Prose Edda creation started not with an egg, but within the Yawning Gap. This void separated the contrasting realms of Muspell and Niflheim, until one day the fiery, bright heat of Muspell melted the freezing snow and ice of Niflheim, and the moisture fell into the Yawning Gap, sparking life in the form of Imir, the giant. Only then could the creation of the world begin.

The Krachi people of Togo in West Africa speak of another giant, the vast blue god Wulbari, more familiar to us as the sky. There was a time when he lay just above the Earth, but a woman pounding grain with a long timber kept prodding and poking him until he raised himself above the nuisance. However, Wulbari was still within reach of humans, who used his belly as a towel and snatched bits of his blue body to add spice to their soup. Gradually, Wulbari moved higher and higher until the blue sky was out of reach, where it has remained ever since.

For the Yoruba, also of West Africa, Olorun was Owner of the Sky. When he looked down upon the lifeless marsh, he asked another divine being to take a snail shell down to the primeval Earth. The shell contained a pigeon, a hen and a tiny amount of soil. The soil was sprinkled on the marshes of the Earth, whereupon the hen and pigeon began scratching and picking at it, until the marsh became solid ground. To test the world, Olorun sent down the Chameleon, which turned from blue to brown as it moved from sky to land, signalling that the hen and pigeon had completed their task successfully.

Throughout the world, every culture has developed its own myths about the origin of the universe and how it was shaped. These creation myths differ magnificently, each reflecting the environment and society from which it originated. In Iceland, it is the volcanic and meteorological forces that form the backdrop to the birth of Imir, but according to the Yoruba of West Africa it is the familiar hen and pigeon that give rise to solid land. Nevertheless, all these unique creation myths have some features in common. Whether it is the big, blue, bruised Wulbari or the dying giant of China, these myths inevitably invoke at least one supernatural being to play a crucial role in explaining the creation of the universe. Also, every myth represents the absolute truth within its society. The word ‘myth’ is derived from the Greek word mythos, which can mean ‘story’, but also means ‘word’, in the sense of ‘the final word’. Indeed, anybody who dared to question these explanations would have laid themselves open to accusations of heresy.

Nothing much changed until the sixth century BC, when there was a sudden outbreak of tolerance among the intelligentsia. For the very first time, philosophers were free to abandon accepted mythological explanations of the universe and develop their own theories. For example, Anaximander of Miletus argued that the Sun was a hole in a fire-filled ring that encircled the Earth and revolved around it. Similarly, he believed that the Moon and stars were nothing more than holes in the firmament, revealing otherwise hidden fires. Alternatively, Xenophanes of Colophon believed that the Earth exuded combustible gases that accumulated at night until they reached a critical mass and ignited, thereby creating the Sun. Night fell again when the ball of gas had burned out, leaving behind just the few sparks that we call stars. He explained the Moon in a similar way, with gases developing and burning over a twenty-eight-day cycle.

The fact that Xenophanes and Anaximander were not very close to the truth is unimportant, because the real point is that they were developing theories that explained the natural world without resorting to supernatural devices or deities. Theories that say that the Sun is a celestial fire seen through a hole in the firmament or a ball of burning gas are qualitatively different from the Greek myth that explained the Sun by invoking a fiery chariot driven across the sky by the god Helios. This is not to say that the new wave of philosophers necessarily wanted to deny the existence of the gods, rather that they merely refused to believe that it was divine meddling that was responsible for natural phenomena.

These philosophers were the first cosmologists, inasmuch as they were interested in the scientific study of the physical universe and its origins. The word ‘cosmology’ is derived from the ancient Greek word kosmeo, which means ‘to order’ or ‘to organise’, reflecting the belief that the universe could be understood and is worthy of analytical study. The cosmos had patterns, and it was the ambition of the Greeks to recognise these patterns, to scrutinise them and to understand what was behind them.

It would be a great exaggeration to call Xenophanes and Anaximander scientists in the modern sense of the term, and it would flatter them to consider their ideas as full-blown scientific theories. Nevertheless, they were certainly contributing to the birth of scientific thinking, and their ethos had much in common with modern science. For example, just like ideas in modern science, the ideas of the Greek cosmologists could be criticised and compared, refined or abandoned. The Greeks loved a good argument, so a community of philosophers would examine theories, question the reasoning behind them and ultimately choose which was the most convincing. In contrast, individuals in many other cultures would not dare to question their own mythology. Each mythology was an article of faith within its own society.

Pythagoras of Samos helped to reinforce the foundations of this new rationalist movement from around 540 BC. As part of his philosophy, he developed a passion for mathematics and demonstrated how numbers and equations could be used to help formulate scientific theories. One of his first breakthroughs was to explain the harmony of music via the harmony of numbers. The most important instrument in early Hellenic music was the tetrachord, or four-stringed lyre, but Pythagoras developed his theory by experimenting with the single-stringed monochord. The string was kept under a fixed tension, but the length of the string could be altered. Plucking a particular length of string generated a particular note, and Pythagoras realised that halving the length of the same string created a note that was one octave higher and in harmony with the note from the plucking of the original string. In fact, changing the string’s length by any simple fraction or ratio would create a note harmonious with the first (e.g. a ratio of 3:2, now called a musical fifth), but changing the length by an awkward ratio (e.g. 15:37) would lead to a discord.

Once Pythagoras had shown that mathematics could be used to help explain and describe music, subsequent generations of scientists used numbers to explore everything from the trajectory of a cannonball to chaotic weather patterns. Wilhelm Röntgen, who discovered X-rays in 1895, was a firm believer in the Pythagorean philosophy of mathematical science, and once pointed out: ‘The physicist in preparing for his work needs three things: mathematics, mathematics and mathematics.’

Pythagoras’ own mantra was ‘Everything is number.’ Fuelled by this belief, he tried to find the mathematical rules that governed the heavenly bodies. He argued that the movement of the Sun, Moon and planets across the sky generated particular musical notes, which were determined by the lengths of their orbits. Therefore, Pythagoras concluded, these orbits and notes had to have specific numerical proportions for the universe to be in harmony. This became a popular theory in its time. We can re-examine it from a modern perspective and see how it stands up to the rigours of today’s scientific method. On the positive side, Pythagoras’ claim that the universe is filled with music does not rely on any supernatural force. Also, the theory is rather simple and quite elegant, two qualities that are highly valued in science. In general, a theory founded on a single short, beautiful equation is preferred to a theory that relies on several awkward, ugly equations qualified by lots of complicated and spurious caveats. As the physicist Berndt Matthias put it: ‘If you see a formula in the Physical Review that extends over a quarter of a page, forget it. It’s wrong. Nature isn’t that complicated.’ However, simplicity and elegance are secondary to the most important feature of any scientific theory, which is that it must match reality and it must be open to testing, and this is where the theory of celestial music fails completely. According to Pythagoras, we are constantly bathed in his hypothetical heavenly music, but we cannot perceive it because we have been hearing it since birth and have become habituated to it. Ultimately, any theory that predicts a music that could never be heard, or anything else that could never be detected, is a poor scientific theory.

Every genuine scientific theory must make a prediction about the universe that can be observed or measured. If the results of an experiment or observation match the theoretical prediction, this is a good reason why the theory ...

Table of contents

• Title Page
• Copyright
• From the Reviews of Big Bang
• Dedication
• Epigraph
• Contents
• Chapter 1 In the Beginning
• Chapter 2 Theories of the Universe
• Chapter 3 The Great Debate
• Chapter 4 Mavericks of the Cosmos
• Chapter 5 The Paradigm Shift
• Epilogue
• Keep Reading
• What is Science?
• Glossary
• Further Reading
• Index
• P.S.
• Acknowledgements
• About the Author
• Also by the Author
• About the Publisher