Machiavelli: Philosophy in an Hour
eBook - ePub

Machiavelli: Philosophy in an Hour

  1. English
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  3. Available on iOS & Android
eBook - ePub

Machiavelli: Philosophy in an Hour

About this book

Philosophy for busy people. Read a succinct account of the philosophy of Machiavelli in just one hour.

Niccolò Machiavelli’s work remains misunderstood – synonymous with wicked scheming and underhand politics – nearly 350 years after his death. His philosophy of statecraft was scientific and highly rational, leaving sentiment, and ultimately morality, to one side. His advice is as relevant to modern politics as it was during the Renaissance – and reflects many profound and disturbing truths about the human condition.

Here is a concise, expert account of Machiavelli’s life and philosophical ideas – entertainingly written and easy to understand. Also included are selections from Machiavelli’s work, suggested further reading, and chronologies that place Machiavelli in the context of the broader scheme of philosophy.

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Yes, you can access Machiavelli: Philosophy in an Hour by Paul Strathern in PDF and/or ePUB format, as well as other popular books in Philosophy & Philosophy History & Theory. We have over one million books available in our catalogue for you to explore.

Information

Machiavelli’s Life and Works

Niccolò Machiavelli was born in Florence on May 3, 1469. He came from an old Tuscan family, which had in the past achieved some eminence – though his was not one of the great powerful families of Florence, such as the Pazzi bankers or the Medici. And by the time Niccolò arrived on the scene, his branch of the family had fallen on hard times.
Machiavelli’s father Bernardo was a lawyer who had fallen foul of the tax man and been declared an insolvent debtor. As such he was forbidden by law from practicing his profession. But no lawyer can be expected to take the law literally. Bernardo managed to practice on the quiet, offering cut-rate service for those who found themselves in an impecunious position similar to this own. His only other source of income was the small estate he had inherited, seven miles south of Florence on the road to Siena. This was an idyllic spot amidst the Tuscan hills, but the grapes and goat cheese hardly provided enough cash to support a family. Life was austere at casa Machiavelli. As Niccolò later remarked: ‘I learned to do without before I learned to enjoy’. Bernardo could afford no formal education for his son. Occasionally a scholar on hard times would be hired as a tutor. But Bernardo had not always been a broken-down lawyer. He had his own library, and young Niccolò was soon reading extensively, especially in classical texts. The pale, deprived boy found his imagination fired by the wonders of ancient Rome.
The isolated child gave way to a solitary adolescent with an apprehensive, sidelong look, which made him appear curiously guilty. He became aware of the world around him: coolly measuring himself against it, measuring it against what he knew from his reading. Even in his isolation he couldn’t help realising his superior intelligence. Likewise, he quickly perceived the new humanist outlook that was beginning to permeate so many aspects of the city around him. Florence was emerging from the intellectual torpor of medieval life: the city felt awake, alive, self-confident. Italy was leading Western civilization into the Renaissance. It was possible to dream that Italy might again be united and great, as it had been in the days of the Roman Empire. The perceptive young Niccolò began seeing (and imagining) resemblances between the city around him and Rome at the height of its power: the Rome of the second century A.D., in the era leading up to Marcus Aurelius, stoic philosopher, general, emperor. This was the period when the empire stretched from the Persian Gulf to Hadrian’s Wall, when the Senate still had sufficient power to make itself heard, when the citizens of Rome had been happiest and most prosperous. Heady stuff for a quicksilver young mind whose broken father could provide no role model. Instead, history would provide a more abstract dream.
Machiavelli’s understanding of the heyday of the Roman Empire was not clouded by the rhetoric of an erudite teacher. Yet he certainly attended some of the public lectures given by the great humanist scholars who were then making Florence the intellectual centre of Europe. Characteristic of these was the poet and humanist Politian, protégé and close friend of Lorenzo the Magnificent. Politian was one of the finest poets of the post-Dante era, his verse combining rhetorical flourishes of classical brilliance with the directness and vivacity of everyday Florentine Italian. The scholars at the University of Florence quickly learned how to mimic this elegant poesy. Unhampered by intellectual fashion, Machiavelli began turning this same Florentine Italian into a more clear and direct prose, combining formal manner with popular usage. The Italian language was in its infancy. It had evolved from Florentine dialect less than two centuries earlier, displacing Latin as the literary language. Yet it had already produced its greatest poet (Dante), and in Machiavelli it was now about to produce its finest prose writer.
After the public lectures the young scholars would linger in the Piazza della Signoria, swapping opinions, the latest news on the affairs of the day, gossip. The cool young man with the snide look was soon noticed. His ironic barbs, his witticisms (especially at the expense of the clergy), his piercing intellectual insights, all made their mark. Just as he intended they should. Niccolò knew what he was doing: he was establishing himself. (And almost without realising it, he was also creating himself.) He may have had only modest social standing, but he knew he was better than any of them. His mockery provided a suitable mask for such contemptuous conceit. And in his own way Machiavelli soon established himself as the life and soul of the party. The way to succeed was to win popularity. Only the more perceptive among his friends noticed the cool heart that lay behind the mask. Either through pity, respect, or curiosity, this often endeared him to them all the more. A cool heart was a rare phenomenon among the volatile young bloods of Renaissance Florence.
But how was it that Florence, of all places, had become the centre of the Renaissance? Here was a city with little political or military clout, yet it had achieved an influence out of all proportion to its provincial standing.
The obvious answer is money. The Florentine merchant bankers, such as the Medici, Pazzi, and Strozzi families, controlled the new technology of their age. Merchant banking was the revolutionary communication technology of its time. Its development during the fourteenth century had gradually transformed trade and communication throughout Europe. Wealth could be transmitted, in the form of credit or bank drafts, from one end of the continent to another, freeing trade from the customary restraints of barter or cash payment. Silks and spices arriving overland from the Far East at Beirut could be purchased by means of financial transfer and shipped to Venice.
The second oldest profession is the middleman, and one of the invariable rules of money-handling is that some of it always adheres to each hand through which it passes. Sealskins and whale oil, shipped from Greenland to Brugge, could be used to pay papal dues, which could then be transferred by banker’s draft to the Vatican in Rome. And here lay the heart of the matter. Papal revenues were extracted from parishes, dioceses, and rulers throughout Christendom – which, regardless of national borders, then stretched from Portugal to Sweden, from Greenland to Cyprus. Only the greatest banking houses, with trusted branches along the trade routes throughout Europe, could handle the transfer of such widespread income, from its far-flung sources, along the converging tributaries, to its ultimate mouth. Inevitably there was great competition for this prize account, involving all the usual skills associated with great banking enterprises: political chicanery, bribery, creative accounting, and so forth. And by 1414 the Medici had finally secured the big one: they were the papal bankers. Similar manoeuvres enabled the Medici family to gain control of the ostensibly democratic republican government of Florence. By 1434 Cosimo de’ Medici was not only the richest man in Europe, but Florence had become his own private princedom in all but name.
The city now flourished as never before, achieving international renown. The local coin, the florin (named after the city), became the dollar of its day. Among the chaos of European coinage (where countries frequently had several different currencies in circulation), the florin was recognised as the international monetary standard. Similarly, financial transaction played its role in establishing the Florentine dialect as the Italian language. Money soon bred a self-confidence that cast aside the traditional medieval outlook, ignoring the intellectual stranglehold of the church. Biblical homilies concerning wealth (‘It is easier for a rich man to pass through the eye of a needle than to enter heaven,’ etc.) were reinterpreted in the light of current reality: the pages of the Medici banking ledgers were blatantly headed: ‘In the name of God and profit.’
But cash alone didn’t account for Florence’s preeminence. It was how the cash was spent. The Medicis’ close association with the church gave them access to the intimate workings of this flourishing commercial organisation (even cardinals had bank accounts devoted purely to expenditure on their mistresses). Despite such disillusioning disclosures, the Medici remained firm and unquestioning believers in Christianity. Yet the fact remained that the central function of banking – namely, usury – was expressly and unequivocally forbidden by the Bible. (‘Thou shalt not lend thy money for interest.’ Leviticus 24:37. ‘Do not take usury.’ Exodus 22:25, and so on and so forth.)
As Cosimo de’ Medici became older, he became increasingly perturbed. To assuage his guilt (and perhaps buy himself a lesser period of hellfire and d...

Table of contents

  1. Cover
  2. Title Page
  3. Contents
  4. Introduction
  5. Machiavelli’s Life and Works
  6. Afterword
  7. Further Information
  8. About the Author
  9. Copyright
  10. About the Publisher