Perverse Spectators
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Perverse Spectators

The Practices of Film Reception

Janet Staiger

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eBook - ePub

Perverse Spectators

The Practices of Film Reception

Janet Staiger

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About This Book

Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires.

In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information.

Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies.

Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.

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Information

Publisher
NYU Press
Year
2000
ISBN
9780814724095

Index

Abbott and Costello Meet Frankenstein, 69
Abject, 170
Absorption, 12
Abstract expressionism, 146, 158n
Acting, 34, 36
Action-adventure genre, 12, 20, 22, 68, 70
Actors, 37
ACT-UP, 162
Adaption, 95, 104, 106, 167–68, 182, 184, 197
Address, 13–18, 21–24
Advertising, 29, 67–68, 78, 81, 86, 106, 145, 166, 171, 173, 177n, 197. See also Marketing
Aesthetics, 3, 5–6, 11, 15, 24, 29, 33–35, 38, 51, 62, 101, 115–16, 136, 186
Affect, 3–4, 24, 33–34, 36, 38–39, 51–53, 56n, 184. See also Crying; Laughter; Terror
Agee, James, 66
Albee, Edward, 129, 147
Alexander, Shana, 146–47
Allen, Robert C., 41n
Allen, Woody, 216
All the President’s Men, 219
Alpert, Hollis, 101
Althusser, Louis, 3–4, 115–18, 123
Altman, Rick, 61, 64–65, 68–69, 75n
Altman, Robert, 75n
Amos ‘n’ Andy (radio), 49
Anderson, Amanda, 80
Anger, Kenneth, 130, 136, 139, 150, 157n
Ansen, David, 119
Anticipation of the Night, 135
Antonioni, Michelangelo, 142
Anxiety, 206
Apollo (film company), 140
Archer, Eugene, 141
Aristocracy, 50–51
Armstrong, David, 211
Arnold, Gary, 94
Art cinema, 33–35, 39, 49, 102, 107, 127, 132, 137, 142, 145, 191
Art of the Moving Picture, The, 19
Audiences, 67, 101. See also Spectators
Auteurism, 4, 100, 102, 104–5, 107, 145
Authorial voice, 103–4
Authorship,...

Table of contents