Graffiti from the Basilica in the Agora of Smyrna

Roger S. Bagnall, Roberta Casagrande-Kim, Akin Ersoy, Cumhur Tanriver, Roger S. Bagnall, Roberta Casagrande-Kim, Akin Ersoy, Cumhur Tanriver

• Publisher: NYU Press
• Year: 2016
• Print ISBN: 9781479864645
• eBook ISBN: 9781479870738
• Topic: History
• Subtopic: Ancient History
• Index: History

An in-depth archaeological report
featuring graffiti found during a recent excavation at the Ancient Greek city
of Smyrna.

The graffiti published in this richly-illustrated volume were discovered during an excavation of the Roman basilica in the Ancient Greek city of Smyrna, known today as Izmir, which is situated on the Aegean coast of modern Turkey. The project, which began in 2003, has unearthed a multitude of graffiti and drawings encompassing a wide range of subjects and interests, including local politics, nautical vessels, sex, and wordplay.

Each graffito artifact holds the potential for vast historical and cultural data, rescued in this volume from the passage of time and razing ambitions of urban development. Given the city’s history, the potential wealth of knowledge to be gleamed from these discoveries is substantial: Smyrna has an uninterrupted history of settlement since the Neolithic–Copper ages, and remains today a major city and Mediterranean seaport at the crossroads of key trade routes.

The present volume provides comprehensive editions of the texts, descriptions of the drawings, and an extensive introduction to the subjects of the graffiti, how they were produced, and who was responsible for them. A complete set of color photographs is included.

THE GRAFFITI

The texts and descriptions below reflect in first instance the state of the plaster in the Basilica as of July, 2003, when the texts were copied by Bagnall. Thomas Drew-Bear was able to check some of these copies at that time. Photographs taken both in 2003 and 2004 and subsequently have also been used in preparation of the descriptions and texts. A complete revision against the originals was undertaken by Bagnall and Tanrıver in October, 2012, and the photographic documentation completed at that time. Subsequently, conservation by the Smyrna Agora excavations has allowed new photography of graffiti previously covered by bandages or obscured by dirt. Newly-discovered graffiti have been copied by Tanrıver. In addition, photography by an infrared digital camera has provided new images of many of the graffiti. A revision of the recently discovered texts by Bagnall and Tanrıver in September, 2014 completed the documentation of the texts, and at the same time Casagrande-Kim was able to check all of the drawings against the originals.

The graffiti discovered in 2003 and subsequently are preceded here by three copied by Franz Miltner and preserved in the archives of the Kleinasiastische Kommission in Vienna. Only the first of these graffiti still partly survives, and we give texts based on the copy kindly supplied by G. Petzl from the archives.

The graffiti were originally assigned numbers based on the numbering of the bays at the time of excavation. These are the numbers used in Bagnall 2011, and wherever possible these are retained here to avoid the confusion that would result from simply replacing them. “Tn.x” thus means “T(ext) x in Bay n.” “D” refers to “Drawing” in analogous manner. Those bay numbers on the north side run from 0 to 46. A second numbering of bays, prefixed with G, was later introduced. These numbers run from G1 to G50. They are used here for reference to graffiti only where there is not an “original” bay number, but their numbers are provided side-by-side with the original ones. “TPn.x” or “DPn.x” indicates that the text is written or drawn on a pier in the row to the south of the bays where most of the graffiti are located, in the middle of the basement. Piers have been numbered with A numbers (for “ayak” in Turkish) from 1 to 59 on the north side, 60 to 116 in the middle, and 117 to 175 on the south side. The bays in the south gallery have been renumbered with a separate series of P1 to P54; only two of these have any graffiti, however, and these are given both the older numbers and the P numbers. The reader will find a concordance to the systems at the end of the book (p. 479); they are also shown on the plan provided here (Fig. 4).

A 121 (STAIRS)

TX.1. Uncertain

To the right of the staircase, at the lower end, 87 cm above the second step. Incised in plaster. The underlined letters were still visible in 2014; the plaster of line 2 has been lost. Dimensions 23.5 cm wide × 10 cm high; letters 3–3.5 cm high. Facsimile: Miltner.

1. If this is not broken at left, one would naturally read *ὁδοφόρος, “road-bearing” or “road-bearer.” As this word is not otherwise attested to our knowledge, more promising would be the assumption of a lost letter and a reading ῥοδοφόρος.

2. See the drawing. The initial letter(s) could be omicron, epsilon, epsilon iota, or perhaps sigma upsilon. The first eta is also indistinct in Miltner’s copy and could represent something else. The only suggestion for an intepretation that has occurred to us is συνήρθη, aorist passive of συναίρω. We cannot propose a suitable meaning with either the putative *ὁδοφόρος or ῥοδοφόρος with any confidence.

TX.2. Uncertain

The third vault from the west, ca. 1 m above the floor. Dimensions 20 cm wide × 30 cm high. Charcoal letters 3 cm high. Traces of at least four lines were seen above the recorded text. Facsimile: Miltner.

. Ω . .

ΜΟΥΣ

ΑΔΕΛΦ

ΤΗΣΜ

ΤΡΟΣ ̣

̣ ΟΝΑ

ΑΡΑ ̣

3–5 Presumably a form of ἀδελφός or ἀδελφή, perhaps followed by τη̑ς μητρός and perhaps a name.

TX.3. Riddle?

The third vault from the west, front [= south?] side of the vault, ca. 6 cm above floor level. Dimensions 30 cm wide × 35 cm high. Letters ca. 3 cm high. To judge from the drawing, apparently in a tabula. Facsimile: Miltner.

Ζ[ . ]Τ[ . . ] . ΟΑΝΑ

Π . . ΣΑΜΕΝΟΣ

[ . ] . ζήτημα

[ . ] . ΓΕΤΡ ̣ ΦΟΡ ̣

[ . ] . Ω . . . Τ . .

1. It is hard not to suppose that originally the line began with ζήτημα, as in line 3 and in T0.4, T8.2, and T28.1. Following that, one might think of ἀναγινώσκων, but that would require more loss at right than the drawi...

Table of contents

• Cover
• Half title
• Title
• Copyright
• Contents
• List of Illustrations
• List of Contributors
• Preface
• Introduction
• The Graffiti: Descriptions, Texts, Translations, and Notes
• Bibliography
• Index of Greek Words
• Index of Subjects and Motifs of Drawings
• General Index
• Concordance of Publication Numbers with Supplementum Epigraphicum Graecum 61
• Concordance of Numbers of Bays and Piers