The Whale / A Bright New Boise

Samuel D. Hunter

• Publisher: Theatre Communications Group
• Year: 2014
• Print ISBN: 9781559364607
• eBook ISBN: 9781559367769
• Topic: Literature
• Subtopic: American Drama
• Index: Literature

Acclaimed for his gentle, complex characterizations, Samuel D. Hunter's bighearted and funny plays explore the quiet desperation running through many American lives. The Whale tells the story of a six hundred-pound shut-in's last chance at redemption and of discovering beauty in the most unexpected places when he reaches out to his long-estranged—and severely unhappy—daughter. Hunter's second piece, the Obie Award-winning A Bright New Boise, is a philosophical investigation of faith and search for meaning in rural Idaho where a disgraced evangelical is forced to take a minimum-wage job at the local Hobby Lobby craft store in an effort to reunite with his estranged son.

The Whale

PRODUCTION HISTORY

The Whale was developed with support of PlayPenn (Paul Meshejian, Artistic Director) and, in part, at the Icicle Creek Theatre Festival (Allen Fitzpatrick, Artistic Director). It was awarded the 2011 Sky Cooper New American Play Prize at Marin Theatre Company (Jasson Minadakis, Artistic Director; Ryan Rilette, Producing Director).

The Whale received its world premiere at the Denver Center Theatre Company (Kent Thompson, Artistic Director; Charles Varin, Managing Director) on January 13, 2012. The production was part of the Colorado New Play Summit and was directed by Hal Brooks. The set design was by Jason Simms, the costume design was by Kevin Copenhaver, the lighting design was by Seth Reiser and the sound design was by William Burns; the production stage manager was A. Phoebe Sacks. The cast was:

CHARLIE	Tom Alan Robbins
LIZ	Angela Reed
ELDER THOMAS	Cory Michael Smith
ELLIE	Nicole Rodenburg
MARY	Tasha Lawrence

The Whale opened at Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director; Carol Fishman, General Manager) in New York City, on November 5, 2012. The production was directed by Davis McCallum. The set design was by Mimi Lien, the costume design was by Jessica Pabst, the lighting design was by Jane Cox and the sound design was by Fitz Patton; the production stage manager was Alaina Taylor. The cast was:

CHARLIE	Shuler Hensley
LIZ	Cassie Beck/Rebecca Henderson
ELDER THOMAS	Cory Michael Smith
ELLIE	Reyna de Courcy
MARY	Tasha Lawrence

The play opened at South Coast Repertory (Marc Masterson, Artistic Director; Paula Tomei, Managing Director) in Costa Mesa, California, on March 15, 2013. The production was directed by Martin Benson. The set design was by Thomas Buderwitz, the costume design was by Angela Balogh Calin, the lighting design was by Donna and Tom Ruzika, and the original music and sound design were by Michael Roth; the production stage manager was Jennifer Ellen Butler. The cast was:

CHARLIE	Matthew Arkin
LIZ	Blake Lindsley
ELDER THOMAS	Wyatt Fenner
ELLIE	Helen Sadler
MARY	Jennifer Christopher

The play opened at Victory Gardens Theater (Chay Yew, Artistic Director; Chris Mannelli, Interim Managing Director) in Chicago, Illinois, on April 15, 2013. The production was directed by Joanie Schultz. The set design was by Chelsea Warren, the costume design was by Janice Pytel, the lighting design was by Heather Gilbert and the sound design was by Thomas Dixon; the production stage manager was Tina M. Jach. The cast was:

CHARLIE	Dale Calandra
LIZ	Cheryl Graeff
ELDER THOMAS	Will Allan
ELLIE	Leah Karpel
MARY	Patricia Kane

CHARACTERS

CHARLIE	Male, weighing around six hundred pounds, early to mid-forties
LIZ	Female, mid to late thirties
ELDER THOMAS	Male, nineteen
ELLIE	Female, seventeen
MARY	Female, early to mid-forties

SETTING

Northern Idaho, the present.

The main room of a small, white-walled, desolate apartment in a cheaply constructed two-story building. The room is dominated by a large couch that sags in the middle, reenforced by several cinder blocks.

Within arm’s reach of the couch are a small computer desk on rollers with a laptop, a large pile of papers, a claw for reaching, and a whole universe of full, empty and half-empty food containers (doughnuts, candy bars, fried chicken, burgers, two-liter soda bottles, etc.). A walker rests near the couch somewhere. An aging TV sits in a corner. Little effort has been made to clean up trash or organize.

A small kitchen is off to one corner of the stage; a bathroom and bedroom offstage.

NOTES

The play is served much better by being performed without an intermission (running time is roughly one hour, fifty minutes). However, if absolutely necessary, an intermission can be taken in between Wednesday night and Thursday morning.

Dialogue written in italics is emphatic, deliberate; dialogue written...

Table of contents

• Cover
• Title Page
• Copyright
• Dedication
• Contents
• The Whale
• A Bright New Boise
• About the Author