Part One
Protagorasā Political Art
Protagorasā Art of Living
In a number of Platoās dialogues Socrates is shown eager to create the impression that he is not in the same business as the Sophists. Yet there are some striking overlaps. Socrates goes around Athens discussing the nature of virtue and the question of how best to live oneās life, while the Sophistsāmost notably, Protagorasāgo all over Greece discussing, among other things, the same topics. In Platoās Protagoras Protagoras makes a point of saying that he does not, like the other Sophists, burden his student with subjects such as arithmetic, geometry, astronomy, or music. He will teach Hippocrates precisely what he has come to learn, how to deliberate well in both his private and his public life (Prot. 318d 7ā319a 2). It is practical matters concerning the conduct of life that Protagoras focuses uponāmuch like Socrates.
When Protagoras says that those who associate themselves with him will become better (
Prot. 316c 9ād 1, 318a 6ā9), this is really another way of saying that his concern is with virtue,
ĻεĻ.
1 Apart from the focus on human virtue, Socrates and Protagoras seem to share the following, more specific, views. To begin with, they both appear to assume that there is such a thing as doing well or ill in life, and that humans generally want to do well in life. As far as Socrates is concerned, see for instance his words at
Prot. 313a 6ā9: āā¦but when it comes to something you value more than your body, namely your soul, and when everything concerning whether you do well or ill in your life depends on whether this becomes worthy or worthlessā¦.ā. āDoing wellā translates
ε ĻĻĻĻειν. To do well in life is the same thing as to attain
εΓαιμοναā, rendered usually as āhappinessā or āthe good lifeā. Protagoras for his part acknowledges, for instance at 351b 3ā4, in response to Socrates, that some people live badly and others well. It seems to go without saying that he thinks that they all want to live well. (The discussion that follows upon 351b presupposes this.) Socrates and Protagoras are thus in agreement that there is such a thing as
εΓαιμονα, and that humans in general want to attain it. Further, they agree that having
ĻĪµĻ leads to doing well in life. Given how far-ranging the term
ĻĪµĻ is, this second claim is more open-ended than it might at first sight appear to be. If one can hit upon the good life by oneās own effort, it is some combination of admirable qualities called āvirtueā, whatever this may turn out to be, that enables one to do so.
In addition, Socrates and Protagoras both use the term
ĻĻνη in order to throw light on the connection they envisage between virtue and the good life. The role played by Socratesā frequent references to
ĻĻνη in the early dialogues is the following. A particular art or craft leads to success in some specific domain of practice: for instance, the knowledge of medicine enables this particular person, a doctor, to be reliably successful in curing people. Now if it is possible to achieve success, or some measure of success, in restricted domains of practiceāin curing people, sailing, building houses or tablesāby employing a relevant body of practical knowledge, might it not be possible to achieve success, or some measure of success, in living oneās life by employing an appropriate body of practical knowledge? The question thus is whether there exists a counterpart to the established arts and crafts (carpentry, architecture, medicine, navigation) which, if one had it, would enable one to live well. This art, if it existed or if it could be developed, would appropriately be called an art of living.
2 A
ĻĻνη is practical knowledge or expertise. For Plato, as for Aristotle (
EN VI. 3 1139b 14ā7, 1140a 23) and Greek philosophers generally, this is in the first place a set of capacities a person has. It is something that belongs to the personās soul; only secondarily is it a set of abstract rules, or a set of established practices that constitute the exercise of a profession. The human soul is what makes us live; if the soul had the art of living, it would be in good shape and well-equipped to make us live well.
As we shall see shortly, when Protagoras comes to formulate his own
μĻημα, teaching, his words on the face of it suggest that such an art is possible. Under one reading of his formulation at any rate, what he professes to teach is, precisely, an art that enables his students ...