
Framing Authority
Sayings, Self, and Society in Sixteenth-Century England
- 292 pages
- English
- PDF
- Available on iOS & Android
About this book
Writers in sixteenth-century England often kept commonplace books in which to jot down notable fragments encountered during reading or conversation, but few critics have fully appreciated the formative influence this activity had on humanism. Focusing on the discursive practices of "gathering" textual fragments and "framing" or forming, arranging, and assimilating them, Mary Crane shows how keeping commonplace books made up the English humanists' central transaction with antiquity and provided an influential model for authorial practice and authoritative self-fashioning. She thereby revises our perceptions of English humanism, revealing its emphasis on sayings, collectivism, shared resources, anonymous inscription, and balance of power--in contrast to an aristocratic mode of thought, which championed individualism, imperialism, and strong assertion of authorial voice.
Crane first explores the theory of gathering and framing as articulated in influential sixteenth-century logic and rhetoric texts and in the pedagogical theory with which they were linked in the humanist project. She then investigates the practice of humanist discourse through a series of texts that exemplify the notebook method of composition. These texts include school curricula, political and economic treatises (such as More's Utopia), contemporary biography, and collections of epigrams and poetic miscellanies.
Originally published in 1993.
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Table of contents
- Cover
- Contents
- Acknowledgments
- Introduction
- I Finding a Place: The Humanist Logic of Gathering and Framing
- II Common People, Uncommon Words: The Power of Rhetoric
- III Seed or Goad: Educating the Humanist Subject
- IV Educational Practice in Early Sixteenth-Century England
- V Pastime or Profit: Aristocratic and Humanist Ideology, 1520-1550
- VI Framing the State: William Cecil and the Humanist System, 1558-1598
- VII "In a Net to Hold the Wind": Gathering, Framing, and Lyric Subjectivity, 1520-1540
- VIII Bend or Frame: Lyric Collections and the Dangers of Narrative, 1550-1590
- Conclusion
- Notes
- Index