
- 212 pages
- English
- PDF
- Available on iOS & Android
About this book
To make sense of free verse" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry.
Originally published in 1981.
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Information
Table of contents
- Cover
- Contents
- Acknowledgments
- Preface
- Introduction The Prehistory of Free Verse
- 1. Some Definitions
- 2. Accentualism, Isochrony, and the Musical Fallacy
- 3. Free Verse and Prose
- 4. Counterpoint
- 5. The Discovery of Form
- 6. The Discovery of Meter
- 7. Free Verse and Poetry
- 8. Some Contemporaries
- Appendix Full Texts of Three Quoted Poems
- Notes
- List of References
- Index