Wake. The springs in my bed have snapped and my mattress is so thin that a sprung spring is stabbing through the mattress into my coccyx. Iām leaving here. I must go. Bed is too small. House is too small. World is too big.
Canāt keep sharing a room with my brother, no matter how low cadet wages are at the paper.
After midnight. Moon through the open window. August sleeping in his bed. The rest of the house in darkness. Mumās bedroom door is open. She sleeps in the library room now there are no more books in it. August got rid of them all in the Bracken Ridge Book Bonanza, which ended up running for six consecutive Saturdays, with August making a disappointing $550 from the whole endeavour. He shifted almost 10,000 books through Bracken Ridgeās Housing Commission sector, but, amid disappointing sales, eventually reached the philosophical plateau that suggested giving the majority of books away for free. It wouldnāt help Mum get back on her feet any quicker but it would increase the chances of Bracken Ridge teens being exposed to Hermann Hesse, John le CarrĆ© and The Three Reproductive Phases of Silverfish. Because of my brother, August, there are men down at the Bracken Ridge Tavern on Saturday afternoons now drinking beers over Superforms and betting cards while they discuss the psychological resonance of Heart of Darkness by Joseph Conrad.
I walk down the hall, still in my boxer shorts and an old black Adidas T-shirt that Iāve been wearing to bed, thin and comfortable and full of holes eaten away by what I believe might be silverfish, who survive on diets of Adidas T-shirts and books by Joseph Conrad.
I pull the fading cream curtain back on our wide front living room window. Open the window right up. Lean out and breathe the night air in deep. Look up at that full moon. Look out at the empty street. I see Lyle back in Darra. Heās standing in that suburban night in his roo-shooting coat smoking a Winfield Red. I miss him. I gave up on him because I was scared. Because I was gutless. Because I was angry at him. Fuck him, right. His fault for hopping in bed with Tytus Broz. Not my fault. Cut him out of my mind along with the Lord of Limbs. Cut them off like the ibis cut its own leg off because the fishing line was killing it.
Itās the moon that pulls my legs outside. My legs are moving and my mind follows. Then my mind follows my hands to the green garden hose looped around the tap fixed to the front of the house. I turn the hose on and kink the hose in my right hand so the water wonāt spill through the orange nozzle. I drag the hose to the gutter by the letterbox. I sit and stare up at the moon. The full moon and me and the geometry between us. I release the kink and the water rushes onto the bitumen, pooling quickly in a flat pan in the street. The water runs and the silver moon wobbles in the forming puddle.
āCanāt sleep?ā
I forgot how much he sounds like me. Itās like heās me and Iām standing behind myself. I look behind me to see August. His face lit by the moon, rubbing his eyes.
āYeah,ā I say.
We look into the moon pool.
āI think Iāve got Dadās worry gene,ā I say.
āYou donāt have his worry gene,ā he says.
āIām going to have to live my life as a recluse,ā I say. āIām never gonna go outside. Iām gonna rent a Housing Commission home just like this one and fill two of the rooms with tinned Black and Gold spaghetti and Iāll eat spaghetti and read books until I die choking in my sleep on a ball of lint from my belly button.ā
āWhat is for you will not pass you by,ā August says.
I smile at him.
āYou know, I think you might have a baritone in that voice you never use,ā I say.
He laughs.
āYou should try singing some time,ā I say.
āI think talkingās enough for now,ā he says.
āI like talking to you, Gus.ā
āI like talking to you, Eli.ā
He sits down in the gutter beside me, studies the hose water rushing into the moon pool.
āWhat are you worrying about?ā he asks.
āEverything,ā I say. āEverything thatās been and everything thatās about to be.ā
āDonāt worry,ā he says. āIt all getsāā
I cut him off. āYeah, it all gets good, Gus, I know. Thanks for reminding me,ā I say.
Our reflections morph and disfigure like monsters in the moon pool.
āWhy do I have this feeling that tomorrow is going to be the most significant day of my life?ā I ponder.
āYour feelings are well founded,ā August says. āIt is going to be the most significant day of your life. Every day of your life has been leading up to tomorrow. But of course every day of your life led up to today.ā
I look deeper into the moon pool, leaning over my hairy and thin legs.
āI feel like I have no say in things any more,ā I say. āLike nothing I do can change what is and what is going to be. Iām in that car in the dream and weāre crashing through the trees towards that dam and thereās nothing I can do to change our fate. I canāt get out of the car, I canāt stop the car, I just go up and then I go down into the pool. And then all that water comes in.ā
August nods at the moon pool.
āIs that what you see in there?ā August asks.
I shake my head.
āI donāt see nothinā.ā
August looks deeper, too, into the growing moon pool.
āWhat do you see?ā I ask.
He stands in his pyjamas. Woolworths cotton ones for summer. White with red stripes, like the nightwear for a member of a barber shop quartet.
āI can see tomorrow,ā he says.
āWhat do you see tomorrow?ā I ask.
āEverything,ā he says.
āYou care to be a little more specific?ā I say.
He looks at me, puzzled.
āI mean, itās awfully convenient for you to maintain your sense of idiotic mystery with all these general comments relating to your bullshit conversations with your multiple selves from multiple dimensions,ā I say. āHow come they never told you anything useful, these red phone selves of yours? Like, whoās gonna win the Melbourne Cup next year? Gold Lotto numbers next week, maybe? Or, oh, I donāt know, whether or not Tytus Broz is gonna fuckinā recognise me tomorrow?ā
āDid you speak to the police?ā
āI called them,ā I say. āI asked a constable to put me onto the lead investigator. He wouldnāt do that without me giving my name first.ā
āYou didnāt give him your name, did you?ā
āNo,ā I say. āI told the constable they need to investigate a man named Iwan Krol in relation to the Penn family. I asked the constable to write that name down. I said, āAre you writing this down?ā, and he said he wasnāt because he first wanted to know who I was and why I didnāt want to give him my name and I said I didnāt want to give my name because Iwan Krol is dangerous and so is his boss. And the constable asked who Iwan Krolās boss is and I said his boss is Tytus Broz and the constable said, āWhat, the charity guy?ā, and I said, āYeah, the fuckinā charity guy.ā And he said I was crazy and I said Iām not fuckinā crazy, itās this fuckinā State of Queensland thatās fuckinā crazy and youāre fuckinā crazy if you donāt listen to me when I tell you that the llama hair the forensic science unit found in the Pennsā house belongs to Iwan Krol who has been running a llama farm on the outskirts of Dayboro for the past two decades.ā
āThen the constable wanted to know how you knew about the llama hair?ā
I nod.
āSo I hung up.ā
āNo skin off their nose,ā August says.
āHuh?ā
āWhat do they care if the criminals of Queensland are slowly picking themselves off?ā
āI think they have to care when one of the people who has gone missing is an eight-year-old boy.ā
August shrugs, looks deeper into the moon pool.
āBevan Penn,ā I say. āThey pixelated his face in all the photos but, I swear, Gus, heās us. Heās you and me.ā
āWhat do you mean, heās you and me?ā
āI mean, that coulda been us. I mean, his mum and dad look like Mum and Lyle looked when I was eight years old, you know. And I been thinkinā how Slim used to talk about cycles and time and things always coming back around again.ā
āThey do,ā August says.
āYeah,ā I say, āmaybe they do.ā
āJust like we come back,ā he says.
āI donāt mean like that.ā
I stand up.
āStop it, Gus,ā I say.
āStop what?ā
āStop that bullshit about coming back. Iām sick of hearing it.ā
āBut you came back, Eli,ā he says. āYou always come back.ā
āI didnāt come back, Gus,ā I say. āI donāt come back. Iām just fuckinā here in the one dimension. And those voices you heard on the end of the phone were the voices in your head.ā
He shakes his head.
āYou heard them,ā he says. āYou heard them.ā
āYeah, I heard the voices in my head too,ā I say. āThe batshit crazy voices in the heads of the Bell brothers. Yeah, Gus, I heard āem.ā
He stares into the moon pool.
āDo you see her?ā he asks.
āSee who?ā
He nods at the water.
āCaitlyn Spies,ā August says.
āWhat about Caitlyn?ā I ask, looking into the moon pool, following his gaze, finding nothing.
āYou should tell Caitlyn Spies.ā
āTell her what?ā
He looks into the pool. He taps the puddle of water with his bare right foot and the moon pool ripples into ten separate stories.
āTell her everything,ā he says.
Mumās voice from the front window of the house. Sheās trying to scream and whisper at the same time.
āWhat the hell are you two doing out there with that hose?ā she hollers. āGet back in bed.ā Her stern warning voice now. āIf youāre tired for tomorrow ā¦ā
Mumās stern warnings are always open-ended, always leaving the possible consequences of waking up tired for tomorrow as intimidatingly infinite.
If youāre tired for tomorrow ⦠Iāll beat your backsides so red youāll put Rudolph out of work. If youāre tired for tomorrow ⦠the stars will disappear from the night skies over Bracken Ridge. If youāre tired for tomorrow ⦠the moon will crack like a gobstopper between your teeth and the colours inside the moon will blind humanity. Sleep, Eli. Tomorrow is coming. Everything is coming. All of your life is leading up to tomorrow.
Dad reads The Courier-Mail at the kitchen table at breakfast. Heās smoking a roll-your-own and reading the World Affairs pages. I can read the paperās front page over my Weet-Bix bowl. Itās an enlarged picture of Glenn Pennās prison photograph. Heās got a menacing and hard face. Blond hair in a crew cut, bent and misshapen teeth like a row of old garage doors opening halfway. Acne scars. Pale blue eyes. He gives a half-dumb half-smile in the photograph as though that prison photo was a rite of passage to be ticked off his list of dreams, like making it all the way with a pretty girl and making it all the way to Turkey with ten condoms full of heroin in his stomach and up his arse.
The pictureās accompanying story is a co-byline piece by Dave Cullen and Caitlyn Spies about Glenn Pennās neglected and misspent youth. The usual story: Dad whips Mum with the cord from an electric fry pan; Mum spreads rat poison through Dadās toasted ham, cheese and tomato sandwich; eight-year-old Glenn Penn burns his local post office down. Dave Cullen holds the top byline but I know Caitlyn wrote this. I know this because thereās a compassion in the piece and it doesnāt feature Dave Cullenās regular go-to impact phrases āshocking revelationā, āmurderous intentā and ādigitally penetratedā. Caitlynās interviewed several teachers and parents at Bevan Pennās primary school. They all say heās a good kid. A good boy. Quiet. Never hurt a fly. Reads a lot. A library geek. Sheās telling the full story about the boy in the Teenage Mutant Ninja Turtles shirt with the face made of pixels.
āWhat are you wearing tonight, Eli?ā Mum asks from the living room.
Mumās ironing clothes with Dadās old, faulty Sunbeam iron that sends electric shocks through the user on the ālinenā setting and leaves black tar marks on my work shirts if I turn it up any higher than the āsyntheticā setting.
Itās 8 a.m. ā almost ten hours before August is due to accept his award in the Brisbane City Hall Queensland Champions ceremony ā and Mumās already buzzing around the living room the way Mr Bojangles buzzed around a drunk tank.
āIām just wearing this,ā I say, nodding down to my untucked plaid deep purple and white work shirt and blue jeans.
Mum is mortified.
āYour big brother is going to be named a Queensland Champion and youāre gonna front up looking like a child molesterer.ā
āMolester...