The New Yorker Stories
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The New Yorker Stories

Ann Beattie

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eBook - ePub

The New Yorker Stories

Ann Beattie

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About This Book

The perfect book for new fans and decade-long supporters alike, Ann Beattie: The New Yorker provides readers with a lifetime worth of short stories from one of the most original and celebrated voices of her generation. When Ann Beattie began publishing short stories in The New Yorker in the mid-seventies, she emerged with a voice so original, and so uncannily precise and prescient in its assessment of her characters' drift and narcissism, that she was instantly celebrated as a voice of her generation. Her name became an adjective: Beattiesque.Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace.Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what's happening out there on the edge of that shifting and dubious no-man's-land known as interpersonal relations."With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

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Information

Publisher
Scribner
Year
2010
ISBN
9781439168769

The Rabbit Hole
as Likely Explanation

image
My mother does not remember being invited to my first wedding. This comes up in conversation when I pick her up from the lab, where blood has been drawn to see how sheā€™s doing on her medication. Sheā€™s sitting in an orange plastic chair, giving the man next to her advice Iā€™m not sure he asked for about how to fill out forms on a clipboard. Apparently, before I arrived, she told him that she had not been invited to either of my weddings.
ā€œI donā€™t know why you sent me to have my blood drawn,ā€ she says.
ā€œThe doctor asked me to make an appointment. I did not send you.ā€
ā€œWell, you were late. I sat there waiting and waiting.ā€
ā€œYou showed up an hour before your appointment, Ma. Thatā€™s why you were there so long. I arrived fifteen minutes after the nurse called me.ā€ Itā€™s my authoritative but cajoling voice. One tone negates the other and nothing much gets communicated.
ā€œYou sound like Perry Mason,ā€ she says.
ā€œMa, thereā€™s a person trying to get around you.ā€
ā€œWell, Iā€™m very sorry if Iā€™m holding anyone up. They can just honk and get into the other lane.ā€
A woman hurries around my mother in the hospital corridor, narrowly missing an oncoming wheelchair brigade: four chairs, taking up most of the hallway.
ā€œShe drives a sports car, that one,ā€ my mother says. ā€œYou can always tell. But look at the size of her. How does she fit in the car?ā€
I decide to ignore her. She has on dangling hoop earrings, and thereā€™s a scratch on her forehead and a Band-Aid on her cheekbone. Her face looks a little like an obstacle course. ā€œWho is going to get our car for us?ā€ she asks.
ā€œWho do you think? Sit in the lobby, and Iā€™ll turn in to the driveway.ā€
ā€œA car makes you think about the future all the time, doesnā€™t it?ā€ she says. ā€œYou have to do all that imagining: how youā€™ll get out of the garage and into your lane and how youā€™ll deal with all the traffic, and then one time, remember, just as you got to the driveway a man and a woman stood smack in the center, arguing, and they wouldnā€™t move so you could pull in.ā€
ā€œMy life is a delight,ā€ I say.
ā€œI donā€™t think your new job agrees with you. Youā€™re such a beautiful seamstressā€”a real, old-fashioned talentā€”and what do you do but work on computers and leave that lovely house in the country and drive into this . . . this crap five days a week.ā€
ā€œThank you, Ma, for expressing even more eloquently than Iā€”ā€
ā€œDid you finish those swordfish costumes?ā€
ā€œStarfish. I was tired, and I watched TV last night. Now, if you sit in that chair over there youā€™ll see me pull in. Itā€™s windy. I donā€™t want you standing outside.ā€
ā€œYou always have some reason why I canā€™t be outside. Youā€™re afraid of the bees, arenā€™t you? After that bee stung your toe when you were raking, you got desperate about yellow jacketsā€”thatā€™s what theyā€™re called. You shouldnā€™t have had on sandals when you were raking. Wear your hiking boots when you rake leaves, if you canā€™t find another husband to do it for you.ā€
ā€œPlease stop lecturing me andā€”ā€
ā€œGet your car! Whatā€™s the worst that can happen? I have to stand up for a few minutes? Itā€™s not like Iā€™m one of those guards outside Buckingham Palace who has to look straight ahead until he loses consciousness.ā€
ā€œOkay. You can stand here and Iā€™ll pull in.ā€
ā€œWhat car do you have?ā€
ā€œThe same car I always have.ā€
ā€œIf I donā€™t come out, come in for me.ā€
ā€œWell, of course, Ma. But why wouldnā€™t you come out?ā€
ā€œSUVs can block your view. They drive right up, like they own the curb. Theyā€™ve got those tinted windows like Liz Taylor might be inside, or a gangster. That lovely man from Bruneiā€”why did I say that? I must have been thinking of the Sultan of Brunei. Anyway, that man I was talking to said that in New York City he was getting out of a cab at a hotel at the same exact moment that Elizabeth Taylor got out of a limousine. He said she just kept handing little dogs out the door to everybody. The doorman. The bellhop. Her hairdresser had one under each arm. But they werenā€™t hersā€”they were his own dogs! He didnā€™t have a free hand to help Elizabeth Taylor. So that desperate manā€”ā€
ā€œMa, weā€™ve got to get going.ā€
ā€œIā€™ll come with you.ā€
ā€œYou hate elevators. The last time we tried that, you wouldnā€™t walkā€”ā€
ā€œWell, the stairs didnā€™t kill me, did they?ā€
ā€œI wasnā€™t parked five flights up. Look, just stand by the window andā€”ā€
ā€œI know whatā€™s happening. Youā€™re telling me over and over!ā€
I raise my hands and drop them. ā€œSee you soon,ā€ I say.
ā€œIs it the green car? The black car that I always think is green?ā€
ā€œYes, Ma. My only car.ā€
ā€œWell, you donā€™t have to say it like that. I hope you never know what itā€™s like to have small confusions about things. I understand that your car is black. Itā€™s when itā€™s in strong sun that it looks a little green.ā€
ā€œBack in five,ā€ I say, and enter the revolving door. A man ahead of me, with both arms in casts, pushes on the glass with his forehead. Weā€™re out in a few seconds. Then he turns and looks at me, his face crimson.
ā€œI didnā€™t know if I pushed, whether it might make the door go too fast,ā€ I say.
ā€œI figured there was an explanation,ā€ he says dully, and walks away.
The fat woman who passed us in the hallway is waiting on the sidewalk for the light to change, chatting on her cell phone. When the light blinks green, she moves forward with her head turned to the side, as if the phone clamped to her ear were leading her. She has on an ill-fitting blazer and one of those long skirts that everybody wears, with sensible shoes and a teeny purse dangling over her shoulder. ā€œRight behind you,ā€ my mother says distinctly, catching up with me halfway to the opposite curb.
ā€œMa, thereā€™s an elevator.ā€
ā€œYou do enough things for your mother! Itā€™s desperate of you to do this on your lunch hour. Does picking me up mean you wonā€™t get any food? Now that you can see Iā€™m fine, you could send me home in a cab.ā€
ā€œNo, no, itā€™s no problem. But last night you asked me to drop you at the hairdresser. Wasnā€™t that where you wanted to go?ā€
ā€œOh, I donā€™t think thatā€™s today.ā€
ā€œYes. The appointment is in fifteen minutes. With Eloise.ā€
ā€œI wouldnā€™t want to be named for somebody who caused a commotion at the Plaza. Would you?ā€
ā€œNo. Ma, why donā€™t you wait by the ticket booth, and when I driveā€”ā€
ā€œYouā€™re full of ideas! Why wonā€™t you just let me go to the car with you?ā€
ā€œIn an elevator? Youā€™re going to get in an elevator? All right. Fine with me.ā€
ā€œIt isnā€™t one of those glass ones, is it?ā€
ā€œIt does have one glass wall.ā€
ā€œIā€™ll be like those other women, then. The ones whoā€™ve hit the glass ceiling.ā€
ā€œHere we are.ā€
ā€œIt has a funny smell. Iā€™ll sit in a chair and wait for you.ā€
ā€œMa, thatā€™s back across the street. Youā€™re here now. I can introduce you to the guy over there in the booth, who collects the money. Or you can just take a deep breath and ride up with me. Okay?ā€
A man inside the elevator, wearing a suit, holds the door open. ā€œThank you,ā€ I say. ā€œMa?ā€
ā€œI like your suggestion about going to that chapel,ā€ she says. ā€œPick me up there.ā€
The man continues to hold the door with his shoulder, his eyes cast down.
ā€œNot a chapel, a booth. Right there? Thatā€™s where youā€™ll be?ā€
ā€œYes. Over there with that man.ā€
ā€œYou see the manā€”ā€ I step off the elevator and the doors close behind me.
ā€œI did see him. He said that his son was getting married in Las Vegas. And I said, ā€˜I never got to go to my daughterā€™s weddings.ā€™ And he said, ā€˜How many weddings did she have?ā€™ and of course I answered honestly. So he said, ā€˜How did that make you feel?ā€™ and I said that a dog was at one of them.ā€
ā€œThat was the wedding you came to. My first wedding. You donā€™t remember putting a bow on Ebeneezerā€™s neck? It was your idea.ā€ I take her arm and guide her toward the elevator.
ā€œYes, I took it off a beautiful floral display that was meant to be inside the church, but you and that man wouldnā€™t go inside. There was no flat place to stand. If you were a woman wearing heels, there was no place to stand anywhere, and it was going to rain.ā€
ā€œIt was a sunny day.ā€
ā€œI donā€™t remember that. Did Grandma make your dress?ā€
ā€œNo. She offered, but I wore a dress we bought in London.ā€
ā€œThat was just desperate. It must have broken her heart.ā€
ā€œHer arthritis was so bad she could hardly hold a pen, let alone a needle.ā€
ā€œYou must have broken her heart.ā€
ā€œWell, Ma, this isnā€™t getting us to the car. Whatā€™s the plan?ā€
ā€œThe Marshall Plan.ā€
ā€œWhat?ā€
ā€œThe Marshall Plan. People of my generation donā€™t scoff at that.ā€
ā€œMa, maybe weā€™d better give standing by the booth another try. You donā€™t even have to speak to the man. Will you do it?ā€
ā€œDo you have some objection if I get on the elevator with you?ā€
ā€œNo, but this time if you say youā€™re going to do it you have to do it. We canā€™t have people holding doors open all day. People need to get where theyā€™re going.ā€
ā€œListen to the things you say! Theyā€™re so obvious, I donā€™t know why you say them.ā€
She is looking through her purse. Just below the top of her head, I can see her scalp through her hair. ā€œMa,ā€ I say.
ā€œYes, yes, coming,ā€ she says. ā€œI thought I might have the card with that hairstylistā€™s name.ā€
ā€œItā€™s Eloise.ā€
ā€œThank you, dear. Why didnā€™t you say so before?ā€
I call my brother, Tim. ā€œSheā€™s worse,ā€ I say. ā€œIf you want to visit her while sheā€™s still more or less with it, Iā€™d suggest you book a flight.ā€
ā€œYou donā€™t know,ā€ he says. ā€œThe fight for tenure. How much rides on this one article.ā€
ā€œTim. As your sister. Iā€™m not talking about your problems, Iā€™mā€”ā€
ā€œSheā€™s been going downhill for some time. And God bless you for taking care of her! Sheā€™s a wonderful woman. And I give you all the credit. Youā€™re a patient person.ā€
ā€œTim. Sheā€™s losing it by the day. If you careā€”if you care, see her now.ā€
ā€œLetā€™s be honest: I donā€™t have deep feelings, and I wasnā€™t her favorite. That was the problem with RenĆ©: Did I have any deep feelings? I mean, kudos! Kudos to you! Do you have any understanding of why Mom and Dad got together? He was a recluse, and she was such a party animal. She never understood a person turning to books for serious study, did she? Did she? Maybe Iā€™d be the last to know.ā€
ā€œTim, I suggest you visit before Christmas.ā€
ā€œThat sounds more than a little ominous. May I say that? You call when Iā€™ve just gotten home from a day I couldnā€™t paraphrase, and you tell meā€”as you have so many timesā€”that sheā€™s about to die, or lose her marbles entirely, and then you sayā€”ā€
ā€œTake care, Tim,ā€ I say, and hang up.
I drive to my motherā€™s apartment to kill time while she gets her hair done, and go into the living room and see that the plants need watering. Two are new arrivals, plants that friends brought her when she was in the hospital, having her foot operated on: a kalanchoe and a miniature chrysanthemum. I rinse out the mug she probably had her morning coffee in and fill it under the faucet. I douse the plants, refilling the mug twice. My brother is rethinking Wordsworth at a university in Ohio, and for years I have been back in this small town in Virginia where we grew up, looking out for our mother. Kudos, as he would say.
ā€œOkay,ā€ the doctor says. ā€œWeā€™ve known the time was coming. It will be much better if sheā€™s in an environment where her needs are met. Iā€™m only talking about assisted living. If it will help, Iā€™m happy to meet with her and explain that things have reached a point where she needs a more comprehensive support system.ā€
ā€œSheā€™ll say no.ā€
ā€œRegardless,ā€ he says. ā€œYou and I know that if there was a fire she wouldnā€™t be capable of processing the necessity of getting out. Does she eat dinner? We canā€™t say for sure that she eats, now, can we? She needs to maintain her caloric intake. We want to allow her to avail herself of resources structured so that she can best meet her own needs.ā€
ā€œSheā€™ll say no,ā€ I say again.
ā€œMay I suggest that you let Tim operate as a support system?ā€
ā€œForget him. Heā€™s already been denied tenure twice.ā€
ā€œB...

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