PART 1
PASSION
The Urge to SCREENWRITE
Cats gotta scratch. Dogs gotta bite. I gotta write.
—JAMES ELLROY
CHAPTER 1
PORTRAIT OF A SCREENWRITER
1. Be Creative and Original
The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.
—MARCEL PROUST
Creativity is an essential skill for the professional writer, especially in screenwriting. Too many aspiring writers don’t understand its importance. Ideas are king in Hollywood. Anyone who has read hundreds of scripts and listened to thousands of pitches could tell you that most of them are derivative of other movies, with familiar characters, uninteresting ideas, and clichéd plot twists. Beginners tend to develop the easiest idea that comes to mind, rather than working hard to generate original ones.
It’s crucial to understand that to be successful inside the studio system, a script has to be centered around a big idea. A big idea doesn’t necessarily mean an expensive one, for the record. Three documentary filmmakers going into the woods to see if the Blair Witch legend is real is a big idea, shot very inexpensively.
Before this, however, as you work on your spec, it’s crucial to avoid “first draft theater,” where it seems that what you’re reading is literally the first thing that popped into the writer’s head. They didn’t bother to examine it, to make it better, or to find a more clever or original way of writing it. They just settled for the first thing they could think of.
One of the ways I ensure that I go beyond the cliché is to go through a process I call, “Doing the 20s.” I’ll be writing a particular moment, and I’ll stop and force myself to list twenty different ways to do it, like twenty cool ways my two characters could meet, or twenty cool chase scenes. The further you get down the list, the better they’ll start to get. If you make yourself write twenty ideas, not worrying about whether they’re any good or not, often the ninth or tenth one will be golden because you didn’t settle for the first thing that popped into your mind.
2. Be a Natural Storyteller
We’re only interested in one thing: Can you tell a story, Bart? Can you make us laugh, can you make us cry, can you make us wanna break out in joyous song?
—BARTON FINK, BY ETHAN COEN AND JOEL COEN
You may love stories, whether you experience them through films, TV shows, novels, short stories, commercials, jokes, or plays, but if you can tell a story in the best possible way, make someone laugh, cry, feel pity, tension, curiosity, surprise, relief, or even inspire them, if you’re compelled to captivate an audience, and know deep down that the most important factor in a story is its visceral effect on the audience, you may be a natural storyteller.
3. Be Comfortable with Solitude
Writing is a lonely life, but the only life worth living.
—GUSTAVE FLAUBERT
Writing is a lonely business. As a writer once said, “It’s like volunteering for solitary confinement without knowing the length of your stay.” Writers must spend a lot of time alone, but because they tend to be introverted by nature, they find more psychological comfort in a book or in writing than in social interactions.
This is not to say that if you’re not comfortable with your solitude, you won’t be able to write. One of the many surprises in chatting with our mentors is that many of them are actually extroverts who force solitude on themselves in order to do the job.
4. Be a Natural Observer
Everything has beauty but not everyone sees it.
—CONFUCIUS
In order to describe, you need to observe. Most of us go through life only half seeing what goes on around us. We have too much going on to bother with observing details in life and in human nature. As a result, novice writers tend to reference what they’ve just seen on television and at the movies, rather than draw from what they’ve observed in the real world.
Successful screenwriters develop the habit of observing others, which gives them an ear for the way people talk and an eye for the way they behave. They’re aware of the minutest details of the world around them, silently making notes on everything, and seeing things vividly and selectively. Whether in coffee shops, airports, or restaurants, they cannot resist eavesdropping on a conversation or people watching. In short, they pay attention.
5. Be Collaborative
Your mind is like a parachute. It only works when it’s open.
—ANONYMOUS
In no other form of writing is collaboration as important as in screenwriting. It’s so engrained in the way scripts become movies that without this attitude, no screenwriter, unless he’s a genius, can become successful. Once you receive interest from a producer to turn your screenplay into a movie, you will have to collaborate with development executives, directors, and actors. If you’re difficult to work with, no one will want to be around you and you will develop a negative reputation that will hinder your screenwriting career. Collaboration is crucial.
CHAPTER 2
DESIRE
6. Have a Driving Reason to Write
You have to have a dream so you can get up in the morning.
—BILLY WILDER
All of the successful screenwriters interviewed here have been writing for many years. They didn’t get where they are today without having a driving and passionate desire to write. They may have other reasons why they write, but unlike many aspiring writers, not one of them only wishes to write a screenplay that will sell for a million dollars in order to have the freedom to do whatever else they really want to do.
Whether it’s their primary way of expressing themselves, an outlet for their fantasies, or a desire to entertain people, real writers don’t get satisfaction out of doing anything else. They love writing for its own sake. They love movies and they love to tell stories to a mass audience.