War Songs
eBook - ePub

War Songs

'Antarah ibn Shaddad, Richard Sieburth, James E. Montgomery

Share book
  1. 320 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

War Songs

'Antarah ibn Shaddad, Richard Sieburth, James E. Montgomery

Book details
Book preview
Table of contents
Citations

Frequently asked questions

How do I cancel my subscription?
Simply head over to the account section in settings and click on “Cancel Subscription” - it’s as simple as that. After you cancel, your membership will stay active for the remainder of the time you’ve paid for. Learn more here.
Can/how do I download books?
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
What is the difference between the pricing plans?
Both plans give you full access to the library and all of Perlego’s features. The only differences are the price and subscription period: With the annual plan you’ll save around 30% compared to 12 months on the monthly plan.
What is Perlego?
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Do you support text-to-speech?
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Is War Songs an online PDF/ePUB?
Yes, you can access War Songs by 'Antarah ibn Shaddad, Richard Sieburth, James E. Montgomery in PDF and/or ePUB format, as well as other popular books in Literatura & Poesía de Oriente Medio. We have over one million books available in our catalogue for you to explore.

Information

Publisher
NYU Press
Year
2018
ISBN
9781479829651
APPENDIX 1
IBN QUTAYBAH (D. 276/888): BIOGRAPHICAL NOTE ON ʿANTARAH IBN SHADDĀD OF ʿABS IN THE BOOK OF POETRY AND POETS104
1.1
ʿAntarah’s full name is ʿAntarah ibn ʿAmr ibn Shaddād ibn ʿAmr ibn Qurād ibn Makhzūm ibn ʿAwf ibn Mālik ibn Ghālib ibn Quṭayʿah ibn ʿAbs ibn Baghīḍ. Ibn al-Kalbī states that “Shāddād was his grandfather on his father’s side. His name eclipsed that of the father, so ʿAntarah’s lineage is traced through his grandfather. ʿAntarah’s name is properly ʿAntarah ibn ʿAmr ibn Shaddād.” Others, however, contend that Shaddād was his uncle, i.e., his father’s brother, and that it was he who raised ʿAntarah, which is why his lineage is traced back through him.
1.2
ʿAntarah’s father did not recognize him as his son until he had reached manhood, because his mother was a black slave called Zabībah, and during the Jāhiliyyah the Arabs would consider the children of slaves to be slaves, no matter who their father was. Zabībah’s other sons, ʿAntarah’s brothers, were also slaves. ʿAntarah was recognized by his father after a raid by an Arab tribe that resulted in a number of ʿAbs losses. The men of ʿAbs gave chase, but the raiders fought back and defended the plunder they had taken. ʿAntarah took part in the pursuit, and when his father shouted, “Attack, ʿAntarah!” he replied, “Slaves do not attack. They’re much better at milking camels.” “Attack and you are a free man,” his father said. Then ʿAntarah charged the foe, declaiming:
Every man guards
his woman’s cunt,
black or white.
By the thick fuzzy lips—
This I swear.105
He fought bravely that day, and won back the plunder that ʿAbs had lost. From that day on, his father called him his son and gave him his name.
1.3
There were three “Arab ravens”: ʿAntarah, whose mother, Zabībah, was black; Khufāf ibn ʿUmayr al-Sharīdī of Sulaym, who traced his lineage through his black mother, Nadbah; and al-Sulayk ibn ʿUmayr al-Saʿdī, who traced his lineage through his black mother, Sulakah.
1.4
ʿAntarah was the fiercest warrior and the most generous of men. He had not composed more than two or three verses of poetry when one day a fellow tribesman launched a vicious verbal attack on him, shaming him for not being a poet and for being the black son of a black mother with black brothers. “It is customary for people,” ʿAntarah replied, “to help one another through sharing food, but neither you nor your father nor your grandfather has ever attended such a communal gathering. It is also customary for people to be summoned to take part in raids and thus to win renown, but none of us has ever seen you in the vanguard of a raiding party. In times of confusion, not one of you, neither you nor your father nor your grandfather, has ever attended a tribunal where a decision was to be taken. You are about as much use as a weed growing in a wasteland. I, however, do not shirk from war. I share my spoils and refrain from begging. I am generous with what I possess. My judgment and resolve are unerring. You’re about to find out about my skills as a poet.” The first major ode he composed was “Did Poetry Die in its War with the Poets?”106 It is his finest poem, and they called it “the Golden Ode.”
1.5
ʿAntarah participated in the War of Dāḥis and al-Ghabrāʾ with exemplary bravery, and distinguished himself in combat.
1.6
According to Abū ʿUbaydah, ʿAntarah was a man who made his living from raiding. When he grew too old and feeble to take part, he found himself destitute in the aftermath of the Battle of Jabalah Ravine, when ʿAbs, laden with the blood monies they had to pay, returned to live among the Ghaṭafān. He was owed some camels by a member of Ghaṭafān, so he decided to go and call in the debt. He had reached a spot between Sharj and Nāẓirah107 when a cold wind sprang up after a summer rainstorm. The wind gave the old man a chill, and he was found dead on the spot.
1.7
Also according to Abū ʿUbaydah, during the War of Dāḥis and al-Ghabrāʾ, ʿAntarah killed Ḍamḍam of Murrah, the father of Ḥuṣayn and Harim, an event he mentions in the following verses:
I feared I’d die before war’s mill
could grind Ḍamḍam’s sons to dust.
Unprovoked, they vowed revenge
and stained my honor.
There’s still time for them to act!
I killed their father—
carrion for gimpy hyenas
and grizzled vultures!108
1.8
No one can quibble over the assertion that he was the first poet to develop the following motif:
and the lone hopper, look,
screeches its drunken song
scraping out a tune
leg on leg like a one-armed man
bent over a fire stick.109
1.9
This is quite simply a truly great image.
This motif too is original:
I squander all I have on drink—
keeping my honor whole.
Sober again, I’m lavish still,
ʿAblah, as you know.110
1.10
As is this:
The noble line of my tribe
accounts for half of my station—
my blade takes care of the rest …
When the squadron flinches,
fear in their eyes,
I am better than any man
with nobility on both
sides of his family.111
In other words, half of my lineage belongs to ʿAbs, and I use my sword to defend the rest of my lineage, the half that belongs to the blacks, and in this way I bring it honor.
1.11
The following verses are excellent:
“Stay back,” my woman pleaded,
as if the Fates were going
to let me step aside and avoid them.
Death is a pool we all must drink fr...

Table of contents