
- 240 pages
- English
- PDF
- Available on iOS & Android
Genre and Narrative Coherence in the Acts of the Apostles
About this book
Focusing specifically on the issue of genre methodology in Acts, Bale' work will have clear ramifications for the study of biblical texts in general. The first part of the work surveys the state of genre theory in Acts scholarship and demonstrates its inadequacy for both classifying and interpreting Acts. Bale constructs a new genre model rooted in contemporary genre theory, tackling the problematic issue in Biblical scholarship of the relationship between history and fiction in literature. From this theoretical analysis Bale presents a new, pragmatic model for genre which is non-exclusive and heavily intertextual. In part two Bale utilises the model in three original readings which draw heavily upon parallels from ancient literature. The first reading shows how a specific device at the beginning of Acts dictates interpretation. The second looks at the problem of Paul's status as apostle in Acts from a narrative rather than a propositional perspective. The final reading explores several passages in Acts which may instructively be read as incorporating themes and techniques from ancient comedy and related genres.
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Information
Table of contents
- CONTENTS
- Acknowlegments
- Abbreviations
- Preface
- INTRODUCTION
- I. Orientation
- II. Outline of the Study
- III. Historicity, Fiction and the Genre of Acts
- IV. The Problem of Classification
- V. The Rational of Classifying
- Part I -- METHODOLOGY
- Chapter 1 -- PRELIMINARIES
- I. My Location in the Debate
- II. Unity with Luke’s Gospel
- III. Preface
- IV. ‘We’ Passages
- V. Dating
- VI. Sources
- VII. Textual Problems
- VIII. Terminology
- Chapter 2 -- A SURVEY OF GENRE PROPOSALS
- I. Introduction
- II. A Look at Some Proposals
- III. Pick a Box, Any Box: The Options So Far
- Chapter 3 -- THE THEORY OF GENRE
- I. Introduction
- II. Genre, Classification, Hybridity
- III. Genre, Conventions, Expectations
- IV. Generic Hybridisation in Interpretation
- V. Conclusion: Genre and Narrative Coherence
- Chapter 4 -- HISTORY AND FICTION
- I. Introduction
- II. Fiction and Cognition
- III. The Conventions of Reading
- IV. Conclusion to Part I: The Creation of a Cognitive Environment for Acts
- Part II -- THE STUDIES
- INTRODUCTION TO PART II: CONFIGURING THE NARRATIVE OF ACTS
- I. Introduction
- II. Intertext and Convention: From Beginning to End
- III. Acts 1.1-11: Dropped into a Dream
- Chapter 5 -- THE AMBIGUOUS ORACLE IN ACTS 1.6
- I. The Oracle and the Plot
- II. Paul’s Role
- III. Support from Oracular Literature
- IV. Conclusion
- Chapter 6 -- THE CONFIGURATION OF PAUL’S APOSTOLIC STATUS
- I. Introduction
- II. Paul as Apostle in Scholarship
- III. Paul’s Parallels
- IV. The Compound Argument: The Example of Socrates
- V. Apostolic Status
- VI. Refraction of Intentionality and Configurative Value
- VII. Luke’s Narrative Argument: A Summary
- VIII. Parallels in Ancient Literature
- IX. Conclusion
- Chapter 7 -- COMEDY AND CHARACTERISATION IN ACTS
- I. Introduction: The Bible and Comedy
- II. Humorous Episodes in Acts
- III. The Problem of the Miletus Speech: Acts 20.17-38
- IV. An Analysis of the Speech
- V. Some Parallels
- VI. Conclusion
- Chapter 8 -- SUMMARY AND CONCLUSIONS
- I. Summary
- II. Conclusions
- III. Potential Avenues of Future Research
- Bibliography
- Index of References
- Index of Authors