Aesthetic and Artistic Autonomy
About this book
Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the question
of aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy.
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Information
Table of contents
- FC
- Half title
- Bloomsbury Studies in Philosophy
- Title
- Copyright
- Contents
- Notes on Contributors
- Preface
- Introduction
- 1 Indifferent to Intentions: The Autonomy of Artistic Meaning
- 2 Aesthetic Autonomy and Artistic Heteronomy
- 3 Historical Embeddedness and Artistic Autonomy
- 4 Value Conflict and the Autonomy of Art
- 5 Aesthetic Autonomy and Identifying non-Western Art
- 6 The Myth of the Autonomy Fault Line in Aesthetics
- 7 Beethoven, Adorno and the Dialectics of Freedom
- 8 Critique through Autonomy: On Monads and Mediation in Adorno’s Aesthetic Theory
- 9 The Transcendental Economy of Aesthetic Autonomy
- 10 Social Theory and the Autonomy of Art: the Case of Niklas Luhmann
- Index of Names
