
- 232 pages
- English
- PDF
- Available on iOS & Android
About this book
Explores the reasons behind British cinema's failure to create its own stars. The text looks at the way theatre and music hall spawned their stars, and asks why so many of them found the transition to film so awkward. It compares the British star system with that of Hollywood. What sort of contracts were British stars offered? How much were they paid? Who dealt with their publicity? How did Britsh fans regard them? There are essays on key figures (Novello, Fields, Formby, Dors, Bogarde, Mason, Matthews), and assessment of how British stars fared in Hollywood, an analysis of the effects of class and regional prejudice on attempts at British star-making, and a survey of the British comedy tradition, and some of the questions about how genre affected the star system.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Contents
- Preface
- 1. Of Knights and Clowns
- 2. The Not-So-Roaring 20s: Ivor Novello and Betty Balfour
- 3. The King, the Queen and the Dancing Divinity
- 4. Carnival and Consensus
- 5. Stock Types
- 6. Exotic Outsiders
- 7. Lockwood, Calvert and Some Other Contract Artists
- 8. Starmakers
- 9. The End of the Studio System
- Bibliography
- Index