Histories on Screen
eBook - PDF

Histories on Screen

The Past and Present in Anglo-American Cinema and Television

  1. 352 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Histories on Screen

The Past and Present in Anglo-American Cinema and Television

About this book

How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use.

The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text.

Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.

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Yes, you can access Histories on Screen by Sam Edwards, Faye Sayer, Michael Dolski, Sam Edwards,Faye Sayer,Michael Dolski in PDF and/or ePUB format, as well as other popular books in History & British History. We have over one million books available in our catalogue for you to explore.

Information

Year
2018
Print ISBN
9781474217033
eBook ISBN
9781474217057
Edition
1
Topic
History
Index
History

Table of contents

  1. FC
  2. Half title
  3. Bloomsbury Research Skills for History
  4. Title
  5. Copyright
  6. Contents
  7. List of figures
  8. Notes on contributors
  9. Acknowledgements
  10. Introduction Sam Edwards and Amy Walling
  11. PART ONE Thinking about film and television
  12. 1 The moving image as primary source: Author, text and context Michael R. Dolski
  13. 2 The moving image as a secondary source: Truth, authenticity and narrative Faye Sayer
  14. 3 The moving image as memory: Past and present on screen Sam Edwards
  15. PART TWO Using film and television: Case studies
  16. 4 ‘The way we are’: Class and Britishness on film Marcus Morris
  17. 5 Were fires started? Exploring gender in British cinema of the Second World War Corinna M. Peniston-Bird
  18. 6 Screening multicultural Britain: Blair, Britishness and Bend It Like Beckham Sarah Ilott
  19. 7 Mammy, Mandingo, Django and Solomon: A century of American slavery in cinema from Uncle Tom’s Cabin to 12 Years a Slave Lydia Plath
  20. 8 The Empire at the movies: India in newsreels, c. 1911 to 1947 Tilman Frasch
  21. 9 ‘Truth’ and ‘interiority’: Screening and interpreting the early modern era Jonathan Spangler
  22. 10 Hollywood musicals make history Nicholas Gebhardt
  23. 11 ‘Moving’ images: Educational uses of D-Day imagery Michael R. Dolski
  24. PART THREE Making memory and identity: The politics and purpose of film and TV: Case studies
  25. 12 Superhero films and American national identity Michael Goodrum
  26. 13 ‘We will remember them’: Television and British memory of the First World War, 1964–2014 Sam Edwards
  27. 14 Presenting the past: New directions in television history Nicola Bishop
  28. Filmography
  29. Bibliography
  30. Index