Costume in Performance
eBook - PDF

Costume in Performance

Materiality, Culture, and the Body

  1. 264 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Costume in Performance

Materiality, Culture, and the Body

About this book

Winner of Best Performance Design and Scenography Publication Award, Prague Quadrennial 2019 This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK

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Yes, you can access Costume in Performance by Donatella Barbieri in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Fashion Design. We have over one million books available in our catalogue for you to explore.

Information

Costume 
and 
liminality 
1 
THE 
FIRST 
COSTUME: 
RITUAL 
AND 
REINVENTION 
Figure 
1.1
William 
Louther, 
costume 
by 
Peter 
Farmer, 
The 
Consolation 
of 
the 
Rising 
Moon
choreographed 
by 
Robert 
Cohan. 
Photograph 
by 
Anthony 
Crickmay, 
1971 
© 
Victoria 
and 
Albert 
Museum, 
London. 
1

Table of contents

  1. Cover page
  2. Halftitle page
  3. Praise
  4. Title page
  5. Copyright page
  6. CONTENTS
  7. LIST OF ILLUSTRATIONS
  8. ACKNOWLEDGMENTS
  9. PREFACE
  10. INTRODUCTION
  11. 1 THE FIRST COSTUME: RITUAL AND REINVENTION
  12. 2 COSTUMING CHORUSES: SPECTACLE AND THE SOCIAL LANDSCAPE ON STAGE
  13. 3 THE GROTESQUE COSTUME: THE COMICAL AND CONFLICTED “OTHER” BODY
  14. 4 THE FLIGHT OFF THE PEDESTAL: A SUBLIME SECOND SKIN
  15. 5 AGENCY AND EMPATHY: ARTISTS TOUCH THE BODY
  16. 6 A DIFFERENT PERFORMATIVITY: SOCIETY, CULTURE, AND HISTORY ON STAGE
  17. NOTES
  18. BIBLIOGRAPHY
  19. INDEX