Julius Caesar's Self-Created Image and Its Dramatic Afterlife
eBook - PDF

Julius Caesar's Self-Created Image and Its Dramatic Afterlife

  1. 256 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Julius Caesar's Self-Created Image and Its Dramatic Afterlife

About this book

The book explores the extent to which aspects of Julius Caesar's self-representation in his commentaries, constituent themes and characterization have been appropriated or contested across the English dramatic canon from the late 1500s until the end of the 19th century. Caesar, in his own words, constructs his image as a supreme commander characterised by exceptional celerity and mercifulness; he is also defined by the heightened sense of self-dramatization achieved by the self-referential use of the third person and emerges as a quasi-divine hero inhabiting a literary-historical reality. Channelled through Lucan's epic Bellum Civile and ancient historiography, these Caesarean qualities reach drama and take the shape of ambivalent hubris, political role-playing, self-institutionalization, and an exceptional relationship with temporality. Focusing on major dramatic texts with rich performance history, such as Shakespeare's Julius Caesar, Handel's opera Giulio Cesare in Egitto and Bernard Shaw's Caesar and Cleopatra but also a number of lesser known early modern plays, the book encompasses different levels of drama's active engagement with the process of reception of Caesar's iconic and controversial personality.

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Yes, you can access Julius Caesar's Self-Created Image and Its Dramatic Afterlife by Miryana Dimitrova in PDF and/or ePUB format, as well as other popular books in Literature & Drama. We have over one million books available in our catalogue for you to explore.

Information

Year
2017
Print ISBN
9781350117303
eBook ISBN
9781474245777
Edition
1
Subtopic
Drama

Table of contents

  1. Cover
  2. Half-title
  3. Title
  4. Copyright
  5. Dedication
  6. Contents
  7. Acknowledgements
  8. Introduction. Caesar Is Dead. Long Live Caesar!
  9. 1. ‘I Am He’: Aspects of Caesar’s Self-Representation in the Commentaries
  10. 2. Efficient Benevolence, the Shadow of Hubris and an Eastern Infatuation
  11. 3. ‘For Always I Am Caesar’: Performative Actualization of Caesar’s Self-Styled Image and Illeism as a Marker of Self-Institutionalization
  12. 4. Transhistorical and Quasi-Divine: Caesar Connecting the Threads of Time
  13. Epilogue
  14. Notes
  15. References
  16. Index