The Reception of Ossian in Europe
eBook - PDF

The Reception of Ossian in Europe

  1. 521 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

The Reception of Ossian in Europe

About this book

James Macpherson's Poems of Ossian, said to be translations from the Gaelic of a third-century bard, caused a sensation on their first appearance in the early 1760s. Contrary to the impression often conveyed in literary histories, enthusiasm for the poetry of the 'Homer of the North' cannot be dismissed as a short-lived fad, for its appeal lasted a century or more, both at home and abroad. There is hardly a major Romantic poet on whom it failed to make a significant impact. In the words of Sir Walter Scott, it succeeded in "giving a new tone ot poetry throughout all Europe" and its influence was ubiquitous, from Poland to Portugal, from Paris to Prague. The essays brought together here consider the reception of Ossian in England, Scotland, Wales and Ireland, as well as in a wide range of European countries. In some the focus is on individual writers (for instance, Goethe, Schiller, Chateaubriand, Espronceda), in others there is a broader sweep and a survey of reception in a national literary culture is offered (for instance, Hungary, Russia, Sweden). One of the two essays on Ossian in Italy at last gives Macpherson's influential epigone, John Smith, his due. Consideration is also given to Ossian's significance for the rise of historicism, and to non-literary forms of reception in music and art.


Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London  
 

Contributors:

 
Howard Gaskill, University of Edinburgh


Dafydd Moore, University of Plymouth


Donald Meek, University of Edinburgh


Mary-Ann Constantine, University of Wales


MĂ­cheĂĄl Mac Craith, University of Galway


Joep Leerssen, University of Amsterdam


Colin Smethurst, University of Glasgow


Sandro Jung, University of Wales, Lampeter


Caitríona Ó Dochartaigh, Dublin Institute for Advanced Studies


Wolf Gerhard Schmidt, University of SaarbrĂŒcken


Peter Graves, University of Sweden


James Porter, University of Aberdeen


Gabriella Hartvig, University of Pécs


Nina Taylor-Terlecka, Oxford, UK


Peter France,  University of Edinburgh


Enrico Mattioda


Francesca Broggi-WĂŒthrich


Andrew Ginger


Gerald BĂ€r, Aberta University


Christopher Smith, Norwich, UK


Murdo MacDonald, University of Dundee


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Information

Publisher
Continuum
Year
2004
Print ISBN
9781847146007
Edition
1
eBook ISBN
9781847143013

Table of contents

  1. Contents
  2. Series Editor's Preface
  3. Acknowledgements
  4. List of Contributors
  5. Abbreviations: Primary Ossianic Texts
  6. Timeline of Ossian's European Reception
  7. Introduction: 'Genuine poetry . . . like gold'
  8. 1 The Reception of The Poems of Ossian in England and Scotland
  9. 2 The Sublime Gael: The Impact of Macpherson's Ossian on Literary Creativity and Cultural Perception in Gaelic Scotland
  10. 3 Ossian in Wales and Brittany
  11. 4 'We know all these poems': The Irish Response to Ossian
  12. 5 Ossian and the Rise of Literary Historicism
  13. 6 Chateaubriand's Ossian
  14. 7 The Reception and Reworking of Ossian in Klopstock's Hermanns Schlacht
  15. 8 Goethe's Translation from the Gaelic Ossian
  16. 9 'Menschlichschön' and 'kolossalisch': The Discursive Function of Ossian in Schiller's Poetry and Aesthetics
  17. 10 Ossian in Sweden and Swedish-speaking Finland
  18. 11 Literary, Artistic and Political Resonances of Ossian in the Czech National Revival
  19. 12 Ossian in Hungary
  20. 13 Ossian in Poland
  21. 14 Fingal in Russia
  22. 15 Ossian in Italy: From Cesarotti to the Theatre
  23. 16 From Smith's Antiquities to Leoni's Nuovi Canti: The Making of the Italian Ossianic Tradition Revisited
  24. 17 The Suggestiveness of Ossian in Romantic Spain: The Case of Espronceda and García Gutiérrez
  25. 18 Ossian in Portugal
  26. 19 Ossian in Music
  27. 20 Ossian and Art: Scotland into Europe via Rome
  28. Bibliography
  29. Index

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