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Chouteau's Chalk
Poems
Rosa Lane
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eBook - ePub
Chouteau's Chalk
Poems
Rosa Lane
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About This Book
In Chouteau's Chalk, Rosa Lane's poems take a deep dive into the emotional and the erotic. Gender bent, her poems reside amid a tomboy's emerging sexual identity within a world confined by heterosexual construction and its persistent mores. Her collection piques a countermythos that unfolds within a small fishing village opening a forbidden and hidden world with sensorial intensity and lyrical momentum.
An epigraph from Audre Lorde's notable work The Uses of the Erotic: The Erotic as Power hovers over every poem from birth through marriage, traversing calamities and holograms of desire, giving the "I" permission to assume full agency with power and dignity in a manner that is as acute as revelatory.
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III
Calamities of Desire
When Air Has No Weight
I am king. On my side, I turn sleep
in a room, yes, a woman inside me
now, desert wind lifting cross cacti:
pick ceremonies, single-noted if at all, rib
cageâmore sharp than soundless, and this is not why
I must forget her. You see, her muteness
empties
me at the extreme digit, hurt
mouth open she rides my hand, embodied
one more time. Her no-name stands
inside me still
but you see, I made her
mute and, thank god, blind. In fact,
she doesnât exist at all. I am
talking about the one who leaves me. This,
I forget
each time a small death in air.
I well know
this raises questions. But you see, those
many evenings, my mother kept going,
a pinto racing the kitchen in heatâI watched
when nothing came of it. I spoke to you
of this, at exhale
in front of the front door on pivot, unhinged
your leaving. I knew
the cost for avoiding,
finding my backside empty, but I backed
off anyway. And you won, all
encased, unimagined, unreached. And since you left,
how I have made dying king
so august, so damned shut.
But before Peace, War
After Carl Phillipsâs âBow, and Arrowâ
grows a small fist
lying on the surface, strikes
one word with the index
pointing toward ugliness. I
should have made myself
stay
out of earshot or foreseen
how tinder gathers heat
under the kitchen table
from smallest sparks: sink,
cat can, cup, key. We
risk
everything for the peal of it
mostly. & how each word
aims for perfect
wreckage.
*
So, I say:
Go.
Open pistil
inside bootless petals. Go,
do ennui right now for you,
not for me is what I think
you think I said.
Anatomy of an Ox-Eye
In June / when the Atlantic slips across the oyster bed / laps
lupines uphill / wild ox-eyes froth the whole harbor / whipping
frenzy / each yellow eye pilling a perfect hurricane / swirls
its daisy disc / lashed / bleached blades / love / love-nots /
At dusk rays draw their close / button / Green cradles of anther
& filaments tent / night-lidded drifting neutral / coast dawn
when honey opens for business / swarms all over again // You
close our day / petal by petal / & before turning off / the lamp
tucked inside its paper shade / & before its golden aura fades
the upper wall / nocturnal insects dive the incandescent bulb /
each shadow snaps its suicide against hot light / The top sheet
stretches our oyster bed / a storm raises a knee / wind
picks up an arm / blankets tidal / I drown each time / I reach
the soft green ovary on a love-not / your rays bound for the night
Calamity of Desire
Thousands of vortices
stir the bed. Look, I am guilty
circling the terrene at recesses of the fecund queen
where more often than not, the rose
bed grows far brighter
in fog.
For a moment your hunger
flowers on a tongue, but then you cut
to the next room, close the door behind. Ergo,
what choice do I have but to hold
the pivot & its hinge, wait
for a turn
or another spring? So it seems
to me, you wish simply to be rearrangedâ
September annuals stuck in a nosegay doomed
on your table, all doneâthe undoing
of which I fall for every
single time.
Short Tenure
After Carl Phillipsâs âLate in the Long Apprenticeshipâ
Sheâs here finally, I think,
but each time I forget how quickly her her(e) becomes
not her(e), I mean
how her mind hardens lava behind a wall, despite my endless
hope for land to flow her(e) now fusible immediate. Instead,
she uncouples, afield
solidly distant: resistance, resistanceâs body, windless
resistance. & (t)here, I too become
exactly that.
When You Shouldnât Go Where You Think
I went home
with a woman
once
just for sex (she said).
& after we were done,
I asked about the elements:
basic weather
& if she was with anyone.
Heâs back east (she said).
I noted
she did not (return the question, or)
ask about the wind
at my back.
& I thought how could I
redact a lay, like take it
back? Then I thought
what was I to undo?
Obvious, isnât it?
She had no concern
for my broken wing.
In the early morning
before coffee,
she walked me to m...
Table of contents
Citation styles for Chouteau's Chalk
APA 6 Citation
Lane, R. (2019). Chouteauâs Chalk ([edition unavailable]). University of Georgia Press. Retrieved from https://www.perlego.com/book/838992/chouteaus-chalk-poems-pdf (Original work published 2019)
Chicago Citation
Lane, Rosa. (2019) 2019. Chouteauâs Chalk. [Edition unavailable]. University of Georgia Press. https://www.perlego.com/book/838992/chouteaus-chalk-poems-pdf.
Harvard Citation
Lane, R. (2019) Chouteauâs Chalk. [edition unavailable]. University of Georgia Press. Available at: https://www.perlego.com/book/838992/chouteaus-chalk-poems-pdf (Accessed: 14 October 2022).
MLA 7 Citation
Lane, Rosa. Chouteauâs Chalk. [edition unavailable]. University of Georgia Press, 2019. Web. 14 Oct. 2022.