Columba

Tim Clarkson

• Publisher: John Donald
• Year: 2012
• eBook ISBN: 9781907909047
• Topic: Storia
• Subtopic: Biografie in ambito storico

Who was Saint Columba? How did this Irish aristocrat become the most important figure in early Scottish Christianity? In seeking answers to these questions this book examines the different roles played by the saint in life and death, tracing his career in Ireland and Scotland before looking at the development of his cult in later times. Here we encounter not only Columba the abbot and missionary but also Columba the politician and peacemaker. We see him at the centre of a major controversy which led to his excommunication by an Irish synod. We follow him then to Scotland, to Iona, where he founded his principal monastery. It was from this small Hebridean isle that he undertook missionary work among the Picts and had dealings with powerful warrior-kings. It was from Iona, too, that his cult was vigorously promoted after his death in 597, most famously by Abbot Adomnan, whose writings provide our main source of information on Columba's career. The final chapters of the book look at the evolution of the cult of Columba from the seventh century onwards, examining the important roles played by famous figures such as Cinaed mac Ailpin, before ending with a study of the image of the saint in modern Scotland.

CHAPTER 1

The Sources

Vita Columbae

Our main source of information on Columba was produced a hundred years after his death. Its author, Adomnán, was one of the foremost ecclesiastical figures of the early medieval period. He succeeded to the abbacy of Iona in 679 and oversaw the monastery until his passing in 704. A man of great learning, he had already written De Locis Sanctis, a major study of the Holy Places, before turning his scholarly attention to Iona’s founder. His book about Columba was written in the closing years of the seventh century, at a time when stories and legends of the monastery’s beginnings were circulating among the brethren. Some of these existed in written form, but most were oral tales passed down through generations of monks. From this large body of tradition Adomnán selected the raw data for his best-known literary work: Vita Sancti Columbae, ‘Life of Saint Columba’ (hereafter Vita Columbae).

The Vita is rightly regarded as a rich storehouse of information on Columba and his times. It is not a work of biography in the modern sense. Its main purpose was not to present a factual narrative of Columba’s life and career, but rather to explain why he deserved the mantle of sainthood, and why his followers were right to revere him a hundred years later. Additional objectives of the Vita included the promotion of Iona as the premier religious centre of the Gaelic world and as the mother-church of a federation of satellite monasteries in Ireland and Britain. The book also gave its author an opportunity to disseminate his views on a number of issues that were important in his own era. Indeed, only by recognising Adomnán’s motives in writing the Vita can we begin to understand what he says about Columba and his reasons for saying it. This is a crucial point, and one that needs to be kept in mind by any modern reader. None of us should approach Vita Columbae without a measure of caution. To fully appreciate its contents we need to understand not only why Adomnán wrote it, but for whom it was written and what the first generation of readers – his contemporaries on Iona and elsewhere – expected to find in its pages.

Vita Columbae belongs to a literary genre called ‘hagiography’, this being an umbrella term for biographical writings about saints. The word derives from Greek hagios, ‘holy’, which, when used in a Christian context, can also mean ‘saint’. Adomnán was familiar with this genre long before making his own contribution to it. His extensive study of religious texts had brought him into contact with the best examples of Continental hagiography, such as the fourth-century Latin vita or ‘Life’ of Saint Martin of Tours by Sulpicius Severus. Copies of this and other influential vitae were housed in the great monastic libraries of Western Christendom, including those at major sites in Britain and Ireland. Adomnán no doubt became acquainted with many of these works in his youth, during his clerical education, and clearly had detailed knowledge of them when he commenced his Life of Columba. He used the earlier vitae as templates for his book, knowing that their influence on the structure of his narrative would be recognised and appreciated by his readers. By drawing on techniques employed by esteemed Christian writers of the past, Adomnán was not so much seeking to boost his own literary credentials as demonstrating that Columba deserved the literary treatment bestowed upon Martin and other famous saints.¹

All hagiographers in early medieval times were members of the clergy. So, too, were the overwhelming majority of their readers. In an era when literacy was the preserve of ecclesiastical personnel and of a few members of the secular elite, the intended audience for the Life of a saint was highly exclusive. Vita Columbae was written primarily for the brethren of Iona and for the wider community of holy men and women in the Columban family of churches. These folk were accustomed to reading and studying religious texts as part of their daily routine. Many were accomplished scholars and teachers, or expert copyists of manuscripts, or well-known authorities on aspects of Christian doctrine. They were interested in history, just as we are today, but their interpretation of past events differed from ours. To a monk or nun in early medieval times, history was not so much a record of human progress as clear evidence of the unfolding of God’s Will. Proof that this was the case could be found in the Bible, where the events of the Old Testament hinted at what was to come in the New. History, then, was not simply a record of the past, but a guide to the future. More specifically, it provided lessons from bygone times that enabled folk in the present to be better-equipped for troubles that might lie ahead. This was the sort of message that a medieval hagiographer was expected to offer in the pages of a vita. Thus, while Adomnán’s readers wanted to learn about Columba’s career as a holy man in the sixth century, they also hoped to gain useful insights into their own lives. They wanted the book to have contemporary relevance. What this means for today’s historian is that Vita Columbae is as much a primary source for Adomnán’s time as for Columba’s.²

The structure of Vita Columbae

Four vitae, in particular, had a profound influence on Adomnán. One, the Life of St Martin by Sulpicius Severus, has already been mentioned. The others were the Life of St Antony, written in Greek by Athanasius of Alexandria, the Life of St Germanus by Constantius of Lyon and the Life of St Benedict, the latter incorporated by Pope Gregory the Great in his Dialogues. Traces of all four are discernible in Vita Columbae, with the influence of Sulpicius and Gregory being especially evident.³ The most obvious similarity between the vitae of Columba, Martin and Benedict is their tripartite structure, a feature not uncommon in hagiography. Although its origins lie in Classical Greek biographical writing, this threefold division had special appeal to Christian authors, not least because it enabled them to reflect the Holy Trinity in the arrangement of their narratives. By dividing his work into three sections or ‘books’, Adomnán replicated an arrangement employed by Sulpicius in the fifth century and used with good effect by Gregory in the sixth.⁴ Likewise, Adomnán borrowed the idea of two prefaces from Sulpicius, who had in turn borrowed the same from the vita of Antony by Athanasius. This particular device did not originate with Athanasius, who wrote only one preface, but with a Latin translation of Vita Antonii by Evagrius of Antioch who added a preface of his own to an existing one.⁵ Adomnán’s familiarity with the Evagrius edition is confirmed by his word-for-word borrowing from it, especially in the account of Columba’s final days. He saw little need to acknowledge this and other literary debts, knowing that the influence of earlier hagiographers would be recognised by his monastic readers. Far from being derided as plagiarism, as they would surely be today, these deliberate and obvious imitations would have met with the approval of his peers.

The first preface of Vita Columbae is too brief to give a detailed introduction to the overall structure, but the second is more illuminating. Here, Adomnán tells us that the first section of the work contains Columba’s ‘prophetic revelations’, the second ‘divine miracles worked through him’, while the third describes ‘angelic apparitions and certain phenomena of heavenly light’. Scholars have noted the close parallel with the second preface of Sulpicius, which likewise gives a synopsis of the three-part division. In his own second preface, Adomnán included themes and portions of text borrowed from the Life of Martin. His assurance that ‘no one should think I would write anything false about this remarkable man [Columba], nor even anything doubtful or uncertain’ is an echo of words used by Sulpicius.⁶ Similarly, near the end of the second preface, Adomnán relates that Columba ‘could not let even an hour pass without giving himself to praying or reading or writing or some other task’, again paraphrasing a comment originally attached by Sulpicius to Martin.⁷

One aspect of Vita Columbae that clearly sets it apart from modern biographical writing is a jumbled chronology. Episodes in Columba’s life are not described in the order in which they happened. Instead, the reader is carried backwards and forwards across the saint’s career. Adomnán makes no apology for rejecting a strict linear timeline in favour of a less rigid, thematic approach. In the first chapter of Book One, he informs his readers that the ensuing prophecies of Columba are to be presented praepostero ordine, ‘out of their proper order’.⁸ A prime example is the story of Columba’s pregnant mother Eithne being visited by an angel who announced that her unborn son had a great destiny. Although we might have expected such a tale to appear near the beginning of a saintly vita, we do not encounter it until fairly late in Book Three. This does not mean that Vita Columbae has a random or haphazard structure. On the contrary, Adomnán had already indicated, via the second preface, that he preferred to group what he regarded as the key events of Columba’s life, the saintly miracles, by category rather than by chronology. His choice of categories – prophecies, miracles of power and apparitions of angels or of heavenly light – finds its closest parallel in Gregory’s Dialogues, where miracles associated with St Benedict are grouped in an almost identical way.⁹ Not every miraculous event fitted neatly into Adomnán’s threefold arrangement. Some fitted into more than one category, an issue of which he himself was fully aware.¹⁰ In Book Two, for instance, supposedly a collection of Columba’s miracles of power, he placed the story of a monk called Librán. Although largely concerned with prophecy and therefore appearing to belong more correctly with the theme of Book One, this particular tale conformed to Adomnán’s ideas about certain prophecies providing evidence of miraculous power. We therefore encounter it in Book Two.¹¹

Book Three demonstrates how Columba, a person selected by God for a special destiny, became doubly worthy of sainthood through good deeds and unselfish living. The key miraculous theme here is the appearance of angels and heavenly light, usually via dreams or visions, to various individuals including the saint himself. These apparitions served an important hagiographical purpose in confirming Columba’s special connection with the Divine, a point emphasised by Adomnán when he stressed that such things were revealed as clear, complete visions to Columba alone. Other folk, being not specially chosen by God, saw only part of an apparition rather than the whole.¹² The visions of angels seen by Columba usually came at the moment of a person’s death when the celestial emissaries arrived to carry away the soul of the deceased. Angelic visions received by other people include the one mentioned above, in which an angel appeared to Eithne while she was pregnant with Columba, together with instances where angels were seen walking alongside the saint. The moment of Columba’s own death, when his ascension to Heaven was accompanied by an ethereal host, was also claimed to have been witnessed by contemporaries.

Adomnán’s sources

Vita Columbae is now more than thirteen centuries old. It is a uniquely valuable work and we should consider ourselves fortunate that it has survived into our time. Not only has no Columba-related hagiography of similar quality been preserved, it is likely that nothing comparable to Adomnán’s text was ever written. He was, in any case, the ideal person to take on such a task. His intellectual and literary talents gave him the necessary qualifications to write a Life worthy of Iona’s founder, while his high reputation in lands far beyond the monastery guaranteed that his work would be well received. He realised, nonetheless, that his authorship alone was not enough to ensure widespread acceptance and approval. Unconfirmed, uncorroborated testimony is always vulnerable to challenge or doubt. This was true even in early medieval times when belief in saintly miracles and other supernatural phenomena was normal. Adomnán knew this, of course, and was careful to acknowledge that any statement of alleged ‘fact’ requires supporting testimony and citation of a reliable source. His diligence in crediting his sources is admirable. He remains, nonetheless, a hagiographer rather than a historian. In the context of his chosen genre he was a master of his craft.¹³

There is no bibliography in Vita Columbae, no footnotes or endnotes referring the reader to written sources consulted and verified by the author. If Adomnán had chosen to pepper his text with a modern citation system, we would be confronted today by numerous instances of ‘pers. comm.’ but few bibliographical references. He states that his information came chiefly from the oral testimony of experti, ‘learned men’, seniores, ‘elders’, and other individuals whom he describes as ‘trustworthy men who knew the facts’. In many cases, an informant reported to Adomnán what had been told by an older contemporary who had in turn heard a story about Columba from some long-dead witness of a miracle. Although Adomnán occasionally describes how such information reached him through several stages of transmission, it hardly needs stating that his referencing method would be regarded by modern historians as wholly insufficient. Old traditions passed via word of mouth to a medieval author are, of course, impossible to verify, regardless of whether or not the author identified his informants by name. Needless to say, Adomnán and his peers took a different view. It was enough for them to know that a particular story had been ‘handed down to us by learned men’.¹⁴

We thus come to an important difference between ancient and modern readers of hagiography. Today, we are instinctively sceptical of any medieval author who regarded old tales of supernatural events as reliable evidence. Such scepticism was far less common in Adomnán’s time. He and his contemporaries inhabited a world where the boundaries between natural and supernatural occurrences were blurred, a world in which unexplained happenings were commonly attributed to Otherworld powers. Among Christian communities the greatest of these powers was God, whose potency had no limit. Equally limitless was the power manifested by God in the special human beings whom He chose for a Divine purpose. It was believed that such individuals were capable of achieving whatever God wished them to achieve and, by definition, their powers were limited only by whatever boundaries God chose to apply. With an unwavering belief in such principles, Adomnán had no reason to doubt that everything he had been told about Columba’s miraculous powers was true.¹⁵ To doubt the existence of such powers was to challenge God’s authority. The ease with which some modern readers of the Vita dismiss as superstitious nonsense its carefully crafted miracle-stories would have profoundly bemused and distressed its author.

Although the bulk of Adomnán’s information about Columba was supplied by oral tradition he does indicate that some of it came ‘from what I could find already in writing’.¹⁶ He does not say what these written sources were. There can be little doubt that they included transcriptions of stories that were otherwise orally preserved. Indeed, Adomnán refers to one story, an account of a celestial vision seen by an elderly priest at the moment of Columba’s death, that he encountered in both written and spoken forms. It was reported at first-hand to Fergnae, an Irish hermit, who in turn relayed it to monks from Iona. Many years later, when these same brethren were in their twilight years, they described the miracle to Adomnán. ‘This vision,’ he explained, ‘we have found recorded in writing, and we have also learned it from some of those old men to whom Fergnae himself had told the story, and who repeated it without hesitation.’¹⁷ It is unlikely to have been an isolated case. In fact, there is much to commend the suggestion that oral traditions about Columba were committed to writing as part of a systematic p...

Table of contents

• Cover
• Title page
• Copyright page
• Contents
• List of Plates
• List of Maps
• Genealogical Tables
• Introduction: Finding Columba
• 1 The Sources
• 2 From Ireland to Iona
• 3 King Áedán
• 4 Abbot
• 5 Iona and her Neighbours
• 6 The Picts
• 7 Saint
• 8 Paruchia and Familia
• 9 Legacy
• Notes
• Bibliography
• Index