The Dog of the Marriage

Stories

Amy Hempel

• Publisher: Scribner
• Year: 2010
• Print ISBN: 9780743264518
• eBook ISBN: 9781451604009
• Topic: Literature
• Subtopic: Literature General
• Index: Literature

Amy Hempel's compassion, intensity, and illuminating observations have made her one of the most distinctive and admired modern writers. In three stunning books of stories, she has established a voice as unique and recognizable as the photographs of Cindy Sherman or the brushstrokes of Robert Motherwell. The Dog of the Marriage, Hempel's fourth collection, is about sexual obsession, relationships gone awry, and the unsatisfied longings of everyday life.In "Offertory, " a modern-day Scheherazade entertains and manipulates her lover with stories of her sexual encounters with a married couple as a very young woman. In "Reference # 388475848-5, " a letter contesting a parking ticket becomes a beautiful and unnerving statement of faith. In "Jesus Is Waiting, " a woman driving to New York sends a series of cryptically honest postcards to an old lover. And the title story is a heartbreaking tale about the objects and animals and unmired desires that are left behind after death or divorce.These nine stories teem with wisdom, emotion, and surprising wit. Hempel explores the intricate psychology of people falling in and out of love, trying to locate something or someone elusive or lost. Her sentences are as lean, original, and startling as any in contemporary fiction.

OFFERTORY

We did it twelve times—made love, all of us, to one another twelve times, the two of them doing everything two people could do to me twelve times. I was going to say only twelve times, but it wasn’t “only,” was it? It was wonderful.

I began, last night, at the beginning. The rule was I had to tell the truth, and I had to tell him everything. I could start where I liked. I told him the story every night; he asked for it, for some version of it, every night. Sometimes I left out a detail so he would prompt me, and thus participate after a fashion. “The inevitability of orgasm?” he might say, and I would say, “The way she moved her hip into me first.”

Sometimes I changed their names. Names were not the details that mattered to him. What mattered was the most refined particularity of our actions, and the declarative nature of my narrative. He did not want me to use language that said anything other than what it was. For me, I mean. Well, for them, her. All of us.

“I want you to give me points on the body—nuanced, subtilized, exact,” he said. “I want fine-grained diction in the reportage, and I want it to be plummy. I want the ring of inexpressible reality—yet lyric.

“Were there photographs?” he asked, knowing that there were.

“Tell me,” he said he wanted to know, “who took the pictures of you?”

Sometimes I tried to tell a different story. But he liked best when I told him about the man and the woman together—together with me. I learned that the more froideur in my tone, the more heated, the more insistent he would become—until I would be unable to continue because his mouth would be stopped up.

“Don’t let the game warden see you,” said the man painting the dock. “Indians the only ones allowed to net fish.”

The net I was sweeping through the shallow part of the lake was a child’s butterfly net I had found in the sand. The dock painter who warned me against the game warden was the same dock painter who had told me that a black racer was a water moccasin. I didn’t tell him I knew he was wrong, but let him think I was rash for reaching in after it.

People on the lake were ready with the rules, rebuked the fantasy daily. The vision had been: Swim with the dog, shoulder-to-shoulder, every morning, to the other side. But a hand-stenciled sign was posted when the season started: NO DOGS ON BATHING BEACH, though dogs were not the nonreaders leaving Band-Aids and cigarettes in the water.

The seven hundred dollars I had paid in dues covered plowing snow, but I would not be getting the benefit of winter. I had moved here for the lake, and then would not go in the lake; I’d be gone before leaves began to fall.

The former tenant said she had recovered here. From what, she did not say, but she said she had given herself five years to do it in. Well, was there anybody who wasn’t here to get over something, too?

His letter was forwarded to me here.

“I believe I need another look at someone who writes such a charming letter,” he said.

I had written to him after our meeting two years before. I had told him everything in that letter as though he had asked for me to. I had written him the whole time I was away, a woman he had met just once. And then he wrote me back. He invited me to see his new work. He had a show opening soon, he said, and the paintings were not, he said, anything like what he had done before.

He said he liked the way I described the place where I had been, where the small group of us lived, and got better. He said he liked the sound of the beach where we went when we were given a pass. He said he had tried to paint such a place, and maybe I would like to see it.

* * *

I had twenty years to go to get to be as old as he was, and then, if I got there, I’d have to go counting almost twenty years again. I was still in my thirties, but I was the one of us who was old. Anyway, he said he was nostalgic for my past.

I had a past, and my past contained a marriage and a job and friends. But I had long since dispensed with this past. I had spent the year before moving to the lake at a place where people recover from the bad things that seek them out. For the time I was there, I wrote to this man although, or because, I had met him only once, and because I felt our talk had been not an exchange of words, but of souls.

I read about a famous mystery writer who worked for one week in a department store. One day she saw a woman come in and buy a doll. The mystery writer found out the woman’s name, and took a bus to New Jersey to see where the woman lived. That was all. Years later, she referred to this woman as the love of her life.

It is possible to imagine a person so entirely that the image resists attempts to dislodge it.

I lived in small rooms with heaps of bleached shells on distressed white tables and antique mantels. His place had the original brick arches between the large open areas of the loft. There were polished wood floors (slate in the kitchen and bath), and a frosted glass—and-steel screen hid the staircase to the upper bedroom. His paintings were hung in the enormous studio on the first floor, the range represented by portraits and landscapes following the early “systems” paintings. There were ordinary workday scenes supported by strict and intricate organization that a critic had commended as “art that conceals art.”

Lying in bed early on: “We had rules,” I reminded him. “I could fuck the wife anytime I wanted. I could fuck the husband if the wife was also present. The wife could, whenever she wanted, fuck either one of us—her choice: together or alone. The husband needed no rules, both we women felt, because, we also seemed to feel, we would have no idea where to start in the drawing up of them.

“They took me up,” I told him. “I was young,” I reminded him. As if he, of all we did, needed reminding!

“Which of you would make the first move?” he asked.

“The first time or any time?” I asked.

“Maybe the wife started it?” I said. “Maybe the first time she made a preemptive strike? Maybe she saw the way her husband was looking at me—I guess she made up her mind to beat him to it? You know, later on she told me that was exactly what she was doing.”

“Tell me what you had on,” he said, “the first time, and every time.”

“The wife said any dress looks good in a heap on the floor by the bed.”

He said he wanted me to tell him about myself and about the woman when the two of us were in bed before the husband came home, how we would not let him join us at first, but let him crouch beside the bed, his eyes at the level of our bodies on the mattress, first at the side of the bed, and then at the foot of the bed. And who had undressed first—had we undressed each other?

“Would you do anything—everything—they wanted?” he asked, although the real question was, Would I do everything with him?

Let him find out!

“It wasn’t always like that,” I said. “Sometimes we just let the cats sleep in the bed.”

“Oh?” he said. “Did they come into it in some way? There was cat hair in the sheets? On the two of you? On the three of you?

“And did you like to be watched?” he prompted. “Did you like it more when she watched you with him, or when he watched you with her?”

“Don’t forget the neighbors,” I said. “The couple who watched at the window where the curtains didn’t close all the way. The man I didn’t mind, but I thought the woman wanted to take my place, and I felt she resented me for it.”

“You had never done anything like this before?” he said.

“I saw no reason not to.”

“It was the great experiment,” he said. “Did you wait until evening? Often you couldn’t wait.”

“That’s true,” I said. “I was supposed to be available.”

“Every day,” he said, “they touched you every day? Even on Sundays—you made yourself available to Saturday night’s predations?”

“All the better,” I said. “The better it was, the better it was.”

“You mean the more, the more of them?” he said.

“Repetition fueled us,” I said.

In the bed where I described the couplings years ago, he would suddenly roll me over so that I was on top. He would tell me to lean over and show him how my hair had made a tent over the face of the husband or of the wife.

The enclave at the lake had begun as a German settlement. The original developer built cabins for his family, and more cabins for their friends. The row of mailboxes at the end of Valkyrie Drive still featured mostly German names.

After an evening in the city, downtown, I would drive myself at dawn up the parkway and back to the lake. Before going to bed for a couple of hours, I would walk the dog through the woods and up the small mountain that is the backdrop for the place. At a point near the top, on the edge of an overlook, are the two cedars the German founder planted to stand for himself and his wife.

There were motion-sensor lights throughout my yard, and the few nights I was there, all night animals set them off. My heart used to race at the thought of intruders, but then I would see the doe nursing a fawn not many feet from a window, or a procession of bucks crossing the front yard to drink from the lake. So I came to look forward to these sudden illuminations.

Replacing lightbulbs, taking out trash, watering plants: exigencies of the tiny life, a life that opened up inside me at night in a downtown loft on an ugly street in a city rebuilding itself.

It started up with us at the place we went for dinner after leaving his friend’s opening at a gallery in Chelsea. I had strained to say something kind, and he had pointed out the flaws in the artist’s logic; he criticized the concept as well as its execution, and was not wrong.

His voice, doing so, was—sophisticated. It was a young man’s voice; it was dignified and persuasive, and made me feel like an accomplice. Under the words, his voice seemed to say, “You and I are looking at this together, and we see the same thing.” When I could keep up with him, that was true.

We walked easily together; I leaned into him, my head almost to his shoulder.

He continued the analysis over dinner, and as we were finishing, he said, “What if one told every truth! Recorded the most evanescent reactions, every triviality, an unimpeded account of lovers’ minute-by-minute feelings about the other person: Why didn’t she order the braised beef the way I did? She raved about the sea bass, wrongly. I set my watch three minutes fast; she set it back.”

Here he took us into the future—he reached across the table to stroke my hair. “And I’d say, ‘What about her hair across the pillow? I had thought it would be finer.’”

His stance was not unlike the one I had proposed to him in my letter, that we observe the Wild West practice: We put our cards on the table.

We moved into what he called “the precincts of possibility,” of anything-goes, of nothing undisclosed.

He wanted to hear “cock” and “cunt,” but I was more likely to want to show him what the man and woman did to me all those years ago. He had told me to say we did it twelve times. Did what? What we did, well, wouldn’t that be up to me? Didn’t it have to?

I told him what they did to me the first time, and the second, and the third through the eighth and ninth—some nights I teased him: “That’s it. I can’t remember the rest. Sorry. Only remember nine.”

But he was persistent, encouraged me to continue, to say more, to remember, to get it right. And when I really could not remember what happened the tenth time, I made something up. I made up something I guessed would be what he wanted. For example, he wanted to know when the husband was with both of us at once, whose name did he cry out when he came? He asked for the tenderest time, the most violent time, the most nonchalant time, the classiest time, the first time and the last time, all twelve times.

“And everyone was the better for it?” he said with admiration. “You were each made to feel more yourselves?”

“Of ourselves,” I said.

I was never more myself than when I was lying in this man’s arms. But was I ever much of myself in them?

“Don’t you ever get jealous?” I asked.

“Of course I do,” he said. “I admit to ineluctable jealousy—comparisons, comparisons, real and imagined. And, as it happens, there exists in me—not pathologically, but all too humanly, I think—a species of delight arising from this knowledge. Darling,” he said, conspiring, “are these conflicting sentiments and the mystery they point to not at the core of our alliance?”

The town whose main street ends at the river draws tourists who come to shop for antiques. The prices aren’t bad, and the town is picturesque and you can walk off the train and be pricing iron garden chairs before you’ve caught your breath. Boaters wave from the river that is, at this point, miles across. But the Jet Skis are annoying, and dogs are not allowed on the restored promenade. I had been there just long enough for the owner of the delicatessen to know how I took my coffee, and to avoid the speed trap on the other side of the bridge.

There was a backup generator on the north side of my house. It kicked on on its own once a week at noon, startling me each time. It ran for a while to give the impression it would be in good working order when it was really needed. An engineer down the road explained it to me; he said that during a snowstorm mine would be the only house with lights and heat. He told me not to use more than two appliances at a time.

“You’ll have all your neighbors coming over to get warm,” he said to me, either believing the observation a comfort to me or a threat.

I filled the dog’s water bowl about half the way full. I set it back on the porch. I could use a larger bowl, but I would rather the dog see me fill it many times in a day, see me think of her needs and move to meet those needs oh so many times each day.

Sleepy from the night before, I watched the kid from the next town mow my lawn in half the time it took me the times I did it. He charged very little. I would see him being careful out back where he would circle the maple tree not to nick the metal grave marker with the...

Table of contents

• Cover Page
• Title Page
• Copyright Page
• Dedication
• Contents
• Beach Town
• Jesus Is Waiting
• The Uninvited
• Reference #388475848-5
• What Were the White Things?
• The Dog of the Marriage
• The Afterlife
• Memoir
• Offertory
• Notes
• Acknowledgments
• About the Author