Documenting Ourselves
eBook - PDF

Documenting Ourselves

Film, Video, and Culture

  1. 336 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Documenting Ourselves

Film, Video, and Culture

About this book

Since Robert Flaherty's landmark film Nanook of the North (1922) arguments have raged over whether or not film records of people and traditions can ever be "authentic." And yet never before has a single volume combined documentary, ethnographic, and folkloristic filmmaking to explore this controversy.

What happens when we turn the camera on ourselves? This question has long plagued documentary filmmakers concerned with issues of reflexivity, subject participation, and self-consciousness. Documenting Ourselves includes interviews with filmmakers Les Blank, Pat Ferrero, Jorge Preloran, Bill Ferris, and others, who discuss the ways their own productions and subjects have influenced them. Sharon Sherman examines the history of documentary films and discusses current theiroeis and techniques of folklore and fieldwork.

But Sharon Sherman does not limit herself to the problems faced by filmmakers today. She examines the history of documentary films, tracing them from their origins as a means of capturing human motion through the emergence of various film styles. She also discusses current theories and techniques of folklore and fieldwork, concluding that advances in video technology have made the camcorder an essential tool that has the potential to redefine the nature of the documentary itself.

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Yes, you can access Documenting Ourselves by Sharon R. Sherman in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-title
  3. Title
  4. Copyright
  5. Contents
  6. List of Illustrations
  7. Foreword
  8. Preface
  9. 1. Folklore, Film, and Video: In the Beginning
  10. 2. The Folkloric Film: Definition and Methodology,Texts and Contexts
  11. 3. Documentation: Interactional Events and Individual Portraits
  12. 4. A Search for Self: Filmmakers Reflecton Their Work
  13. 5. Projecting the Self: Filmic Technique and Construction
  14. 6. Structure Shifts and Style: A Montage of Voices and Images
  15. 7. Visions of Ourselves
  16. Filmography
  17. Notes
  18. References
  19. Index