
- 64 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Elegiac and fierce, solemn and celebratory, the poems in Chanda Feldman's Approaching the Fields consider family and history. From black sharecroppers and subsistence farmers along the Mississippi River to contemporary life in the suburbs, the rituals of home and work link racial experience, social lines, and economic striving, rooting memory and scene in the southern landscape. Love and violence echo through the collection, and Feldman's beautifully crafted poems, often formal in style, answer them sometimes with an embrace and sometimes with a turning away. She witnesses the crop fields and manicured lawns, the dinner table and birthing room, the church and juke joint, conveying the ways that everyday details help build a life. These evocative poems bring to life a rich and complex world, both timely and timeless.
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NATIVE
its green congesting trees, the way it twins
a telephone lineās length with vine, its only message
to overrun.
Forget the riverās muscled sweep
where nothing intrudes
and stays the same, water changing
what it washes throughāretooled
stone, redrafted bank. Forget the difference
between foreign and native. Anything
can take hold here and spread. Indiscriminate
landscape. Even the road flinches
aliveāa snake whips dust and slinks to a ditch.
Airās adaptive, lifts whatever needs flight:
spore or song. The dayās margins blur
dark and light. Forget the dead
stay down, they persist as haints. A murky story
sticks to any relationship:
beloved or despised. A confederation
binds enemy and alliance, just as
the ground takes us in
and decay makes us kin.
BLOOD
the generations. The lineage
of crippling
bunions, gap between
the front teeth, firecracker fitsā
all the things I hate
about me. Murmured
from body to body, a hushed
murdererās tributary, Great-great
Uncle Red, rust-briar bearded,
leveling a gun at another man.
Maybe all hearsay.
Itās not in the blood anyway,
but wound deeper down. Messages
hammered into cells. My father,
the first degrees in the familyā
night lab work, tissue details
under microscopes. He photographed
me on Ivy League campuses
to make them my history.
Bloodlines no longer
the full story. We never knew
what dammed in my mother.
Her body without warning
quit flushing its toxins. Traits
Iād be tested forāthe factors
that overflowed.
SETTLE
anymore, the door key in my motherās purse,
as if her childhood house had options, wasnāt its own
dead end. The cocklebur- and ragweed-choked
yard. The windows busted through, someone had dragged
the couch into the driveway, a few plates brimmed
with rainwater. It was never much
to begin with. A shotgun house on cinderblocks,
plumbing never installed. The roofās tin lid,
wind-hooked, bent.
Iād always wondered what befell
those homesteads along highways. Slackenedā
the crib barnās withered oak. How a family recedes
from the decline. Now I know
it can happen swift. The Mississippi Riverās ferry
service suspended. The lumber mill leaving
workers waiting in line. No one makes a living
farming these days. No one takes over
the uptown shopsāall the undressed
window displays.
Staggeringā
we were in a field I used to love and
hate. The thumbfat bees at the water-pump. Dogpacks
switching through goldenrod. The hillās stitched
in soy and cotton. The crying
panther Iād fear to hear before knowing
it was a tale. No one in the family could believe
my grandmotherās request: to be buried between
her two late husbands. It had been thirty years since
their bones rose on floods and washed away.
Who would remind her
it would have to be otherwise? It just made sense
to let it go.
RIVER JUBILEE
the adults drove to the river with nets
and buckets tethered to pick-up beds.
At the docks they peeled off their socks,
unbuckled shoes. The men rolled up dungarees
and sleeves over the knobs of elbows and knees.
Women gathered dress hems into knots
above calves to keep their shifts from sipping
the current. Nothing to hurry: the fish
straggled in the shallows, coal-dust
catfish, striped bass, and the glass
of sunfish along the bank. A convergenceā
men and women came twisting down woods-
trails from the bluff until river mud sucked
their feet. Nets swooshed over fish-bodies,
theyād twitch and writhe until slapped
into buckets, and still more, flip-flopping
in the shallows. The wet, mouthy odor
of water, river-grit spangling ankles. The adults
crooned Iāll be damnedās, as they met the flesh
shouldered up on the waters.
Table of contents
- COVER
- TITLE PAGE
- COPYRIGHT PAGE
- DEDICATION
- CONTENTS
- ONE
- TWO
- THREE
- FOUR
- NOTES
- ACKNOWLEDGMENTS
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