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Bodies at Baptism
Andrea Bieler
The sacrament of Baptism is the tangible and corporeal event in which divine grace is being poured out onto bodies in the encounter with Christ. Baptism is the sacrament of deliverance and deep transformation. The human person who is entangled in the powers of sin as alienation from God, neighbor, and the planet Earth is rescued. In Baptism, thus, a saved body emerges through ritual acts that are attentive to words that bear divine promise and to material elements such as water and oil that carry the powers of cleansing, forgiveness, and healing. Both words and elements are directed towards the body being baptized.
There is an intimate dimension to Baptism that lifts up the singularity of the individual person before God: Right before Baptism one’s name is uttered and placed in HaShem, whom Christians confess as the Triune God. At the same time Baptism is the initiation rite through which individuals become part of a communal body, the church as the body of Christ. In the rite of Baptism, people are absorbed into the body of Christ through water, Word, and Spirit—a body so porous and fluid that human beings can be immersed in it. Belonging to Christ through Baptism evokes a loss of self as egocentric autopoeisis. This loss is acted out in ritualized gestures that pertain in particular ways to the body. These gestures hint at an eccentric understanding of belonging: a particular name is voiced in the assembly and becomes immediately immersed in Divine Mystery. Even in the act of dying, an eccentric dynamic emerges: those who are baptized die and rise with Christ. In this interrelatedness a new identity emerges that is signified in the wearing of a new garment.
Baptism can thus be perceived as ritual space of Christian identity formation that is intimate, eccentric, communal, and cosmological. The cosmological dimension transpires through the element of water—the connecting tissue between the individual body and the planet; both depend on it as a matter of death or life. Many early depictions of baptismal rites and theologies imply an understanding of the connection between the physical body and the cosmos that is most intriguing for contemporary discussions that seek to emphasize the theological significance of the ecological dimension of this water ritual. Dale Martin spells out the connection between the microcosmic body of the individual and the macrocosmic body: they resemble each other in terms of the basic materiality of that they consist. They also bear similarities in terms of the way they function in the creation of a healthy balance. These speculations about the micro and the macro body can be found in Plato, pre-Socratic philosophers, and Hippocratic medical theory who converge:
In acts of renunciation, anointing, and in immersion the permeability of the microcosmic and the macrocosmic body becomes tangible. What is “inside” the body has an intense relationship to the “outside”—the environment that shapes embodied living every moment as we breathe in and out. For Cyril of Jerusalem, for example, the oil used for exorcisms has the power to drive away the enemy’s power, and the breath of the saints can drive out devils. Oil and breath have the capacity to enter the porous body through the skin and other body openings and to remove evil spirits that hover inside.
It thus seems to be of pivotal theological significance to pay attention to what happens to bodies in Baptism. The saved body is ritualized into existence; from there meaning making and corporeal interpretation emerge. Drawing on a deconstructivist understanding of embodiment as practice, we are led to ask how the saved body emerges from this ritual as words are sung and spoken over the body and things are done to the body. Interpellations (Anrufungen) that speak particular bodies into existence as well as the gaze of the gathered assembly that rests upon the body to be baptized come into focus.
A phenomenologically oriented approach to embodiment will also take the subjective dimension into account that explores the felt sense of the participants. Attending to the historical documents that are available to us, we need to acknowledge that there are not very many sources in which participants describe their embodied felt sense of Baptism. One treasured exception is the witness that Ephrem the Syrian (306–73) gave about his own Baptism: “For when the waves of oil lift me up, they hand me over to the sayings about Christ, and then the waves of Christ bear me back to the symbols (mysteries) of oil. The waves meet each other, and I am in their midst.” His own Baptism evokes in Ephrem a sense of being overwhelmed; he captures this sense in the wave image: He is carried away on the mighty waves of anointing that evoke an interplay between the teachings about Christ and the sensual experience of anointing. In the dramatic synaesthetic interplay of the audible, the tactile and the olfactory, the baptismal event unfolds.
In what follows, I seek to explore the attention that is given to bodies at Baptism and the theological significance this body awareness might imply. I claim that the performative dimension of bodily engagement in Baptism is pivotal for baptismal theology. I proceed by highlighting two historical examples for the sake of further constructive theological work.
Standing naked without shame
I begin with some glimpses into the Mystagogical Catechesis of Cyril of Jerusalem (fourth century) by focusing on the significance of nakedness. Cyril offers homilies for the neophytes that retrospectively interpret the meaning of the Baptism they had received. The body technologies these homilies reflect are couched in thick descriptions of the tangible quality of the rites themselves. Woven into these descriptions we find intense processes of meaning making, in that the body practices described become an intense field of theological explanation. What is written onto the body becomes almost a site of revelatory knowledge, filled with references to Scripture and theological allusions. Cyril speaks of bodily practices as symbolizing something. Cyril often times juxtaposes symbol and reality in a Platonic way indicating that the symbol is less real than the thing it symbolizes. He nevertheless assumes an ontology of participation that means that the body participates in the reality it signifies.
Cyril explains what happened upon entry into the baptistery:
The interpretation of nakedness these sequences provide is preceded by a reading of Romans 6 that alludes to Baptism into Christ’s death; the cited passage is followed by a description of prebaptismal anointing with exorcistic functions. Then the actual baptismal act happens.
What is written onto the bodies of those who stand naked is the departure of the old nature, of Adam after the fall, a body in whose limbs corrupted desire has lurked. What emerges is Adam in paradise, a body that stands naked and is not ashamed. The naked body right before Baptism is thus already placed in the garden of paradise. The naked body before Baptism does not know shame anymore. Also, in the act of standing naked, Christ on the cross is imitated. The place of deepest despair and vulnerability becomes the place of disarming power. Nakedness thus becomes a means for the performance of eccentric identity in relation to Christ and to the garden of creation. It is a technology of the body that initiates transformation with regard to shame and power. The scene as depicted...